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	<id>https://wiki.thelostvillage.net/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Anwyll</id>
	<title>Zero Wiki - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.thelostvillage.net/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Anwyll"/>
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	<updated>2026-06-04T07:09:51Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_Spirit_List&amp;diff=30825</id>
		<title>Fatal Frame Spirit List</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_Spirit_List&amp;diff=30825"/>
		<updated>2026-04-22T09:24:06Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: 僧 -&amp;gt; 憎&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are 108 ghosts on this spirit list for the PS2 Version. (119 for the [[#Xbox-only Ghosts|Xbox Version]]). Completing it unlocks the [[Special Function: Zero|&amp;quot;Zero&amp;quot; Special Function]].&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-valign=center; background-color:#steelblue; &lt;br /&gt;
! width=&amp;quot;1%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;&amp;lt;nowiki&amp;gt;#&amp;lt;/nowiki&amp;gt;&amp;lt;/font&amp;gt; !! width=&amp;quot;25%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Image&amp;lt;/font&amp;gt; !! width=&amp;quot;20%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Name&amp;lt;/font&amp;gt; !! width=&amp;quot;15%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Night&amp;lt;/font&amp;gt;  !! width=&amp;quot;15%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Location&amp;lt;/font&amp;gt; !! width=&amp;quot;25%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Description&amp;lt;/font&amp;gt;&lt;br /&gt;
|-valign=center&lt;br /&gt;
|-&lt;br /&gt;
|1|| [[image:1_Bound_Man.JPG|center]] || {{H:title|link=yes|縛られた男の霊|Bound Man}} || [[Intro: Himuro]] ||[[Fireplace Room|Fireplace]], etc. || |&amp;lt;tabber&amp;gt;EN=A visitor who was cursed by an evil spirit. It wanders around in agony, seeking help.|-|JA=屋敷をおとずれ、霊に呪われた者の霊。その苦しさのあまり、助けをもとめて屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|2|| [[image:2_Bound_Man.JPG|center]] || {{H:title|link=yes|縛られた男の霊|Bound Man}} || [[1st Night: The Strangling Ritual]] || [[Fireplace Room|Fireplace]], etc. || &amp;lt;tabber&amp;gt;EN=The first ghost [[Mafuyu]] encounters at the [[Himuro Mansion|mansion]]. It despises live beings. |-|JA=屋敷に来た真冬が最初に出会った霊。生きている者に対して強い怒りを感じている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|3|| [[image:3_Female_Head.JPG|center]] || {{H:title|link=yes|首女の霊|Female Head}} || [[1st Night: The Strangling Ritual]] || [[Fireplace Room|Fireplace]], etc. || &amp;lt;tabber&amp;gt;EN=A woman decapitated by the [[Himuro Family Master|family master]]. She wants to replace her body. |-|JA=瘴気により狂気にかられた当主に、首をはねられた女の霊。自らの体の代わりを探している。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|4|| [[image:4_Man_with_Long_Arms.JPG|center]] || {{H:title|link=yes|手の長い男の霊|Man with Long Arms}} || [[1st Night: The Strangling Ritual]] || Walkway, etc. || &amp;lt;tabber&amp;gt;EN=His daughter was a [[Rope Shrine Maiden|Rope Maiden]]. Longing for his daughter, he kidnaps children. |-|JA=儀式のために、子供を巫女にされた男の霊。子供を思うあまりに悪霊と化し、子供をさらう神隠しとなった。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|5|| [[image:5_Broken_Neck.JPG|center]] || {{H:title|link=yes|首が折れた女の霊|Broken Neck}}  || [[1st Night: The Strangling Ritual]] || [[Burial Room]], etc. || &amp;lt;tabber&amp;gt;EN=She jumped off the Moon Observatory. Her suffering from the curse continues.  |-|JA=月見台からとび降りた女の霊。氷室邸の呪いにとらわれ、その時の痛み、苦しみを繰り返している。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|6|| [[image:6_Editor&#039;s.JPG|center]] || {{H:title|編集者の霊|Editor&#039;s}}&amp;lt;br&amp;gt; ([[Koji Ogata]])|| [[1st Night: The Strangling Ritual]] || [[Kimono Room (FF1)|Kimono Room]], etc. || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. Unaware of his condition, he looks for an exit. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。自分が霊になったのもわからず、屋敷の出口をもとめてさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|7|| [[image:7_Assistant&#039;s.JPG|center]] || {{H:title|助手の霊|Assistant&#039;s}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]]) || [[1st Night: The Strangling Ritual]] || [[Backyard]], etc. || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She wants to save [[Junsei Takamine|Takamine]]. |-|JA=高峰の助手、平坂の変わり果てた姿。高峰を助けたい一心で、呪われた後も、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|8|| [[image:8_Novelist&#039;s.JPG|center]] || {{H:title|作家の霊|Novelist&#039;s}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[1st Night: The Strangling Ritual]] || [[Narukami Shrine]] || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. Now without soul, he only feels anger. |-|JA=屋敷を取材に来て呪われた作家、高峰の霊。長時間呪いと関わったため人格も失い、怒りだけを持つ悪霊となった。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|9|| [[image:9_Floating_Woman.JPG|center]] || {{H:title|link=yes|浮遊する女の霊|Floating Woman}}  || [[1st Night: The Strangling Ritual]] || [[Grand Hall]], etc. || &amp;lt;tabber&amp;gt;EN=The dead, brought back to this world by the [[Calamity]]. They drag people down to hell. |-|JA=禍刻により蘇った死者。今は氷室邸の呪いの一部となり、生者を黄泉の世界へ引きこんでいる。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|10|| [[image:10_Wandering_Man.JPG|center]] || {{H:title|link=yes|さまよう男の霊|Wandering Man}}  || [[1st Night: The Strangling Ritual]] || [[Burial Room]], etc. || &amp;lt;tabber&amp;gt;EN=The dead, brought back to this world by the [[Calamity]]. They drag people down to hell. |-|JA=禍刻により蘇った死者。今は氷室邸の呪いの一部となり、生者を黄泉の世界へ引きこんでいる。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|11|| [[image:11_Crawling_Girl.JPG|center]] || {{H:title|link=yes|はう少女の霊|Crawling Girl}} || [[2nd Night: Demon Tag]] || [[Doll Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Mikoto Munakata|Mikoto&#039;s]] friend. Snatched away by [[Long Arms|ghosts]] while playing [[Demon Tag|tag]].  |-|JA=民俗学者の娘、美琴の友達だった子供の霊。屋敷で鬼遊びをしているうちに、神隠しに引きこまれて悪霊化した。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|12|| [[image:12_Boy_Hiding.JPG|center]] || {{H:title|link=yes|隠れる少年の霊|Boy Hiding}} &amp;lt;br&amp;gt; || [[2nd Night: Demon Tag]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Mikoto Munakata|Mikoto&#039;s]] friend. Snatched away by [[Long Arms|ghosts]] while playing [[Demon Tag|tag]].  |-|JA=民俗学者の娘、美琴の友達だった子供の霊。屋敷で鬼遊びをしているうちに、神隠しに引きこまれて悪霊化した。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|13|| [[image:13_Girl_in_Well.JPG|center]] || {{H:title|link=yes|井戸の少女の霊|Girl in the Well}} || [[2nd Night: Demon Tag]] || [[Backyard]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Mikoto Munakata|Mikoto&#039;s]] friend. Snatched away by [[Long Arms|ghosts]] while playing [[Demon Tag|tag]].  |-|JA=民俗学者の娘、美琴の友達だった子供の霊。屋敷で鬼遊びをしているうちに、神隠しに引きこまれて悪霊化した。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|14|| [[image:14_Long_Hair_Woman.JPG|center]] || {{H:title|link=yes|髪の長い女の霊|Long Hair Woman}} || [[2nd Night: Demon Tag]] || [[Grand Hall]] || &amp;lt;tabber&amp;gt;EN=A demon that crossed the [[Hell Gate]]. It drags people down to hell. |-|JA=禍刻で黄泉の門を通って現れた悪霊。今は氷室邸の呪いの一部となり、生者を黄泉の世界へ引きこんでいる。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|15|| [[image:15_Wandering_Monk.JPG|center]] || {{H:title|link=yes|さまよう僧の霊|Wandering Monk}} || [[3rd Night: The Calamity]] || [[Fireplace Room|Fireplace]], etc. || &amp;lt;tabber&amp;gt;EN= Having failed to exorcise the ghosts, this priest now creates new ghosts. |-|JA= 悪霊を成仏させるために呼ばれた行者が、呪いにとらわれ、霊を成仏させるために、新たに霊をつくっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|16|| [[image:16_Blinded.JPG|center]] || {{H:title|link=yes|目を隠された霊|Blinded Maiden}} || [[2nd Night: Demon Tag]] || [[Demon Mouth]], etc. || &amp;lt;tabber&amp;gt;EN=The Blind Demon at the time of the [[Calamity]]. It is searching for the next demon. |-|JA= 禍刻が起こった時の目隠し鬼。次の鬼をもとめて、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|17|| [[image:17_Woman Hanging.JPG|center]] || {{H:title|首を吊る女の霊|Woman Hanging}}&amp;lt;br&amp;gt; ([[Yae Munakata]]) || [[2nd Night: Demon Tag]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The [[Ryozo Munakata|folklorist&#039;s]] [[Yae Munakata|wife]]. The [[Camera Obscura|camera&#039;s]] [[Overexposure|power]] drove her to suicide. |-|JA=射影機の霊力にたえられず自害した、民俗学者の妻。呪いにとらわれ、その苦しみをくり返している。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|18|| [[image:18_Folklorist&#039;s.JPG|center]] || {{H:title|民俗学者の霊|Folklorist&#039;s}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || [[Demon Mouth]] || &amp;lt;tabber&amp;gt;EN=The scholar who studied the [[Himuro Family|Himuros&#039;]] rituals. He attacks [[Miku]] to plead for help. |-|JA=氷室邸の儀式を研究していた学者の霊。黄泉の門のはなつ瘴気にとらわれ、助けをもとめて深紅に襲いかかる。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|19|| [[image:19_Floating_Face.JPG|center]] || {{H:title|link=yes|浮かびあがる顔の霊|Floating Face}} || [[3rd Night: The Calamity]] || Corridor, etc. || &amp;lt;tabber&amp;gt;EN=An ancient ghost who lost his shape through passage of time. |-|JA=かなり昔の霊。呪いにとらわれてから、あまりにも時がたったため、その姿さえ留められなくなりつつある。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|20|| [[image:20_People_Killed.JPG|center]] || {{H:title|link=yes|痺気で倒れた人々|People Killed}}  || [[2nd Night: Demon Tag]] || Banned Path, etc. || &amp;lt;tabber&amp;gt;EN=[[Himuro family]] members that gathered for the [[Strangling Ritual]]. |-|JA=裂き縄の儀式の時、屋敷に集まった氷室の一族。瘴気にあてられて悪霊化し屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|21|| [[image:21_People_Killed.JPG|center]] || {{H:title|link=yes|痺気で倒れた人々|People Killed}} || [[2nd Night: Demon Tag]] || Banned Path, etc. || &amp;lt;tabber&amp;gt;EN=[[Himuro family]] members that gathered for the [[Strangling Ritual]]. |-|JA=裂き縄の儀式の時、屋敷に集まった氷室の一族。瘴気にあてられて悪霊化し屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|22|| [[image:22_People_Killed.JPG|center]] || {{H:title|link=yes|痺気で倒れた人々|People Killed}} || [[2nd Night: Demon Tag]] || Banned Path, etc. || &amp;lt;tabber&amp;gt;EN=[[Himuro family]] members that gathered for the [[Strangling Ritual]]. |-|JA=裂き縄の儀式の時、屋敷に集まった氷室の一族。瘴気にあてられて悪霊化し屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|23|| [[image:23_Shrine_Maiden.JPG|center]] || {{H:title|昔の縄の巫女|Shrine Maiden}}&amp;lt;br&amp;gt;[[Former Rope Shrine Maiden]] || [[Final Night: Kirie]] || [[Rope Altar]] || &amp;lt;tabber&amp;gt;EN=The [[Rope Shrine Maiden]] before [[Kirie]]. The [[Malice]] brought her back to this world. |-|JA=霧絵以前の縄の巫女。禍刻の瘴気で蘇り、生者に助けをもとめてさまよっている &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|24|| [[Image:Headless Priest GhostList 1.jpg|center]] || {{H:title|link=yes|首無し神官の霊|Headless Priest}} || [[3rd Night: The Calamity]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=The priest who pulls the ropes in the [[Strangling Ritual]]. He wants to find his head. |-|JA=裂き縄の儀式で、縄を引く役目の神官。当主にはねられた首をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|25|| [[image:24_Headless_Priest.JPG|center]] || {{H:title|link=yes|首無し神官の霊|Headless Priest}} || [[3rd Night: The Calamity]] || [[Square Garden]] || &amp;lt;tabber&amp;gt;EN=The priest who pulls the ropes in the [[Strangling Ritual]]. He wants to find his head. |-|JA=裂き縄の儀式で、縄を引く役目の神官。当主にはねられた首をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|26|| [[image:25_Headless_Priest.JPG|center]] || {{H:title|link=yes|首無し神官の霊|Headless Priest}} || [[3rd Night: The Calamity]] || [[Backyard]] || &amp;lt;tabber&amp;gt;EN=The priest who pulls the ropes in the [[Strangling Ritual]]. He wants to find his head. |-|JA=裂き縄の儀式で、縄を引く役目の神官。当主にはねられた首をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|27|| [[image:26_Headless_Priest.JPG|center]] || {{H:title|link=yes|首無し神官の霊|Headless Priest}} || [[3rd Night: The Calamity]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The priest who pulls the ropes in the [[Strangling Ritual]]. He wants to find his head. |-|JA=裂き縄の儀式で、縄を引く役目の神官。当主にはねられた首をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|28|| [[image:28_Family_Master.JPG|center]] || {{H:title|氷室家当主の霊|Family Master}}&amp;lt;br&amp;gt;[[Himuro Family Master]] || [[3rd Night: The Calamity]] || [[Grand Hall]], etc. || &amp;lt;tabber&amp;gt;EN=The last master of the [[Himuro family]]. He wants to decapitate everyone. |-|JA=最後の氷室当主の霊。瘴気を浴びたことにより狂気にかられ、全ての者の首をかねようとしている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|29|| [[image:29_Kirie.JPG|center]] || {{H:title|link=yes|霧絵|Kirie}}  || [[Final Night: Kirie]] || [[Hell Gate]] || &amp;lt;tabber&amp;gt;EN=[[Kirie Himuro|Kirie&#039;s]] ghost turned evil. She wants everyone in the [[Himuro Mansion|mansion]] to suffer as she has. |-|JA=悪霊となった霧絵。屋敷をおとずれた者に同じ苦しみをあたえようとしている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|30|| [[image:30_Rope_Hallway_Man.JPG|center]] || {{H:title|縄の廊下の男|Rope Hallway Man}}&amp;lt;br&amp;gt; ([[Junsei Takamine]])|| [[Intro: Himuro]] || [[Rope Hallway]] || &amp;lt;tabber&amp;gt;EN=Takamine&#039;s ghost that appeared before [[Mafuyu]]. He pleads for Mafuyu&#039;s help. |-|JA=真冬の前に現れた、高峰の霊。氷室家の呪いにとらわれた高峰が、真冬に助けをもとめて現れた。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|31|| [[image:31_Man_Looking_Down.JPG|center]] || {{H:title|階下を見下ろす男|Man Looking Down}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[Intro: Himuro]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=Takamine&#039;s ghost that appeared before [[Mafuyu]]. He leads Mafuyu into the [[Himuro Mansion|mansion]]. |-|JA=真冬の前に現れた、高峰の霊。真冬を屋敷の奥に導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|32|| [[image:32_Man_At_Partition.JPG|center]] || {{H:title|衝立裏の男|Man at Partition}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Entrance]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He came to see who had come into the [[Himuro Mansion|mansion]]. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。玄関に人の気配を感じ、様子をうかがいに来た。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|33|| [[image:33_Man_on_a_Beam.JPG|center]] || {{H:title|梁によこたわる男|Man on Beam}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Rope Hallway]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He watched [[Miku]] as she came into the [[Himuro Mansion|mansion]]. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。玄関から屋敷に入ってき深紅を見ていた。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|34|| [[image:34_Bro&#039;s_Shadow.JPG|center]] || {{H:title|兄らしき人影|Bro&#039;s Shadow}}&amp;lt;br&amp;gt; ([[Mafuyu Hinasaki]]) || [[1st Night: The Strangling Ritual]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=Mafuyu walking up the staircase. The curse distorted time, and he couldn&#039;t see [[Miku]]. |-|JA=階段を上がる真冬。呪いにより時間がゆがみ、真冬からは深紅が見えていなかった。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|35|| [[image:35_Hallway_Man.JPG|center]] || {{H:title|階下を歩く男|Hallway Man}}&amp;lt;br&amp;gt;([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. It&#039;s showing [[Miku]] the hidden door. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。深紅に自分を発見してもらうために、隠してある扉を教えている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|36|| [[image:36_Man_at_Screen.JPG|center]] || {{H:title|塀風に消える男|Man at Screen}}&amp;lt;br&amp;gt;([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He leads [[Miku]] to a hidden door.|-|JA=高峰と供に取材に来た編集者の変わり果てた姿。降りかかった呪いを深紅に見せるため、隠してある扉を教えている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|37|| [[image:37_Wandering_Man.JPG|center]] || {{H:title|さまよう男|Wandering Man}}&amp;lt;br&amp;gt;([[Koji Ogata]])|| [[1st Night: The Strangling Ritual]] || [[Library (FF1)|Library]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He leads [[Miku]] into the closet. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。自分に降りかかった呪いを見せるため、押入れに深紅を導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|38|| [[image:38_Dead_Man&#039;s_Body.JPG|center]] || {{H:title|男の死体|Dead Man&#039;s Body}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Library (FF1)|Library]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He shows [[Miku]] the [[Rope Curse|curse]]. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。自分に降りかかった呪いを深紅に見せている。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|39|| [[image:39_Man_at_Window.JPG|center]] || {{H:title|窓に消える男|Man at Window}}&amp;lt;br&amp;gt; ([[Koji Ogata]])|| [[1st Night: The Strangling Ritual]] || [[Kimono Room (FF1)|Kimono Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He leads [[Miku]] to his belongings. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。自分が残した物の場所に、深紅を誘っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|40|| [[image:40_Man_in_Closet.JPG|center]] || {{H:title|押入れに隠れる男|Man in Closet}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || Lamp Hallway || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He is looking at [[Miku]] from the closet. |-|JA=高峰と供に取材に来た編集者の変わり果てた姿。押入れの中から、深紅の様子をうかがっている。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|41|| [[Image:41 Standing Man.jpg|center]] || {{H:title|立ちつくす男|Standing Man}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Library (FF1)|Library]] || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine&#039;s editor. He wanders the [[Himuro Mansion|mansion]], looking for an exit.|-|JA=書院の間|| 高峰と供に取材に来た編集者の変わり果てた姿。出口をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|42|| [[image:42_Man_Behind.JPG|center]] || {{H:title|背後に立つ男|Man Behind}}&amp;lt;br&amp;gt; ([[Koji Ogata]]) || [[1st Night: The Strangling Ritual]] || [[Kimono Room (FF1)|Kimono Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Junsei Takamine|Takamine&#039;s]] editor. He appeared to plead for [[Miku Hinasaki|Miku&#039;s]] help.|-|JA= 高峰と供に取材に来た編集者の変わり果てた姿。深紅に助けをもとめて出現した。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|43|| [[image:43_Woman_at_Mirror.JPG|center]] || {{H:title|鏡の前の女|Woman at Mirror}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]]) || [[1st Night: The Strangling Ritual]] || Walkway/2F || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She wants to save [[Junsei Takamine|Takamine]].|-|JA=高峰の助手、平坂の代わり果てた姿。高峰を助けるため、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|44|| [[image:44_Wandering_Woman.JPG|center]] || {{H:title|さまよう女|Wandering Woman}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]])|| [[1st Night: The Strangling Ritual]] || [[Burial Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She wants to save [[Junsei Takamine|Takamine]].|-|JA=高峰の助手、平坂の代わり果てた姿。高峰を助けるため、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|45|| [[image:45_Girl_Pointing.JPG|center]] || {{H:title|奥を指差す少女|Girl Pointing}}&amp;lt;br&amp;gt; ([[White Kimono]]) || [[1st Night: The Strangling Ritual]] || Storehouse || &amp;lt;tabber&amp;gt;EN=Young [[Kirie]] pointing at the back of the storehouse. A ghost holds the door shut.|-|JA=倉の奥を指差す少女の霧絵。深紅を助けるため、扉を封じている霊の居場所を教えている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|46|| [[image:46_Woman_on_Porch.JPG|center]] || {{H:title|縁側に消える女|Woman on Porch}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]])|| [[1st Night: The Strangling Ritual]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She wanders in search(ing) of [[Junsei Takamine|Takamine]].|-|JA=高峰の助手、平坂の変わり果てた姿。高峰の姿をもとめて、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|47|| [[image:47_Woman_in_Atrium.JPG|center]] || {{H:title|中庭に消える女|Woman in Atrium}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]]) || [[1st Night: The Strangling Ritual]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She leads [[Miku]] to the [[Abyss (FF1)|abyss]].|-|JA=高峰の助手、平坂の代わり果てた姿。自分に降りかかった呪いを深紅に見せるため、逢魔が淵に深紅を導く。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|48|| [[image:48_Woman_Turning.JPG|center]] || {{H:title|振り返る女|Woman Turning}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]])|| [[1st Night: The Strangling Ritual]] || [[Doll Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. She shows off the [[Rope Shrine Maiden|Rope Maiden]] doll to [[Miku]].|-|JA=高峰の助手、平坂の代わり果てた姿。霧絵の存在を伝えるため、縄の巫女の姿をした人形を深紅に教えている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|49|| [[image:49_Woman_Who_Jumps.JPG|center]] || {{H:title|とび降りる女|Woman Who Jumps}}&amp;lt;br&amp;gt; ([[Broken Neck]]) || [[1st Night: The Strangling Ritual]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=A woman who jumped off the Moon Observatory. She continues to suffer. |-|JA=禍刻の瘴気にやられ、月見台からとび降りた女の霊。呪いのため、その時の痛みをくり返している。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|50|| [[image:50_Man_Turning.JPG|center]] || {{H:title|振り返る男|Man Turning}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[1st Night: The Strangling Ritual]] || Stairway || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. He lures [[Miku]] deeper into the [[Himuro Mansion|mansion]]. |-|JA=屋敷を取材に来て呪われた作家、高峰の霊。深紅に呪いのことを伝えるため、屋敷の奥へ導いている。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|51|| [[image:51_Woman_at_Corner.JPG|center]] || {{H:title|角を曲がる女|Woman at Corner}}&amp;lt;br&amp;gt; ([[Tomoe Hirasaka]]) || [[1st Night: The Strangling Ritual]] || Stairway || &amp;lt;tabber&amp;gt;EN=The ghost of [[Tomoe Hirasaka|Hirasaka]]. (S)he lures [[Miku]] deeper into the [[Himuro Mansion|mansion]]. |-|JA=高峰の助手、平坂の代わり果てた姿。深紅に呪いのことを伝えるため、屋敷の奥へ導いている。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|52|| [[image:52_Woman_Hanging.JPG|center]] || {{H:title|首を吊る女|Woman Hanging}}&amp;lt;br&amp;gt; ([[Yae Munakata]]) || [[1st Night: The Strangling Ritual]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The ghost of Yae, the [[Ryozo Munakata|folklorist&#039;s]] wife. She appeared to tell [[Miku]] of her suffering.|-|JA=民俗学者の妻、八重の霊。深紅に、自分の苦しみを伝えようと現れた。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|53|| [[image:53_Blinded_Woman.JPG|center]] || {{H:title|目を潰された女|Blinded Woman}}&amp;lt;br&amp;gt;([[Blinded Maiden]]) || [[1st Night: The Strangling Ritual]] || Rubble Room || &amp;lt;tabber&amp;gt;EN=Blind Demon at the time of the [[Calamity]]. She is searching for the next demon.&amp;lt;small&amp;gt;(&amp;lt;ref group=&amp;quot;Note&amp;quot;&amp;gt;This ghost will not appear if you have already entered the Forest Path area.&amp;lt;/ref&amp;gt;)&amp;lt;/small&amp;gt;  |-|JA=禍刻が起こった時の、目隠し鬼。次の鬼をもとめて、屋敷内をさまよっている。 &amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|54|| [[image:54_Female_Head.JPG|center]] || {{H:title|link=yes|女の生首|Female Head}} || [[1st Night: The Strangling Ritual]] || Stairway || &amp;lt;tabber&amp;gt;EN=A woman decapitated by the [[Himuro Family Master|family master]]. She wants to replace her body.&amp;lt;small&amp;gt;(&amp;lt;ref group=&amp;quot;Note&amp;quot;&amp;gt;This ghost will not appear if you have already entered the Forest Path area.&amp;lt;/ref&amp;gt;)&amp;lt;/small&amp;gt;|-|JA=瘴気により狂気にかられた当主に、首をはねられた女の霊。自らの体の代わりを探している。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|55|| [[image:55_Man_in_Backyard.JPG|center]] || {{H:title|裏庭に消える男|Man in Backyard}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[1st Night: The Strangling Ritual]] || [[Backyard]] || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. He lures [[Miku]] deeper into the [[Himuro Mansion|mansion]]. |-|JA=屋敷を取材に来て呪われた作家、高峰の霊。深紅に呪いのことを伝えるため、屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|56|| [[image:56_Girl_Pleading.JPG|center]] || {{H:title|助けをもとめる娘|Girl Pleading}}&amp;lt;br&amp;gt; ([[White Kimono]]) || [[1st Night: The Strangling Ritual]] || [[Backyard]] || &amp;lt;tabber&amp;gt;EN=Young [[Kirie]] looks out from the [[Dungeon]] to a place where her thoughts lie.|-|JA=座敷牢から外を見ている少女時代の霧絵の霊。自らの「想い」を閉じ込められている場所を、深紅に教えている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|57|| [[image:57_Standing_Man.JPG|center]] || {{H:title|立ちつくす男|Standing Man}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[1st Night: The Strangling Ritual]] || Forest Path || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. He lures [[Miku]] deeper into the [[Himuro Mansion|mansion]].|-|JA=屋敷を取材に来て呪われた作家、高峰の霊。深紅に呪いのことを伝えるため、屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|58|| [[image:58_Crucified_Man.JPG|center]] || {{H:title|振り付けの男|Crucified Man}}&amp;lt;br&amp;gt; ([[Junsei Takamine]]) || [[1st Night: The Strangling Ritual]] || [[Narukami Shrine]] || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. He shows [[Miku]] the [[Himuro Mansion|mansion&#039;s]] [[Rope Curse|curse]].|-|JA=屋敷を取材に来て呪われた作家、高峰の霊。自らに降りかかった呪いを深紅に見せている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|59|| [[image:59_Child_on_Porch.JPG|center]] || {{H:title|縁側を走る子供|Child on Porch}}&amp;lt;br&amp;gt; ([[Clock Boy]]) || [[2nd Night: Demon Tag]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=A child snatched away by a [[Long Arms|ghost]]. He tries to play [[Demon Tag|tag]] with [[Miku]].|-|JA=屋敷で遊んでいて、神隠しにあった子供の霊。深紅と遊んでいるつもりらしく、深紅から逃げまわろうとしている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|60|| [[image:60_Kid_Running_Away.JPG|center]] || {{H:title|逃げていく子供|Kid Running Away}}&amp;lt;br&amp;gt; ([[Clock Boy]]) || [[2nd Night: Demon Tag]] || Stairway || &amp;lt;tabber&amp;gt;EN=A child snatched away by a [[Long Arms|ghost]]. He wants [[Miku]] to find him.|-|JA=屋敷で遊んでいて、神隠しにあった子供の霊。自分を見つけてもらいたくて、深紅を屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|61|| [[image:61_Kid_Running_Away.JPG|center]] || {{H:title|走り去る子供|Kid Running Away}}&amp;lt;br&amp;gt; ([[Clock Boy]]) || [[2nd Night: Demon Tag]] || [[Fishtank Room]] || &amp;lt;tabber&amp;gt;EN=A child snatched away by a [[Long Arms|ghost]]. He wants [[Miku]] to find him.|-|JA=屋敷で遊んでいて、神隠しにあった子供の霊。自分を見つけてもらいたくて、深紅を屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|62|| [[image:62_Bro&#039;s_Shadow.JPG|center]] || {{H:title|兄らしき人影|Bro&#039;s Shadow}}&amp;lt;br&amp;gt; ([[Mafuyu Hinasaki]]) || [[2nd Night: Demon Tag]] || Corridor || &amp;lt;tabber&amp;gt;EN=Mafuyu standing in the corridor. The curse distorted time, and he couldn&#039;t see [[Miku]].|-|JA=渡り廊下の真冬。呪いにより時間がゆがみ、真冬からは深紅が見えていなかった。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|63|| [[image:63_Hanged_Woman.JPG|center]] || {{H:title|首を吊った女|Hanged Woman}}&amp;lt;br&amp;gt; ([[Yae Munakata]]) || [[2nd Night: Demon Tag]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The ghost of Yae, the [[Ryozo Munakata|folklorist&#039;s]] wife. She tries to tell [[Miku]] of her suffering.|-|JA=民俗学者の妻、八重の霊。深紅に、自分の苦しみを伝えようとしている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|64|| [[image:64_Observatory_Man.JPG|center]] || {{H:title|月見台の男|Observatory Man}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=Munakata, looking down from the Moon Observatory. He tells [[Miku]] about [[Yae Munakata|Yae&#039;s]] suicide.|-|JA=月見台から中庭を見下ろす宗方の霊。自害した八重を見つけた解きの苦しみを、深紅に伝えようとしている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|65|| [[image:65_Girl_under_Porch.JPG|center]] || {{H:title|縁の下の子供|Girl under Porch}}&amp;lt;br&amp;gt; ([[Crawling Girl]])|| [[2nd Night: Demon Tag]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=A child snatched away by a [[Long Arms|ghost]]. (S)he wants [[Miku]] to find (her).|-|JA=屋敷で遊んでいて、神隠しにあった子供の霊。自分を見つけてもらいたくて、深紅を屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|66|| [[image:66_Man_Before_Door.JPG|center]] || {{H:title|扉の前の男|Man Before Door}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || [[Demon Mouth]] || &amp;lt;tabber&amp;gt;EN=Munakata hovering near the Demon Mouth. He tells [[Miku]] about the [[Himuro Family|Himuros&#039;]] curse.|-|JA=鬼の口の入り口にたたずむ宗方の霊。心残りである氷室家の呪いについて、深紅に教えるために出現する。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|67|| [[image:67_Girl_Pointing.JPG|center]] || {{H:title|燭台を指差す少女|Girl Pointing}}&amp;lt;br&amp;gt; ([[White Kimono]]) || [[2nd Night: Demon Tag]] || [[Burial Room]] || &amp;lt;tabber&amp;gt;EN=Young [[Kirie]] pointing out a key in the Burial Room. She wants [[Miku]] to break the curse.|-|JA=弔いの間に隠された鍵を指差す少女時代の霧絵。呪いを解く手助けのために、深紅を導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|68|| [[image:68_Kid_Hiding.JPG|center]] || {{H:title|着物に隠れる子供|Kid Hiding}}&amp;lt;br&amp;gt; ([[Clock Boy]]) || [[2nd Night: Demon Tag]] || [[Kimono Room (FF1)|Kimono Room]] || &amp;lt;tabber&amp;gt;EN=A child snatched away by a [[Long Arms|ghost]]. He wants [[Miku]] to find him.|-|JA=屋敷で遊んでいて、神隠しにあった子供の霊。自分を見つけてみらいたくて、深紅を屋敷の奥へ導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|69|| [[image:69_Man_in_Study.JPG|center]] || {{H:title|書斎に消える男|Man in Study}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || Tatami Room || &amp;lt;tabber&amp;gt;EN=Munakata guiding [[Miku]] toward the library. He shares his knowledge on the [[Himuro Family]].|-|JA=深紅を書斎に導く宗方の霊。氷室家についての研究を深紅に伝えるために深紅を導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|70|| [[image:70_Man_Before_Study.JPG|center]] || {{H:title|書斎の前の男|Man Before Study}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || Tatami Room || &amp;lt;tabber&amp;gt;EN=Munakata guiding [[Miku]]. He shares his knowledge of the [[Himuro Mansion|mansion]].|-|JA=深紅を導く宗方の霊。氷室家についての研究を深紅に伝えるために深紅を導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|71|| [[image:71_Observatory_Man.JPG|center]] || {{H:title|月見台に消える男|Observatory Man}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || Tatami Room || &amp;lt;tabber&amp;gt;EN=Munakata guiding [[Miku]]. He shares his knowledge of the [[Himuro Mansion|mansion]].|-|JA=深紅を導く宗方の霊。氷室家についての研究を深紅に伝えるために深紅を導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|72|| [[image:72_Hall_Wanderer.JPG|center]] || {{H:title|廊下をさまよう男|Hall Wanderer}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || Hidden Passage || &amp;lt;tabber&amp;gt;EN=Munakata guiding [[Miku]]. He shares his knowledge on the [[Himuro Family]].|-|JA=深紅を導く宗方の霊。氷室家についての研究を深紅に伝えるために深紅を導いている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|73|| [[image:73_Man_in_Hall.JPG|center]] || {{H:title|廊下をよこぎる男|Man in Hall}}&amp;lt;br&amp;gt; ([[Ryozo Munakata]]) || [[2nd Night: Demon Tag]] || Hidden Passage || &amp;lt;tabber&amp;gt;EN=Munakata guiding [[Miku]]. He shares his knowledge on the [[Himuro Family]]. |-|JA=深紅を導く宗方の霊。氷室家についての研究を深紅に伝えるために深紅を導いている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|74|| [[image:74_Man_in_Atrium.JPG|center]] || {{H:title|中庭に消える男|Man in Atrium}}&amp;lt;br&amp;gt; ([[Himuro Family Master]]) || [[3rd Night: The Calamity]] || [[Burial Room]] || &amp;lt;tabber&amp;gt;EN=The [[Himuro Family]] master. Driven insane by the [[Malice]]. He hunts after heads.|-|JA=氷室家当主の霊。瘴気を浴び、狂気にかられて、全ての者の首をはねようと、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|75|| [[image:75_Turning_Mask_Man.JPG|center]] || {{H:title|振り返る鬼面の男|Turning Mask Man}}&amp;lt;br&amp;gt; ([[Himuro Family Master]]) || [[3rd Night: The Calamity]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The [[Himuro Family]] master. Driven insane by the [[Malice]]. He hunts after heads.|-|JA=氷室家当主の霊。瘴気を浴び、狂気にかられて、全ての者の首をはねようと、屋敷内をさまよっている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|76|| [[image:76_Girl_in_White.JPG|center]] || {{H:title|白い着物の少女|Girl in White}}&amp;lt;br&amp;gt; ([[White Kimono]]) || [[Final Night: Kirie]] || [[Dungeon]] || &amp;lt;tabber&amp;gt;EN=[[Kirie]] as a young girl. She points at the dungeon&#039;s exit to [[Miku]].|-|JA=少女時代の霧絵。悪霊と化した霧絵が近づいていることを知り、深紅に座敷牢からの出口を教えている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|77|| [[image:77_Child_Behind.JPG|center]] || {{H:title|背後に立つ子供|Child Behind}} || [[Intro: Himuro]] || [[Entrance]] || &amp;lt;tabber&amp;gt;EN=A child snatched away by a ghost. He is waiting for someone to find him. |-|JA=神隠しにあった子供の霊。屋敷のどこかで、誰かに見つかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|78|| [[image:78_Angry_Man.JPG|center]] || {{H:title|怒りにみちた男|Angry Man}} || [[Intro: Himuro]] || [[Fireplace Room|Fireplace]] || &amp;lt;tabber&amp;gt;EN=A victim of the [[Malice]]. Anger fills its soul. It waits for a passerby.|-|JA= 瘴気を浴びて、怒りの感情のみが残った亡者の霊。成仏できず、誰かが通りかかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|79|| [[image:79_Woman_in_Kimono.JPG|center]] || {{H:title|着物を着た女|Woman in Kimono}} || [[1st Night: The Strangling Ritual]] || [[Kimono Room (FF1)|Kimono Room]] || &amp;lt;tabber&amp;gt;EN=A female victim of the [[Calamity]]. She wants to show off her favorite kimono.|-|JA=禍刻が起きた時に氷室邸にいた女性の霊。気に入った着物を見せられなかったことが心残りで、誰かを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|80|| [[image:80_Woman_in_Pain.JPG|center]] || {{H:title|苦痛にゆがむ女|Woman in Pain}} || [[1st Night: The Strangling Ritual]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=A ghost suffering from the [[Malice]]. It is trying to tell people about the pain.|-|JA=瘴気を浴びたため、苦痛を感じつづける霊。その痛みを訴えるために誰かが通るのを待っている。&amp;lt;/tabber&amp;gt;  &lt;br /&gt;
|-&lt;br /&gt;
|81|| [[image:81_Monk_into_Dark.JPG|center]] || {{H:title|暗闇にしずむ僧|Monk into Dark}} || [[1st Night: The Strangling Ritual]] || [[Fishtank Room]] || &amp;lt;tabber&amp;gt;EN=A monk who fell victim to the [[Malice]] of the [[Calamity]]. &amp;lt;small&amp;gt;(&amp;lt;ref group=&amp;quot;Note&amp;quot;&amp;gt;The Japanese entry for #81 and #84 say that the monk is searching for his friend who came to the mansion with him to exorcise spirits.&amp;lt;/ref&amp;gt;)&amp;lt;/small&amp;gt;|-|JA=悪霊を成仏させようとして瘴気を浴びた僧の霊。一緒に来た、もう一人の友の僧を探して、屋敷内で待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|82|| [[image:82_Girl_Turning.JPG|center]] || {{H:title|ふり返る少女|Girl Turning}} || [[1st Night: The Strangling Ritual]] || [[Backyard]] || &amp;lt;tabber&amp;gt;EN=[[Kirie Himuro|Kirie&#039;s]] servant, who was thrown into the well for the sake of secrecy.|-|JA=霧絵の世話係の少女。儀式の後、儀式の秘法を守るために井戸になげ込まれた。彼女は、今も井戸で霧絵を待っている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|83|| [[image:83_Warped_Man.JPG|center]] || {{H:title|ゆがんだ男|Warped Man}} || [[1st Night: The Strangling Ritual]] || Forest Path || &amp;lt;tabber&amp;gt;EN=He tried to spy on the [[Himuro Family|Himuro family&#039;s]] rituals, and fell victim to the [[Malice]].|-|JA=氷室家の秘法を探るため、屋敷に入り込んだ男。儀式の秘法を目前に瘴気に巻き込まれ、成仏できずにさまよっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|84|| [[image:84_Monk_out_of_Dark.JPG|center]] || {{H:title|暗闇にしずむ僧|Monk Out of Dark}} || [[2nd Night: Demon Tag]] || Stairway || &amp;lt;tabber&amp;gt;EN=A monk who fell victim to the [[Malice]] of the [[Calamity]]. &amp;lt;small&amp;gt;(&amp;lt;ref group=&amp;quot;Note&amp;quot;&amp;gt;The Japanese entry for #81 and #84 say that the monk is searching for his friend who came to the mansion with him to exorcise spirits.&amp;lt;/ref&amp;gt;)&amp;lt;/small&amp;gt;|-|JA=悪霊を成仏させようとして瘴気を浴びた僧の霊。一緒に来た、もう一人の友の僧を探して、屋敷内で待っている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|85|| [[image:85_Tormented_Ones.JPG|center]] || {{H:title|苦しみの人々|Tormented Ones}} || [[2nd Night: Demon Tag]] || [[Narukami Shrine]] || &amp;lt;tabber&amp;gt;EN=The [[Himuro family]] members who fell victim to the [[Calamity]].|-|JA=禍刻が起きた時に屋敷にいた氷室家の人々。何が起こったかもわからず、誰かが通りかかるのを待っている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|86|| [[image:86_Burned_Man.JPG|center]] || {{H:title|やけただれた男|Burned Man}} || [[2nd Night: Demon Tag]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=A man who got hit hard by the Malice. He wants to tell a passerby of his suffering.|-|JA=強い正気を浴びた男の霊。その痛み、苦しみを伝えるため、誰かが通りかかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|87|| [[image:87_Evil_Woman.JPG|center]] || {{H:title|悪霊をまとう女|Evil Woman}} || [[2nd Night: Demon Tag]] || [[Grand Hall]] || &amp;lt;tabber&amp;gt;EN=A maid murdered by the [[Himuro Family Master|family master]]. She knows that she is dead, but can&#039;t perish.|-|JA=当主に殺された女中。自分の死を認識しており、何とか成仏しようとしたが、悪霊につかれて成仏できなくなった。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|88|| [[image:88_Talking_Ghosts.JPG|center]] || {{H:title|訴えかける亡者|Talking Ghosts}} || [[2nd Night: Demon Tag]] || Hidden Passage || &amp;lt;tabber&amp;gt;EN=She lost her form when the [[Malice]] hit her. Now all she can do is scream. &amp;lt;small&amp;gt;(&amp;lt;ref group=&amp;quot;Note&amp;quot;&amp;gt;The Japanese entry for #88 says that she is the spirit of a maid who lived in the mansion.&amp;lt;/ref&amp;gt;)&amp;lt;/small&amp;gt;|-|JA=あまりに強く瘴気にさらされたため、姿も失い、ただ、さけぶことしかできない霊。屋敷にいた女中の霊だとも言われる。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|89|| [[image:89_Long_Hair_Woman.JPG|center]] || {{H:title|髪をなびかせる女|Long Hair Woman}} || [[Final Night: Kirie]] || Attic || &amp;lt;tabber&amp;gt;EN=Her hair kept its beauty even after she was hit by the [[Malice]]. She waits for a passerby.|-|JA=瘴気を浴びても、なぜか髪だけは生前の美しさを残したまま死んだ女。死してもなお髪をなびかせ、誰かを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|90|| [[image:90_Man_at_Bottom.JPG|center]] || {{H:title|底から見上げる男|Man at Bottom}} || [[Final Night: Kirie]] || Hell Bridge || &amp;lt;tabber&amp;gt;EN=The ghost of a man who was pushed over a cliff by the [[Malice]].|-|JA=黄泉の門から吹き出した瘴気によって、崖から突き落とされた男の霊。次の犠牲者が落ちてこないかと、上を見ている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|91|| [[image:91_Six_Vengeance.JPG|center]] || {{H:title|六つの憎念|Six Vengeance}} || [[Final Night: Kirie]] || [[Rope Altar]] || &amp;lt;tabber&amp;gt;EN=A ghost floating on the other side of the [[Hell Gate]]. It wants to cross over to this side.|-|JA=黄泉の門の向こう側にただよっている亡霊。生前への想いが集まり、黄泉の国からこちらの世界をうかがっている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|92|| [[image:92_Ogata.JPG|center]] || {{H:title|編集者|Ogata}} || [[3rd Night: The Calamity]] || [[Library (FF1)|Library]] || &amp;lt;tabber&amp;gt;EN=[[Junsei Takamine|Takamine&#039;s]] editor, Ogata. He hides and waits for help inside the closet.|-|JA=高峰と供に取材に来た編集者、緒方の霊。恐怖のあまり押し入れに隠れ、死した後も、助けがくるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|93|| [[image:93_Hirasaka.JPG|center]] || {{H:title|助手　平坂巴|Hirasaka}} || [[3rd Night: The Calamity]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=[[Junsei Takamine|Takamine&#039;s]] assistant, Hirasaka. [[Kirie]] cursed her.|-|JA=高峰と供に取材に来た助手、平坂の霊。霧絵に呪われた場所で、この屋敷に来たことをくやんでいる。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|94|| [[image:94_Takamine.JPG|center]] || {{H:title|作家　高峰準星|Takamine}} || [[3rd Night: The Calamity]] || [[Narukami Shrine]] || &amp;lt;tabber&amp;gt;EN=The ghost of Takamine, novelist. He waits for someone to pass by.|-|JA=屋敷を取材に来て呪われた作家、高峰の霊。呪いのことを伝えるため神社の参道を通りかかる者を待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|95|| [[image:16_Blinded.JPG|center]] || {{H:title|目隠し鬼|Blind Demon}} || [[3rd Night: The Calamity]] || [[Blinding Room]] || &amp;lt;tabber&amp;gt;EN=A female Blind Demon from [[Kirie Himuro|Kirie&#039;s]] time period. She is looking for the next demon.|-|JA=霧絵時代の目隠し鬼の女性の霊。自らが最後の鬼となった場所で、次の鬼が通りかかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|96|| [[image:17 Woman Hanging.JPG|center]] || {{H:title|学者の妻　八重|Yae}} || [[3rd Night: The Calamity]] || [[Cherry Atrium]] || &amp;lt;tabber&amp;gt;EN=The ghost of Yae, the [[Ryozo Munakata|folklorist&#039;s]] wife. She wants to tell people about her pain.|-|JA=民俗学者の妻、八重の霊。自害した自分の苦しみを伝えようと、誰かが通りかかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|97|| [[image:18 Folklorist&#039;s.JPG|center]] || {{H:title|学者　宗方良蔵|Munakata}} || [[3rd Night: The Calamity]] || Banned Path || &amp;lt;tabber&amp;gt;EN=The ghost of Munakata. He wants to tell people about the [[Rope Curse|curse]] of the [[Rope Shrine Maiden|Rope Maiden]].|-|JA=氷室邸を研究していた民俗学者、宗方の霊。縄の巫女の呪いのことを人に伝えようと、死した後も待っている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|98|| [[image:28 Family Master.JPG|center]] || {{H:title|氷室家当主|Family Master}} || [[3rd Night: The Calamity]] || [[Grand Hall]] || &amp;lt;tabber&amp;gt;EN=The [[Himuro family]] master. He regrets killing everyone in the [[Himuro Mansion|mansion]].|-|JA=氷室家当主の霊。瘴気を浴び、家人を手にかけてしまったことをくやみ、誰かが通りかかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|99|| [[image:99_Kirie&#039;s_Love.JPG|center]] || {{H:title|link=yes|霧絵の想い人|Kirie&#039;s Love}}  || [[Final Night: Kirie]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=The ghost of [[Kirie&#039;s Lover|Kirie&#039;s Love]], murdered in the [[Abyss (FF1)|abyss]].|-|JA=霧絵の想い人の霊。当主の指示で逢魔が淵にて殺害された。そのことを伝えるため、見つかるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|100|| [[image:100_Truth_Binder.JPG|center]] || {{H:title|真実を縛った男|Truth Binder}}&amp;lt;br&amp;gt; ([[Makoto Shibata]]) || [[Final Night: Kirie]] || [[Buddha Room]] || &amp;lt;tabber&amp;gt;EN=He was in love with [[Kirie]]. Murdered to protect the ritual&#039;s secrets.&amp;lt;/small&amp;gt;|-|JA=裂き縄の儀式の「縄」を縛る係。儀式の後、彼も秘法を守るために殺された。実は霧絵に片思いしていた。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|101|| [[image:101_Burdened_Man.JPG|center]] || {{H:title|すべてを背負う男|Burdened Man}}&amp;lt;br&amp;gt; ([[Keisuke Kikuchi]])  || [[Final Night: Kirie]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=He hid the body of [[Kirie&#039;s Lover|Kirie&#039;s love]], then murdered. He was in love with [[Kirie]].|-|JA=霧絵の想い人の死体を隠すことを命じられたが、彼も秘法を守るために殺された。実は霧絵に片思いしていた。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|102|| [[image:102_Seductress.JPG|center]] || {{H:title|奥へ誘う女|Seductress}} || [[1st Night: The Strangling Ritual]] || Storehouse || &amp;lt;tabber&amp;gt;EN=Woman who got locked down in the storehouse. She lures people into the storehouse.|-|JA=倉に閉じ込められて出られなくなった女性の霊。誰かを同じように閉じ込めるため、倉の奥で誘っている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|103|| [[image:103_Woman_Pulled_In.JPG|center]] || {{H:title|引きこまれた女|Woman Pulled In}} || [[1st Night: The Strangling Ritual]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=A woman who was pulled into the [[Abyss (FF1)|Abyss]]. She&#039;s waiting to be pulled out.|-|JA=逢魔が淵に引きこまれた女性の霊。誰かが引き上げてくれるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|104|| [[image:104_Child_Onlooker.JPG|center]] || {{H:title|影から見る子供|Child Onlooker}} || [[1st Night: The Strangling Ritual]] || [[Doll Room]] || &amp;lt;tabber&amp;gt;EN=A child, snatched away by a ghost. He hides in the [[Doll Room]].|-|JA=神隠しにひきこまれた、多数の子供の一人。人形の部屋に隠れて、誰かが見つけてくれるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|105|| [[image:105_Vengeance_in_Wall.JPG|center]] || {{H:title|壁の中の怨念|Vengeance In Wall}} || [[2nd Night: Demon Tag]] || Stairway || &amp;lt;tabber&amp;gt;EN=The evil ghost of a human, sacrificed and placed on the [[Himuro Mansion|mansion&#039;s]] wall.|-|JA=屋敷を悪霊から守るために、壁に塗りこめられた人身御供が、瘴気で悪霊化したもの。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|106|| [[image:106_Vengeance.JPG|center]] || {{H:title|見下ろす怨念|Vengeance }}|| [[2nd Night: Demon Tag]] || [[Rope Hallway]] || &amp;lt;tabber&amp;gt;EN=The evil ghost of a human, sacrificed and placed on the beam.|-|JA=屋敷に悪霊が入らないように、縄の廊下の梁に捧げられた人身御供が、瘴気で悪霊化したもの。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|107|| [[image:107_Girl_Hiding.JPG|center]] || {{H:title|隙間に隠れる少女|Girl Hiding}} || [[2nd Night: Demon Tag]] || Walkway || &amp;lt;tabber&amp;gt;EN=A child, snatched away by a ghost. (S)he is hiding in the walkway crevice.|-|JA=神隠しにひきこまれた、多数の子供の一人。回廊の隙間に隠れて、誰かが見つけてくれるのを待っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|108|| [[image:108_Crushed_Woman.JPG|center]] || {{H:title|下敷きになった女|Crushed Woman}} || [[3rd Night: The Calamity]] || Rubble Room || &amp;lt;tabber&amp;gt;EN=A woman who was crushed to death during the [[Calamity]].|-|JA=禍刻が起きた時、崩れた部屋の下敷きになった女性の霊。その後、事故が多発するよいになったため工事は中止となった。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Xbox-only Ghosts==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-valign=center; background-color:#steelblue; &lt;br /&gt;
! width=&amp;quot;1%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;&amp;lt;nowiki&amp;gt;#&amp;lt;/nowiki&amp;gt;&amp;lt;/font&amp;gt; !! width=&amp;quot;25%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Image&amp;lt;/font&amp;gt; !! width=&amp;quot;20%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Name&amp;lt;/font&amp;gt; !! width=&amp;quot;15%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Night&amp;lt;/font&amp;gt;  !! width=&amp;quot;15%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Location&amp;lt;/font&amp;gt; !! width=&amp;quot;25%&amp;quot; | &amp;lt;font size=&amp;quot;2&amp;quot;&amp;gt;Description&amp;lt;/font&amp;gt;&lt;br /&gt;
|-valign=center&lt;br /&gt;
|-&lt;br /&gt;
|30|| [[Image:30_Armoured_Warrior.JPG|center|150px]] || {{H:title|鎧武者の霊|Armored Warrior}}&amp;lt;br&amp;gt;[[Tokitada Kyuki]] || [[Final Night: Kirie]] || [[Abyss (FF1)|Abyss]] (Fatal Mode only) || &amp;lt;tabber&amp;gt;EN=The ghost who longs for a dead maiden. He believes that she will be freed if (the) Hell Gate is open(e)d.|-|JA=死んだ巫女を思い続けている亡霊。彼は、黄泉の門が開けば巫女が自由になると信じている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|102|| [[Image:102_Staring_Ghost.JPG|center|150px]] || {{H:title|見つめる亡霊|Staring Ghost}} || [[3rd Night: The Calamity]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=A ghost that strayed from the other world. He stares in envy, as nobody will give him sweets.|-|JA=迷い込んできた異世界の亡霊。誰もかまってくれないので、寂しそうにこちらを見ている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|103|| [[Image:103_Floating_Twins.JPG|center|150px]] || {{H:title|水面に浮かぶ少女|Floating Twins}} || [[1st Night: The Strangling Ritual]] || [[Abyss (FF1)|Abyss]] || &amp;lt;tabber&amp;gt;EN=Sisters who fled from the ritual and drowned in the pond. Their sadness is still floating on the surface. |-|JA=儀式から逃げ出そうとした少女がここで水死した。その無念が水面をさ迷っている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|104|| [[Image:104_Fearful_Old_Man.JPG|center|150px]] || {{H:title|隠れていた男|Fearful Old Man}} || [[1st Night: The Strangling Ritual]] || [[Burial Room]] || &amp;lt;tabber&amp;gt;EN=The old man who used to be a servant at Himuro Mansion. He died of fright while he was hiding.|-|JA=氷室邸の使用人だった男性の霊恐怖のあまり隠れたまま狂死した。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|105|| [[Image:105_Ghost_in_Smoke.JPG|center|150px]] || {{H:title|瘴気に浮かんだ顔|Ghost in Smoke}} || [[1st Night: The Strangling Ritual]] || [[Fireplace Room]] || &amp;lt;tabber&amp;gt;EN=The wandering soul of a man, killed by miasma, that appears in smoke.|-|JA=儀式に巻き込まれた男の霊。その魂は今もさ迷っていて、それが気に映し出された。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|106|| [[Image:106_Smirking_Man.JPG|center|150px]] || {{H:title|闇に浮かぶ顔|Smirking Man}} || [[2nd Night: Demon Tag]] || Walkway || &amp;lt;tabber&amp;gt;EN=The ghost of a man who was murdered because he tried to escape from the ritual.|-|JA=儀式に参加するはずだったが、逃げ出そうとして見つかり殺された男の霊。次の犠牲者を待ち望んでいる。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|107|| [[Image:107_Woman_in_Mirror.JPG|center|150px]] || {{H:title|鏡の中の女|Woman in Mirror}} || [[2nd Night: Demon Tag]] || [[Rope Hallway]] || &amp;lt;tabber&amp;gt;EN=The ghost of a woman cursed by Kirie, stuck between this world and the world of the dead.|-|JA=キリエによって呪い殺された女の霊現世と黄永の隙間に閉じ込められている。&amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|108|| [[Image:108_Beckoning_Hands.JPG|center|150px]] || {{H:title|引きよせる手|Beckoning Hands}} || [[3rd Night: The Calamity]] || Banned Path || &amp;lt;tabber&amp;gt;EN=A man who died trapped under rubble spreads his hands to pull the living into the darkness.|-|JA=岩の下敷きになって死んだ者が、闇に引きずり込もうと手を伸ばしている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|109|| [[Image:109_Man_Buried_Alive.JPG|center|150px]] || {{H:title|森をさ迷う霊|Man Buried Alive}} || [[3rd Night: The Calamity]] || Forest Path || &amp;lt;tabber&amp;gt;EN=He was poisoned and buried in the forest because he discovered the secret of the ritual.|-|JA=死してなお、さ迷い歩く怨霊。生前、氷室邸の客人であったが、儀式の内容を知ってしまい殺された。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|110|| [[Image:110_The_Sacrifice.JPG|center|150px]] || {{H:title|生贄になった女|The Sacrifice}} || [[Final Night: Kirie]] || [[Moon Well]] || &amp;lt;tabber&amp;gt;EN=The ghost of a woman sacrificed in the ritual. Her soul remains bound to her dead body here.|-|JA=儀式のために、犠牲になった女の霊。その魂は未だ呪縛されている。&amp;lt;/tabber&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|111|| [[Image:111_Wandering_Child.JPG|center|150px]] || {{H:title|さ迷う子供|Wandering Child}} || [[2nd Night: Demon Tag]] || [[Fish Tank Room]] || &amp;lt;tabber&amp;gt;EN=The ghost of a child looking for his mother, who has been missing since the Calamity, still wandering. |-|JA=屋敷をさ迷う子供の霊。禍刻に巻き込まれ、行方不明になった母親を探している。 &amp;lt;/tabber&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&#039;&#039;&#039;Notes&#039;&#039;&#039;&lt;br /&gt;
&amp;lt;references group=&amp;quot;Note&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Fatal Frame]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_II_Remake_Spirit_List&amp;diff=30376</id>
		<title>Fatal Frame II Remake Spirit List</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_II_Remake_Spirit_List&amp;diff=30376"/>
		<updated>2026-03-27T05:06:29Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: 41, 44, 80, 81, 82&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{spoilerwarning}}&lt;br /&gt;
&lt;br /&gt;
The spirit list for [[Fatal Frame II Remake]] has 375 spirits altogether, including 47 [[Twin Dolls Sidequest|Twin Dolls]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tabber&amp;gt;&lt;br /&gt;
|-|&lt;br /&gt;
Wraiths=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || The Wanderer || Miyako Sudo. She came to the village in search of her lost lover, only to be murdered by his spirit and condemned to wander the Osaka house.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Succumbed Man || A villager of Minakami Village. Devoured by the miasma of the Repentance, he lost all sense of self. He stands motionless in the darkness, unable even to suffer.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || The Seeker || A villager wandering the village with a pale torch, hunting the escaped twins for the sake of the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || The Sickle Bearer || A villager wandering with sickle in hand, hunting the fleeing twins for the sake of the ritual. All that matters is preventing their escape...&lt;br /&gt;
|-&lt;br /&gt;
| 5 || The Pole Bearer || A villager hunting the escaped twins for the sake of the ritual, who perished in the Repentance after failing to find them both.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || The Entrapped || A woman who hid in a box to escape the Repentance. Unable to escape the stifling prison, she was still inside when the box was consumed by the darkness.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Sunken Woman || A woman trapped in the village long before the arrival of Mio and Mayu. She was dragged into the icy water by countless hands reaching up from Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Man Killed by Kusabi || A man killed by a kusabi. Hideously scarred, he wanders the village in anguish, hovering between life and death.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Woman Killed by Kusabi || A woman killed by a kusabi. Hideously scarred, she wanders the village in anguish, hovering between life and death.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Veiled Priest || Participants in the Hidden Ceremony. In the ritual, the absence of one of the twins triggered the Repentance, and these people were consumed by the darkness.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || The Shredded || Masumi Makimura, a geological surveyor who stumbled upon the village during a dam inspection. He tried to escape Minakami, only to be killed by a kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || The Mourner || Those charged with guarding the Abyss. Robbed of their sight, they respond to the sound of any who would dare approach - and attack accordingly.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Broken-Necked Woman || A woman who threw herself from the Heavenly Bridge to escape the Repentance. She wanders the village, seeking to inflict upon the living the same pain she suffered.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || The Tag Player || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || The Chased || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || The Frolicker || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Twin Doll || A doll created to resemble Azami Kiryu, a twin turned Crimson Sacrifice from a past ritual. Possessed by an evil spirit from Hell, it controls the girl Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Twin Spirit || Akane Kiryu, a twin maiden who killed her sister in a past Crimson Sacrifice Ritual. Her soul was consumed by a doll resembling her sister Azami, who now controls her body.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || The Fallen || A woman who fell trying to escape the Repentance. She lurks within the Kiryu house, her body transformed.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Doll Maker || Yoshitatsu Kiryu, the patriarch of the Kiryu household. Mourning the daughter he lost to a past ritual, he is killed by the Remaining - his other daughter, under the influence of a possessed doll.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || The Girl in Crimson || Chitose Tachibana, younger sister to twins Mutsuki and Itsuki Tachibana. She hid inside a closet, where she became trapped and lost her life.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Succumbed Woman || A villager of Minakami Village. Devoured by the miasma of the Repentance, she lost all sense of self. She wanders the village in search of aid, unable even to comprehend her suffering.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Kurosawa Patriarch || Ryokan Kurosawa, the man who turned outsiders into kusabi in order to quell the rumbling Abyss. He continues to safeguard the ritual, even after dying in the Repentance.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Man of Ropes || The shade of the folklorist Makabe, a human sacrifice known as a kusabi. Though offered up to quell the tremors of the Abyss, the Repentance instead transformed him into an evil spirit.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Woman in Bloody Kimono || Sae Kurosawa, the final twin maiden. Consumed by madness from the incomplete ritual, she slaughtered her fellow villagers.&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
|-|&lt;br /&gt;
Specters=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Chapter&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Location&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || Girl Entering House || Before Chapter 1 || Minakami Village, Misono Hill - East || Miyako stumbled into Minakami Village in search of her lost lover, a surveyor. She enters the first house she finds in the village.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Woman in the Garden || Chapter 1 || Osaka House, Great Tatami Room || Miyako Sudo roams the house, chasing the shadow of her lost lover. Through the window, she spots Mio picking up the flashlight Miyako left behind.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || Woman Vanishing at Altar || Chapter 1 || Osaka House Dirt Hallway || Miyako Sudo skulked throughout these halls in search of her lost lover. Weakening little by little, she sought the altar room for a moment of respite.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || Woman Roaming Second Floor || Chapter 1 || Osaka House, Sunken Hearth Room || Miyako Sudo roams the house, chasing the shadow of her lover. She tries to draw Mio and Mayu to the second floor so she can tell them her tale.&lt;br /&gt;
|-&lt;br /&gt;
| 5 || Beckoning Woman || Chapter 1 || Osaka House, East Guest Room || Miyako Sudo roams the house, unable to escape the village&#039;s curse. She tries to draw the sisters further inside so she can tell them her tale.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || Woman Watching from Window || Chapter 2 || Osaka House, Sunken Hearth Room || This woman wandered into Minakami long before Mio and Mayu. Pulled into the inky depths by innumerable arms, she roams the village in search of human warmth.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Seeker || Chapter 2 || Osaka House, Kimono Room || This villager wanders the endless dark for all eternity, torch held aloft in search of the twins.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Man Chasing Fleeing Twins || Chapter 2 || Osaka House, Kimono Room || This man wanders his village forever in search of the twins who fled the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Man Fearing Calamity || Chapter 2 || Osaka House, Kimono Room || This spirit seeks out the twins for all eternity, terrified of what calamity would befall the village should they manage to escape.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Villagers || Chapter 2 || Osaka House, Kimono Room || These villagers hunt the escaped twins for the sake of the ritual. Forever do they wander a village plunged into ceaseless night.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || Man Peering into Camera Obscura || Chapter 2 || Osaka House, Entrance || Seijiro Makabe gazed through the viewfinder to test the Paraceptual Filter, a hidden feature of the Camera Obscura he borrowed from Dr. Kunihiko Asou.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || Mayu Being Called || Chapter 2 || Minakami Village, Osaka House - Front || The shade of Mayu, guided through the nocturnal village by an unfamiliar voice. She ambles onward, her gait shaky and unsure.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Butterfly Chaser || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || Drawn by the crimson butterfly, Mayu wanders further into the village. She ignores Mio&#039;s calls and continues on through a large gate.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || Woman in Bloody Kimono || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || A woman in bloodstained garments awaits Mayu, who is guided down a path by a crimson butterfly. She gazes at Mayu, a maddened smile curling her lips.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || Mayu and Inviting Woman || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || Mayu ventures deeper into the village, guided by the crimson butterfly. The woman in the bloodstained kimono receives her with a manic smile.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || Beckoning Crimson Butterfly || Chapter 2 || Minakami Village, Tsuchihara House - Front || A crimson butterfly fluttering through the village. It appears before Mio, flitting about as if to beckon her.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Woman Looking Down || Chapter 2 || Minakami Village Kiryu-Tachibana Path|| A woman gazing down from the corridor connecting two houses. She stares at the ground below, as if cognizant of her fate.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Trapped Boy || Chapter 2 || Minakami Village, Storehouse - Back || The white-haired boy trapped in the storehouse is Itsuki Tachibana. He is tormented with guilt for killing his brother in the Crimson Sacrifice Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || Guiding Crimson Butterfly || Chapter 2 || Minakami Village, Storehouse - Back || A crimson butterfly fluttering through the village. It guides Mio toward the location of the key she&#039;s looking for.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Inviting Crimson Butterfly || Chapter 2 || Minakami Village, Tomonaki River - Shoe || A crimson butterfly fluttering through the village. It guides Mio toward the location of the key she&#039;s looking for.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || Man Searching for Twins at Shrine || Chapter 2 || Minakami Village, Kureha Shrine || This villager roves Kureha Shrine after rumors placed the escaped twins on its holy grounds.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Moonlit Man || Chapter 2 || Minakami Village Tomonaki Gate || A man swallowed up on the day of calamity, when the encroaching darkness found him on high ground. He gazes longingly at the moon, unaware of his own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Man Hiding in Grass || Chapter 2 || Minakami Village, Tomonaki Pond - Bank || Having fled Kurosawa house, this man hid in tall grass to escape the madness that set its sights on him. Nevertheless, the darkness came to claim him.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Floating Woman || Chapter 2 || Minakami Village, Whispering Bridge || A woman trapped in the village long before Mio and Mayu came. She was dragged underwater by countless hands and now spends eternity in their icy grasp.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Woman in the White Kimono || Chapter 2 || Kurosawa House, Grounds || A woman walks toward the Kurosawa house. Her mind is already broken, on her face the manic smile of the mad.&lt;br /&gt;
|-&lt;br /&gt;
| 26 || Man in Hallway || Chapter 2 || Kurosawa House, Grounds || A man standing by a window in the Kurosawa house. Seeking to flee from the tragedy unfolding around him, he met an unfortunate demise.&lt;br /&gt;
|-&lt;br /&gt;
| 27 || The Man Above || Chapter 3 || Kurosawa House, Entrance || A man watches the entrance from the master&#039;s chamber. He mistakes Mio for Yae and prepares to capture her.&lt;br /&gt;
|-&lt;br /&gt;
| 28 || Hiding Man || Chapter 3 || Kurosawa House, Hallway || On the night of the Repentance, this man hid in a closet, only to be killed when a kusabi entered the servants&#039; quarters. His ghost now hides in shadows.&lt;br /&gt;
|-&lt;br /&gt;
| 29 || Mayu Advancing Ahead || Chapter 3 || Kurosawa House, Dirt Passageway || The shade of Mayu entering Kurosawa house. Amidst crashes of thunder, she plunges through the manor&#039;s dark corridors like a girl possessed.&lt;br /&gt;
|-&lt;br /&gt;
| 30 || Man Running Aimlessly || Chapter 3 || Kurosawa House, Dirt Passageway || A villager lost to the darkness as he fled a kusabi in Kurosawa house on the night of the Repentance. Even in death, his fear of the kusabi lives on.&lt;br /&gt;
|-&lt;br /&gt;
| 31 || Mayu Advancing Ahead || Chapter 3 || Kurosawa House, Main Hall || Mayu entering Kurosawa house. Amidst crashes of thunder, she plunges through the manor&#039;s dark corridors like a girl possessed.&lt;br /&gt;
|-&lt;br /&gt;
| 32 || Mayu Being Guided || Chapter 3 || Kurosawa House, Flickering Room || The shadow of Mayu entering Kurosawa house. She traversed the manor&#039;s dark corridors like a girl possessed, eventually entering the innermost room.&lt;br /&gt;
|-&lt;br /&gt;
| 33 || Man Using Camera Obscura || Chapter 3 || Kurosawa House, Guest Room || Seijiro Makabe took a trial photo with the Exposure Filter, a hidden feature of the Camera Obscura he had borrowed from Dr. Kunihiko Asou.&lt;br /&gt;
|-&lt;br /&gt;
| 34 || Man Entering Room || Chapter 3 || Kurosawa House, Guest Hallway || Ryokan Kurosawa, the patriarch of the Kurosawa house. He enters the master&#039;s chamber to fulfill his day-to-day responsibilities.&lt;br /&gt;
|-&lt;br /&gt;
| 35 || Whispering Man || Chapter 3 || Kurosawa House, Master&#039;s Chamber || Ryokan Kurosawa gazes at the entrance to the Kurosawa house, observing all those who come and go from his domain.&lt;br /&gt;
|-&lt;br /&gt;
| 36 || Fleeing Villager || Chapter 3 || Kurosawa House, Dirt Passageway || A villager who was in the Kurosawa house when the Repentance came. Struck dead by a kusabi, he remains trapped in darkness and terror.&lt;br /&gt;
|-&lt;br /&gt;
| 37 || Dragging Shadow || Chapter 3 || Kurosawa House, Dirt Passageway || Sacrificed for the ritual, kusabi returned from Hell on the night of the Repentance, slaughtering the villagers gathered at the Kurosawa house.&lt;br /&gt;
|-&lt;br /&gt;
| 38 || The Foresaken || Chapter 3 || Kurosawa House, Dirt Passageway || A villager who hid in a dirt passageway when the Repentance came. He tried to resist the kusabi, but was swiftly cut down.&lt;br /&gt;
|-&lt;br /&gt;
| 39 || Shadow Dragging Man || Chapter 3 || Kurosawa House, Dirt Passageway || Returning from Hell on the night of the Repentance, kusabi killed the villagers gathered at Kurosawa house. One such victim was dragged back into the room.&lt;br /&gt;
|-&lt;br /&gt;
| 40 || Closet Man || Chapter 3 || Kurosawa House, Dirt Passageway || On the night of the Repentance, this man hid from a kusabi in a closet, only to be caught and killed. His spirit continues to hide from the terrifying killer.&lt;br /&gt;
|-&lt;br /&gt;
| 41 || Woman Waiting Under Tree || Chapter 3 || Kurosawa House,Dirt Passageway || Having left the house on her own, Yae Kurosawa waits pensively for somebody beneath the camellia tree.&lt;br /&gt;
|-&lt;br /&gt;
| 42 || The Shamed || Chapter 4 || Kurosawa House, Guest Hallway || The patriarch of the Kurosawa family and high priest of the village, Ryokan Kurosawa, grieves over his daughter, who ran away.&lt;br /&gt;
|-&lt;br /&gt;
| 43 || The Beckoning Man || Chapter 4 || Kurosawa House Courtyard Staircase || Ryokan Kurosawa confuses Mio and Mayu for his own daughters and calls out to them as they plan to escape the village.&lt;br /&gt;
|-&lt;br /&gt;
| 44 || Lurking Man || Chapter 4 || Kurosawa House,	Entrance || Ryokan Kurosawa warns Mio and Mayo of the fate that twins face in the village as they try to flee from the house.&lt;br /&gt;
|-&lt;br /&gt;
| 45 || Man Ascending Stairs || Chapter 4 || Kurosawa House Storage Room || Ryokan Kurosawa enters the master&#039;s chamber to fulfill his day-to-day responsibilities, reading books chronicling the ritual of Minakami Village.&lt;br /&gt;
|-&lt;br /&gt;
| 46 || Boy Peering Down Hole || Chapter 4 || Kurosawa House, Partition Screen Room || A village child who played at the Kurosawa house on the day of the Repentance. He&#039;s crestfallen over an important treasure he dropped down a hole.&lt;br /&gt;
|-&lt;br /&gt;
| 47 || Peeping Boy || Chapter 4 || Kurosawa House, Cloth Hallway || A child of the village who was playing in Kurosawa house on the day of the Repentance. He&#039;s thrilled at the prospect of Mio and Mayu joining in his games.&lt;br /&gt;
|-&lt;br /&gt;
| 48 || Boy Running Off || Chapter 4 || Kurosawa House, Cloth Hallway || A child of the village who was playing in Kurosawa house on the day of the Repentance. He urges Mio and Mayu to join in on his games.&lt;br /&gt;
|-&lt;br /&gt;
| 49 || Storehouse Investigator || Chapter 4 || Kurosawa House Storehouse || A folklorist by trade, Seijiro Makabe was invited to the village. He was captured and locked away after trying to enter a place he wasn&#039;t meant to see.&lt;br /&gt;
|-&lt;br /&gt;
| 50 || Imprisoned Man || Chapter 4 || Kurosawa House, Cell || Seijiro Makabe came to Minakami Village to research its secret rituals. He was imprisoned in a cell, destined to be made into a kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 51 || The Ritualist || Chapter 4 || Kurosawa House, Cloth Hallway || Ryokan is saddened by his daughters&#039; loathing of the ritual. He himself had once sacrificed his own brother to protect his fellow villagers.&lt;br /&gt;
|-&lt;br /&gt;
| 52 || Waiting Priest || Chapter 4 || Kurosawa House, Altar Room || The priest waits for the ritual to begin again. He tried to perform it without the required twins and died in the Repentance.&lt;br /&gt;
|-&lt;br /&gt;
| 53 || Man Conversing Privately || Chapter 4 || Kurosawa House, Central Hallway || After the ritual of the twins failed, Ryokan Kurosawa decided to sacrifice the visiting folklorist in their place.&lt;br /&gt;
|-&lt;br /&gt;
| 54 || Priest Speaking || Chapter 4 || Kurosawa House, Central Hallway || The chief priest who performs the ritual of Minakami Village. He told Ryokan Kurosawa of the frequent rumblings of the Abyss - and the need to offer sacrifice.&lt;br /&gt;
|-&lt;br /&gt;
| 55 || Pair Talking Secretively || Chapter 4 || Kurosawa House, Central Hallway || Ryokan Kurosawa and the chief priest. After the ritual using the twins failed, they try to sacrifice a visiting folklorist to quell the Abyss&#039;s rumblings.&lt;br /&gt;
|-&lt;br /&gt;
| 56 || Mayu Heading Underground || Chapter 4 || Kurosawa House Altar Room || Beyond the butterfly gate, Mayu descends to the altar room&#039;s underground alone, without her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 57 || Mayu Proceeding Through Corridor || Chapter 4 || Kurosawa House, Connecting Corridor || Mayu walks down the connecting corridor opposite from Mio, calling out to her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 58 || Ritual Investigator || Chapter 4 || Kurosawa House, Cell || Seijiro Makabe was warned by the Kurosawa girls to flee before he was turned into a kusabi, but his curiosity compelled him to stay in his cell.&lt;br /&gt;
|-&lt;br /&gt;
| 59 || Confined Mayu || Chapter 5 || Kurosawa House, Storehouse || Mayu, locked in a cell. She hates being apart from Mio, due to past trauma. She does not respond when spoken to and quietly mutters to herself instead.&lt;br /&gt;
|-&lt;br /&gt;
| 60 || Fallen Woman || Chapter 5 || Minakami Village Kiryu-Tachibana Path || A woman who took her own life to avoid the pain of the Repentance. Yet, she found no peace in death, and even now she is tormented by endless agony.&lt;br /&gt;
|-&lt;br /&gt;
| 61 || Fluttering Crimson Butterfly || Chapter 5 || Minakami Village Osaka-Tachibana Path || A crimson butterfly fluttering through the village. It flits about, as if trying to convey something to Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 62 || Weeping Woman || Chapter 5 || Minakami Village Tsuchihara House - Front || Sae Kurosawa was forced to witness Itsuki&#039;s death. Overcome with despair, she resolved to continue with the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 63 || Searching Man || Chapter 5 || Osaka House Altar Room || Seijiro Makabe was a folklorist invited to the village. He searched the mansion for a secret underground entrance without telling anyone.&lt;br /&gt;
|-&lt;br /&gt;
| 64 || Underground Hunter || Chapter 5 || Deep Path Osaka Basement || Seijiro Makabe was a folklorist invited to the village. He searched for the Abyss, said to lie somewhere below the village in a network of caves.&lt;br /&gt;
|-&lt;br /&gt;
| 65 || Dragged Shadow || Chapter 5 || Osaka House, Dirt Hallway || The spirit of one killed in the Repentance. The victim tried to hide from the horror of the encroaching darkness, but was ultimately pulled into Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 66 || Mayu Writing Note || Chapter 5 || Kurosawa House Cell|| The shadow of Mayu, left alone in a cell. Heeding a call of some sort, she leaves behind a note for Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 67 || Mayu Exiting Storehouse || Chapter 5 || Kurosawa House Storehouse || The shadow of Mayu, who learned of Sae&#039;s past while in her cell. She opens the door and leaves the storehouse behind intent on apologizing to Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 68 || Mayu Heading to Entrance || Chapter 5 || Kurosawa House Storage Room || Mayu could be seen heading to the entrance of the Kurosawa house. She continued down the dark hallway, sparing no glance to Mio chasing after her.&lt;br /&gt;
|-&lt;br /&gt;
| 69 || Wandering Mayu || Chapter 5 || Kurosawa House Grounds || The shadow of Mayu making for the bridge to Itsuki&#039;s house. She leaves Kurosawa house behind, and with a far-off stare, she walks deeper into the dark village.&lt;br /&gt;
|-&lt;br /&gt;
| 70 || Woman in the Corridor || Chapter 6 || Minakami Village Kiryu-Tachibana Path|| A woman who fell during the Repentance and broke her neck. Even now, she roams the hallways trying to escape the terrible miasma.&lt;br /&gt;
|-&lt;br /&gt;
| 71 || Crimson Butterfly Seeking Aid || Chapter 6 || Minakami Village Kiryu House - Front || A crimson butterfly fluttering through the village. It flits about as if seeking aid from Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 72 || Mayu on the Heavenly Bridge || Chapter  6|| Kiryu House North Hallway || The shadow of Mayu entering the Tachibana house to apologize to Itsuki. Heedless to Mio&#039;s cries, she disappeared inside the home with a vacant look in her eyes.&lt;br /&gt;
|-&lt;br /&gt;
| 73 || Man Approaching Study || Chapter 6 || Kiryu House North Hallway || Seijiro Makabe searches for literature on the Twin Houses of Tachibana and Kiryu.&lt;br /&gt;
|-&lt;br /&gt;
| 74 || Youth Venturing Onward || Chapter 6 || Kiryu House Sliding Screen Room || Ryozo Munakata visited Minakami Village as an aide to folklorist Seijiro Makabe. He&#039;s trying to install a projector for screening footage taken in the village.&lt;br /&gt;
|-&lt;br /&gt;
| 75 || Youth Operating Projector || Chapter 6 || Kiryu House Projection Room || Ryozo Munakata visited Minakami Village as an aide to folklorist Seijiro Makabe. After installing the projector, he plays some footage as a test.&lt;br /&gt;
|-&lt;br /&gt;
| 76 || Man Heading to Cemetery || Chapter 6 || Minakami Village Misono Hill - West || Seijiro Makabe crosses the suspension bridge to the cemetery in order to investigate the customs of Minakami Village.&lt;br /&gt;
|-&lt;br /&gt;
| 77 || Man Inspecting Cemetery || Chapter 6 || Minakami Village Minakami Cemetery || Seijiro Makabe heads deeper into the cemetery to dig up clues on the Shadow Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 78 || Man Hiding Key || Chapter 6 || Minakami Village Minakami Cemetery || Yoshitatsu Kiryu hid the house key in his family grave to prevent anyone from entering the Kiryu House.&lt;br /&gt;
|-&lt;br /&gt;
| 79 || Priest Approaching Shrine || Chapter 6 || Minakami Village Kureha Shrine Path || A priest who performs the ritual of Minakami Village. He jingles his staff all the way from the Kurosawa house to Kureha Shrine.&lt;br /&gt;
|-&lt;br /&gt;
| 80 || Priest Ascending Stairs || Chapter 6 || Minakami Village, Kureha Shrine Path || A priest who performs the ritual of Minakami Village. He jingles his staff as he ascends the stairs of Kureha Shrine.&lt;br /&gt;
|-&lt;br /&gt;
| 81 || Priest Traversing Path || Chapter 6 || Minakami Village, Kureha Shrine Path || A priest who performs the ritual of Minakami Village. He jingles his staff, proceeding solemnly down the shrine path.&lt;br /&gt;
|-&lt;br /&gt;
| 82 || Priests Approaching Shrine || Chapter 6 || Minakami Village, Kureha Shrine Path || The priests who perform the ritual of Minakami Village. They climb the stairs of Kureha Shrine in step en route to conducting their daily prayers.&lt;br /&gt;
|-&lt;br /&gt;
| 83 || Girl Clad in Butterflies || Chapter 6 || Kiryu House Entrance || Azami Kiryu enveloped in crimson butterflies. She lures Mio to the Kiryu house in order to save her twin sister Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 84 || Peering Doll || Chapter 6 || Kiryu House Entrance || A doll of Azami Kiryu. Created to replace the sister lost to the Ritual, this mechanized automata was possessed by a spirit from Hell and became a manikin.&lt;br /&gt;
|-&lt;br /&gt;
| 85 || Vanishing Girl || Chapter 6 || Kiryu House Tatami Room Hallway || The spirit of Akane Kiryu, who once underwent the ritual. Wracked with remorse and unwilling to kill anyone, she fled.&lt;br /&gt;
|-&lt;br /&gt;
| 86 || Vanishing Doll || Chapter 6 || Kiryu House Tatami Room Hallway || The Azami Kiryu doll, made to replace Akane&#039;s twin sister. Not wanting to be killed, she fled.&lt;br /&gt;
|-&lt;br /&gt;
| 87 || Vanishing Twins || Chapter 6 || Kiryu House Tatami Room Hallway || Akane Kiryu and the doll of Azami Kiryu, the spirits of twins who once underwent the ritual. They fled together, desiring neither to kill nor be killed.&lt;br /&gt;
|-&lt;br /&gt;
| 88 || Woman Watching Through Lattice || Chapter 6 || Kiryu House Tatami Room Hallway || A woman who fell and broke her neck during the Repentance. She gazes at Mio, who observed her descent into death.&lt;br /&gt;
|-&lt;br /&gt;
| 89 || Sitting Big Sister || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami were inseparable throughout childhood, until the Crimson Sacrifice Ritual turned Azami into a butterfly and left Akane alone.&lt;br /&gt;
|-&lt;br /&gt;
| 90 || Sitting Little Sister || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami were joined at the hip throughout childhood, until the Crimson Sacrifice Ritual finally made them one.&lt;br /&gt;
|-&lt;br /&gt;
| 91 || Sitting Twins || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami Kiryu were inseparable in their youth, undergoing spiritual training to become shrine maidens for the Crimson Sacrifice Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 92 || Brooding Man || Chapter 6 || Kiryu House Ombre Hallway || Yoshitatsu Kiryu, doll maker of Minakami Village. He regrets his part in the Crimson Sacrifice Ritual, losing his daughters Azami in death and Akane in spirit.&lt;br /&gt;
|-&lt;br /&gt;
| 93 || Death&#039;s Wish || Chapter 6 || Kiryu House Doll Room || Azami Kiryu was turned into a butterfly after the ritual. She asks Mio to destroy the mechanical doll that was made to replace her.&lt;br /&gt;
|-&lt;br /&gt;
| 94 || The Parts Seeker || Chapter 6 || Kiryu House Ombre Hallway || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 95 || Girl Opening Door || Chapter 6 || Kiryu House Ombre Hallway || A shrine maiden killed ion the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to open the gate in order to save her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 96 || Gazing Boy || Chapter 6 || Kiryu House Ombre Hallway || A young boy consumed by the darkness while playing hide-and-seek. He still plays mischievous pranks on those who come looking for him.&lt;br /&gt;
|-&lt;br /&gt;
| 97 || Man Beyond the Wall || Chapter 6 || Kiryu House Stairwell - Hallway || Yoshitatsu Kiryu used his daughters in the Crimson Sacrifice Ritual, losing Azami. He fashioned a doll in her likeness to comfort her twin sister Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 98 || Girl by Box || Chapter 6 || Kiryu House Storeroom || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 99 || Leading Girl || Chapter 6 || Kiryu House Atrium Hallway || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 100 || Girl Staring at Box || Chapter 6 || Kiryu House Atrium || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 101 || Lamenting Man || Chapter 6 || Kiryu House Ombre Hallway || Yoshitatsu Kiryu tried to send the evil spirit that possessed Azami&#039;s doll back to the Abyss, but lost the doll hands and head that opened the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 102 || Man Killed by Daughter || Chapter 6 || Kiryu House Altar Room || Yoshitatsu Kiryu tried to send the spirit that possessed the Azami doll back to the Abyss, but instead, the doll manipulated Akane into killing him.&lt;br /&gt;
|-&lt;br /&gt;
| 103 || Girl Murdering Father || Chapter 6 || Kiryu House Altar Room || Akane Kiryu, incited by the evil spirit inhabiting the Azami doll, murdered her father Yoshitatsu.&lt;br /&gt;
|-&lt;br /&gt;
| 104 || Kiryu Clan Father and Daughter || Chapter 6 || Kiryu House Altar Room || The Azami doll Yoshitatsu Kiryu made to comfort Akane was possessed by a spirit from the Abyss. It induced Akane to kill him when he tried to exorcise it.&lt;br /&gt;
|-&lt;br /&gt;
| 105 || Ritual-loathing Man || Chapter 6 || Kiryu House Tatami Room Hallway || Yoshitatsu Kiryu lost the doll parts needed to open the Earthly Bridge, but hid the fact that they can be remade so long as the &amp;quot;soul&amp;quot; isn&#039;t lost. &lt;br /&gt;
|-&lt;br /&gt;
| 106 || Wandering Mayu || Chapter 7 || Tachibana House Hallway || Mayu as she wanders the Tachibana house. Whispering Itsuki&#039;s name, she searches him earnestly.&lt;br /&gt;
|-&lt;br /&gt;
| 107 || Girl Heading Toward Room || Chapter 7 || Tachibana House Hallway || Sae Kurosawa walks through the Tachibana House and heads toward Itsuki&#039;s room in the grip of regret.&lt;br /&gt;
|-&lt;br /&gt;
| 108 || Crying Mayu || Chapter 7 || Tachibana House Hallway || Mayu mourns the death of Itsuki. She believes that she killed him by running away, and so now she remains in this room, apologizing over and over.&lt;br /&gt;
|-&lt;br /&gt;
| 109 || Hiding Girl || Chapter 7 || Tachibana House Hallway || Seeing Yae in Mio, Chitose Tachibana ran off after telling her to give back her brother Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 110 || Name || Chapter 7 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 111 || Fleeing Girl || Chapter 7 || Tachibana House Hallway || Chitose Tachibana mistakes Mio for Yae and demands that she return her brother. However, Mio strikes back at her, so she runs through the first floor crying while searching for a place to hide.&lt;br /&gt;
|-&lt;br /&gt;
| 112 || Fleeing Girl || Chapter 7 || Tachibana House Stairwell - Hallway || Chitose Tachibana mistakes Mio for Yae and demands that she return her brother. But then fear overtakes her, and she runs into hiding again.&lt;br /&gt;
|-&lt;br /&gt;
| 113 || Running Child || Chapter 7 || Tachibana House Tatami Room Hallway || Seeing Yae in Mio, Chitose Tachibana scolds her for having run away from the village. She ran to the entrance of the Tachibana house while trying to escape the spirits inside.&lt;br /&gt;
|-&lt;br /&gt;
| 114 || Runaway Girl || Chapter 7 || Tachibana House Tatami Room Hallway || Seeing Yae in Mio, Chitose Tachibana scolds her for having run away from the village. She hid in a closet to escape from the spirits in the Tachibana house.&lt;br /&gt;
|-&lt;br /&gt;
| 115 || Arms Emerging from Hell || Chapter 7 || Tachibana House, Sliding Screen Room || Manifestations of anger and grief seeping up from the Deep Path. They struggle endlessly to escape Hell and reach the light of day.&lt;br /&gt;
|-&lt;br /&gt;
| 116 || Imprisoned Boy || Chapter 8 || Minakami Storehouse || Itsuki Tachibana was a white-haired boy confined in the storehouse. He died by suicide after helping Yae and Sae escape the village.&lt;br /&gt;
|-&lt;br /&gt;
| 117 || Lattice Arms || Chapter 8 || Osaka House, Garden || The materialized regret of those who died during the Repentance, spilling over the thresholds such as doors and windows. They grope around in search of light.&lt;br /&gt;
|-&lt;br /&gt;
| 118 || Girl Discussing Secrets || Chapter 8 || Minakami Village Tsuchihara House || A girl consumed by the darkness while playing hide-and-seek. She plays on, unaware of her death. She talks of hiding something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 119 || Boy Discussing Secrets || Chapter 8 || Minakami Village Tsuchihara House || A boy consumed by the darkness while playing hide-and-seek. He plays on, unaware of his death. he talks of hiding something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 120 || Boy Plotting Mischief || Chapter 8 || Minakami Village Tsuchihara House || A boy consumed by the darkness while playing hide-and-seek. He plays on, unaware of his death. He&#039;s decided where to hide an important item in the Tsuchihara House.&lt;br /&gt;
|-&lt;br /&gt;
| 121 || Children Plotting Mischief || Chapter 8 || Minakami Village Tsuchihara House || Children consumed by the darkness while playing hide-and-seek. They plays on, unaware of their death. They hid something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 122 || Running Girl || Chapter 8 || Minakami Village Tsuchihara House || A young girl subsumed into the darkness while playing hide-and-seek. She rushes off to hide an important item that was in the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 123 || Capering Boy || Chapter 8 || Minakami Village Tsuchihara House || A young boy subsumed into the darkness while playing hide-and-seek. He tried to hide an important item that was in the Tsuchihara house.&lt;br /&gt;
|- &lt;br /&gt;
| 124 || Fleeing Boy || Chapter 8 || Minakami Village Tsuchihara House || A young boy subsumed into the darkness while playing hide-and-seek. He runs off with an important item from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 125 || Children Running Away || Chapter 8 || Minakami Village Tsuchihara House || Children subsumed into the darkness while playing hide-and-seek. They&#039;re trying to hide important items from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 126 || Inviting Girl || Chapter 8 || Minakami village Kiryu House - Front || Azami Kiryu beckons Mio to the Kiryu house in order to show her the location of what she searches for.&lt;br /&gt;
|-&lt;br /&gt;
| 127 || Searching Man || Chapter 8 || Kiryu House Altar Room || Yoshitatsu Kiryu searches for his family crest, having discovered its absence from its altar.&lt;br /&gt;
|-&lt;br /&gt;
| 128 || Doll Hiding Family Crest || Chapter 8 || Kiryu House Altar Room || A doll resembling Azami Kiryu. Holding the family crest from the Buddhist altar, it wanders the house in order to thwart Yoshitatsu Kiryu.&lt;br /&gt;
|-&lt;br /&gt;
| 129 || Doll Entering the Hidden Door || Chapter 8 || Kiryu House Sliding Screen Room || A doll resembling Azami Kiryu. Holding the family crest from the Buddhist altar, it enters the hidden door disguised as a wall.&lt;br /&gt;
|-&lt;br /&gt;
| 130 || Man Heading to Old Tree || Chapter 8 || Minakami Village Fork in Road || Seijiro Makabe photographed the entrance to the hidden area of Minakami Village concealed by an old tree.&lt;br /&gt;
|-&lt;br /&gt;
| 131 || Man Searching Shrine || Chapter 8 || Minakami Village Kureha Shrine || Seijiro Makabe visited the Kureha Shrine to investigate the passageway connecting it to the old tree.&lt;br /&gt;
|-&lt;br /&gt;
| 132 || Man Investigating the Mechanism || Chapter 8 || Minakami Village The Old Tree || Seijiro Makabe. He is investigating the mechanism to leave the village from the Kureha Shrine.&lt;br /&gt;
|-&lt;br /&gt;
| 133 || Fallen Mayu || Chapter 8 || Minakami Village The Old Tree || Mayu, collapsed inside the Old Tree. She groans softly, muttering something under her breath.&lt;br /&gt;
|-&lt;br /&gt;
| 134 || Man Inspecting Old Tree || Chapter 8 || Minakami Village The Old Tree || Entering and investigating the hollow of the old tree containing the grave of the twins, Seijiro Makabe searches for the oath to the Umbral Mound.&lt;br /&gt;
|-&lt;br /&gt;
| 135 || Fearful Man Holding Camera Obscura || Chapter 8 || Minakami Village Abandoned Graveyard || Having seen the Umbral Mound with the Camera Obscura, Seijiro Makabe is assaulted by countless spectral arms, which he escapes by taking a picture.&lt;br /&gt;
|-&lt;br /&gt;
| 136 || Crimson Butterfly Leading to Mayu || Final Chapter || Minakami Village Fork in Road || A crimson butterfly fluttering through the village. It flied as if to guide Mio to Mayu&#039;s location.&lt;br /&gt;
|-&lt;br /&gt;
| 137 || Mayu Heading to Kurosawa House || Final Chapter || Kurosawa House Grounds || The sight of Mayu entering the Kurosawa house. She advances quietly, as if resigned.&lt;br /&gt;
|-&lt;br /&gt;
| 138 || Prisoner || Final Chapter || Kurosawa House, Cell || Seijiro Makabe understands he is to be made into a kusabi, but is content with his fate so long as he learns the truth.&lt;br /&gt;
|-&lt;br /&gt;
| 139 || Yae Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || Sae&#039;s memory of Yae Kurosawa. After the ritual between Itsuki and Mutsuki failed, Yae implored her sister to flee the village.&lt;br /&gt;
|-&lt;br /&gt;
| 140 || Sae Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || Yae&#039;s memory of Sae Kurosawa before they ran away. Though ashamed to flee from the village, she has resolved that wherever Yae goes, she will follow.&lt;br /&gt;
|-&lt;br /&gt;
| 141 || Sisters Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || A memory of Yae and Sae Kurosawa before they ran away. They decide to leave the village so they can always be together.&lt;br /&gt;
|-&lt;br /&gt;
| 142 || Mayu Heading to Connecting Corridor || Final Chapter || Kurosawa House Altar Room || The sight of Mayu walking up to the door of the connecting corridor. She walks calmly as if accepting everything that comes her way.&lt;br /&gt;
|-&lt;br /&gt;
| 143 || Priest Welcoming Shrine Maiden || Final Chapter || Kurosawa House Connecting Corridor || A priest who performs the Minakami Village ritual. When the long-awaited twin maidens return, he bows and ushers them to where they need to go.&lt;br /&gt;
|-&lt;br /&gt;
| 144 || Mayu Walking Connecting Corridor || Final Chapter || Kurosawa House Connecting Corridor || The sight of Mayu walking the connecting corridor. She proceeds at a solemn pace, as if heading to fulfill her duty.&lt;br /&gt;
|-&lt;br /&gt;
| 145 || Mayu Heading to Ritual || Final Chapter || Kurosawa House Connecting Corridor || Mayu heading for the site of the ritual. She advances with an unwavering gait, as if propelled forward by a sense of purpose.&lt;br /&gt;
|-&lt;br /&gt;
| 146 || Yae Heading to Ritual || Final Chapter || Kurosawa Connecting Corridor || Yae Kurosawa heading for the site of the ritual. She advances without hesitation in order to fulfill her unfinished duty.&lt;br /&gt;
|-&lt;br /&gt;
| 147 || Twin Maidens Performing Ritual || Final Chapter || Kurosawa House Connecting Corridor || Mayu and Yae Kurosawa heading for the site of the ritual. They walk forward with dogged determination, set on continuing the unfinished ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 148 || Maiden in White Kimono || Final Chapter || Kurosawa House Connecting Corridor || Sae Kurosawa waits in the passageway to the Deep Path, seeing to redo the ritual that the villagers had themselves performed.&lt;br /&gt;
|-&lt;br /&gt;
| 149 || Older Sister by Ritual || Final Chapter || Deep Path Ritual Altar || An elder twin who once took part in a ritual. her madness dwells in the altar, repeating the cruel sacrifice for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 150 || Younger Sister by Ritual || Final Chapter || Deep Path Ritual Altar || A younger twin who once took part in a ritual. Her madness dwells in the altar, repeating the cruel sacrifice for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 151 || Twins by Ritual || Final Chapter || Deep Path Ritual Altar || The spirits of twins who undertook the ritual in the past. The madness of the ritual dwells in the altar, awaiting the next pair of sacrifices for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 152 || Crimson Butterfly Leading to the Abyss || Final Chapter || Deep Path Ritual Altar || A crimson butterfly drifting along the deep path, flittering in place as it to guide one towards the Abyss.&lt;br /&gt;
|-&lt;br /&gt;
| 153 || Mayu Delving into Abyss || Final Chapter || Deep Path Ritual Altar || Mayu making for the stairwell to the Abyss. She mutters to Mio as she walks, referring to her sister as Yae.&lt;br /&gt;
|-&lt;br /&gt;
| 154 || Mayu Laughing Madly || Final Chapter || Deep Path Ritual Altar || Mayu calling out to Mio as she heads into the Abyss, referring to her a Yae. She begins to smile maniacally, fearing what is to come.&lt;br /&gt;
|-&lt;br /&gt;
| 155 || Mayu Softly Inviting || Final Chapter || Deep Path Ritual Altar || Mayu calling out to Mio as she heads into the Abyss. She gently beckons her sister to come, referring to her a Yae all the while.&lt;br /&gt;
|-&lt;br /&gt;
| 156 || Mayu Questioning || Final Chapter || Deep Path Ritual Altar || Mayu questioning Mio as she heads to the Abyss. She gently tells her sister that she knows what mist be done, referring to her as Yae all the while.&lt;br /&gt;
|-&lt;br /&gt;
| 157 || Hellish Abyss Mayu || Final Chapter || Deep Path Main Passage || Mayu, possessed by the murdered Sae. She waited at the edge of the Abyss for Mio, whom she believed was Yae, hoping to bring an end to the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 158 || Playing Girl || Chapter 2 || Minakami Village Kayano || A young girl runs invitingly through the grass towards a secret hideout that only the children know about.&lt;br /&gt;
|-&lt;br /&gt;
| 159 || Girl Peeking into Thatched Hut || Chapter 2 || Minakami Village Kaya Hut || A young girl gazes into a grassland hut, her eyes on Mio, who entered the children&#039;s secret hideout.&lt;br /&gt;
|-&lt;br /&gt;
| 160 || Beckoning Boy || Chapter 5 || Kurosawa House Cloth Hallway || A young boy subsumed into the darkness while playing hide-and-seek. He beckons Mio to hurry, having arrived at the next play spot.&lt;br /&gt;
|-&lt;br /&gt;
| 161 || Girl Beginning to Play || Final Chapter || Eikado Temple Back Garden|| A young girl subsumed into the darkness while playing hide-and-seek. She began to frolic and play upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 162 || Boy Beginning to Play || Final Chapter || Eikado Temple Back Garden|| A young boy subsumed into the darkness while playing hide-and-seek. He began to laugh and play upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 163 || Boy Offering to Play || Final Chapter || Eikado Temple Back Garden|| A young boy subsumed into the darkness while playing hide-and-seek. He began to run out of sheer joy upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 164 || Children Offering to Play || Final Chapter || Eikado Temple Back Garden|| Children subsumed into the darkness while playing hide-and-seek. They are overjoyed to see Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 165 || Woman Adrift || Chapter 2 || Minakami Village Tsuchihara House - Front || Miyako Sudo managed to reunite with her lover, Masumi, only for him to leave her behind in search of a way out. Unable to wait, she headed for Misono Hill.&lt;br /&gt;
|-&lt;br /&gt;
| 166 || Woman Overlooking Village || Chapter 2 || Minakami Village Misono Hill || Miyako Sudo searched long and hard for any sign of Masumi from a plateau overlooking the village.&lt;br /&gt;
|-&lt;br /&gt;
| 167 || Woman at the Windowsill || Chapter 2 || Minakami Village Osaka House - Front || After returning to the Osaka House, Miyako Sudo waited for Masumi to come back, her eyes fixed on the road.&lt;br /&gt;
|-&lt;br /&gt;
| 168 || Woman Heading for Altar || Chapter 2 || Osaka House Dirt Hallway || As the darkness overwhelming Minakami Village consumed Miyako Sudo and weakened ger anew, she made her way to the altar room to slumber.&lt;br /&gt;
|-&lt;br /&gt;
| 169 || Slumbering Woman || Chapter 2 || Osaka House Tatami Lounge || Collapsed, Miyako Sudo finds herself recalling her reunion with Masumi. As she falls asleep once more, she has a dream of being strangled.&lt;br /&gt;
|-&lt;br /&gt;
| 170 || Watchful Man || Chapter 2 || Osaka House Tatami Room || After much searching, Masumi Makimura round an enfeebled Miyako. He vowed to return and left her behind in order to find an escape route.&lt;br /&gt;
|-&lt;br /&gt;
| 171 || Longing Couple || Chapter 2 || Osaka House Tatami Room || After reuniting with Miyako, Masumi Makimura left his exhausted lover behind to find an escape route, determined to return for her.&lt;br /&gt;
|-&lt;br /&gt;
| 172 || Woman Walking into the Depths || Chapter 2 || Osaka House Dirt Hallway || Miyako Sudo wanders around the manor. chasing after the figure of her lover. She invites Mio and company inside the house to convey her thoughts.&lt;br /&gt;
|-&lt;br /&gt;
| 173 || Lady on the Veranda || Chapter 2 || Osaka House Back Room || Miyako Sudo chased after Masumi into the depths of the Osaka house. Once there, unable to remember what happened, she stands motionless atop the veranda.&lt;br /&gt;
|-&lt;br /&gt;
| 174 || Man Investigating || Chapter 2 || Osaka House Entrance || Masumi Makimura ventures off to search for a way out of Minakami Village, promising to return for Miyako.&lt;br /&gt;
|-&lt;br /&gt;
| 175 || Man Investigating the Hilltop || Chapter 2 || Location || Masumi Makimura, a lost geological surveyor. He tried to escape the village by returning to the hill, only to find that the path had vanished.&lt;br /&gt;
|-&lt;br /&gt;
| 176 || Statue Investigator || Chapter 2 || Minakami Village Fork in Road || Masumi Makimura, a lost geological surveyor. He was studying the meaning of the jizo Statues—roadside stone guardians scattered throughout the village.&lt;br /&gt;
|-&lt;br /&gt;
| 177 || Well Investigator || Chapter 2 || Minakami Village Tsuchihara House - Front || Masumi, the geological surveyor, heard wind blowing from the well and realized there were passages underground, but could not find them.&lt;br /&gt;
|-&lt;br /&gt;
| 178 || Man Searching Grounds || Chapter 2 || Minakami Village Kureha Shrine - Grounds || Masumi Makimura, a lost geological surveyor, noticed the butterfly carved on the shrine door, but could not determine its significance.&lt;br /&gt;
|-&lt;br /&gt;
| 179 || Man Approaching Kurosawa House|| Chapter 2 || Minakami Village Whispering Bridge|| Masumi Makimura heads for the Kurosawa house, center of the village festivals, in search of an entrance to the Deep Path and a way out of Minakami.&lt;br /&gt;
|-&lt;br /&gt;
| 180 || Man Returning to His Beloved || Chapter 6 || Minakami Village Osaka-Tachibana Path || Hacked to death and turned into a kusabi, Masumi Makimura returns to the Osaka house for Miyako, just as he promised.&lt;br /&gt;
|-&lt;br /&gt;
| 181 || Man Venturing Onward || Chapter 6 || Osaka House Dirt Hallway || Now a spirit, Masumi Makimura returns to the Osaka house seeking Miyako, but fears he cannot see her again. He instead ventures deeper into the house.&lt;br /&gt;
|-&lt;br /&gt;
| 182 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 183 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 184 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 185 || Man Checking Study || Chapter 5 || Osaka House West Guest Room || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Osaka house.&lt;br /&gt;
|-&lt;br /&gt;
| 186 || Man Perusing Bookshelf || Chapter 6 || Kiryu House Servant Quarters - South || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Kiryu house.&lt;br /&gt;
|-&lt;br /&gt;
| 187 || Man Investigating Twins || Chapter 7 || Tachibana House Closet || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Tachibana house.&lt;br /&gt;
|-&lt;br /&gt;
| 188 || Reunited Youth || Chapter 5 || Kurosawa House Grounds || Ryozo Munakata reunites with Yar and Sae again. Having visited the village as a boy, he finds himself flustered seeing the twins all grown up.&lt;br /&gt;
|-&lt;br /&gt;
| 189 || Reunited Sae || Chapter 5 || Kurosawa House Grounds || While Sae Kurosawa initially expressed bewilderment at seeing her old friend Ryozo all grown up, she soon relaxes around him once more.&lt;br /&gt;
|-&lt;br /&gt;
| 190 || Reunited Yae || Chapter 5 || Kurosawa House Grounds || While Yae Kurosawa initially expressed bewilderment at seeing her old friend Ryozo all grown up, she felt relieved to see he was the same person deep down.&lt;br /&gt;
|-&lt;br /&gt;
| 191 || Reunited Trio || Chapter 5 || Kurosawa House Grounds || Ryozo Munakata and the Kurosawa twins reunite, having first meet as kids. Though both sides are surprised to see each other grown up, they soon relaxed.&lt;br /&gt;
|-&lt;br /&gt;
| 192 || Boy Searching Shrine || Chapter 6 || Minakami Village Kureha Shrine || Ryozo Munakata heard that Itsuki died. Unable to believe his pen pal is gone, he paid a visit behind the shrine where they once played as boys.&lt;br /&gt;
|-&lt;br /&gt;
| 193 || Boy Leaning on Wall || Final Chapter || Minakami Village, Storehouse || Itsuki left the storehouse, not wanting Ryozo to see him. He leans against the wall as he suppresses his desire to go meet with his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 194 || Boy Searching Storehouse || Final Chapter || Minakami Village Storehouse || Ryozo Munakata visited the storehouse where he played with Itsuki and Mutsuki. Though Itsuki isn&#039;t there, the experience nevertheless brings back memories.&lt;br /&gt;
|-&lt;br /&gt;
| 195 || Pair Passing by || Final Chapter || Minakami Village Storehouse || Itsuki left the storehouse, not wanting Ryozo to see him. The two of them pass by one another, separated only by a single wall.&lt;br /&gt;
|-&lt;br /&gt;
| 196 || Boy Leaving Village || Final Chapter || Minakami Village Misono Hill || Ryozo Munakata arrived at Misono Hill, where Seijiro tells him to leave. Recalling his promise to Itsuki, he swears to return one day for his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 197 || Woman by the Storehouse || Chapter 5 || Kurosawa House Cell|| Sae Kurosawa freed Mayu from the storehouse she was locked in, urging her to continue the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 198 || Woman Returning to Room || Chapter 5 || Kurosawa House Master&#039;s Chambers || Sae Kurosawa whispers Yae&#039;s name as she walks towards the hina doll room.&lt;br /&gt;
|-&lt;br /&gt;
| 199 || Sae Practicing || Chapter 5 || Kurosawa House Hina Doll Room || Sae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 200 || Yae Practicing || Chapter 5 || Kurosawa House Hina Doll Room || Yae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 201 || Practicing Twins || Chapter 5 || Kurosawa House Hina Doll Room || Sae and Yae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 202 || Girl in Shadow|| Chapter 5 || Kurosawa House Hina Doll Room || A young girl visits the manor on the Crimson Sacrifice Ritual, worried for Sae. She was waiting behind the hina dolls when the darkness consumed her.&lt;br /&gt;
|-&lt;br /&gt;
| 203 || Hanging Hand || Chapter 5 || Kurosawa House Guest Room || The hand of a woman killed while trying to flee the kusabi. It scuttles hither and thither, searching for its body.&lt;br /&gt;
|-&lt;br /&gt;
| 204 || Left Behind || Chapter 5 || Kurosawa House Guest Room || A woman killed while trying to flee the kusabi. She wanders hither and thither, searching for her missing hand.&lt;br /&gt;
|-&lt;br /&gt;
| 205 || Hand-seeking Woman || Chapter 5 || Kurosawa House Guest Room || A woman who was killed after failing to escape from the Kusabi. Unaware that her severed hand is nearby, she wanders aimlessly, searching for it.&lt;br /&gt;
|-&lt;br /&gt;
| 206 || Girl Viewing Footage || Chapter 6 || Kiryu House Tatami Room Hallway || Akane Kiryu watches the footage playing out in the projection room as she attempts to recall that which she has lost.&lt;br /&gt;
|-&lt;br /&gt;
| 207 || Watchful Girl || Final Chapter || Kiryu House Twins&#039; Room|| Azami Kiryu watches over Akane, who has closed off. Attempting to comfort her sister, her voice is blocked by an spirit and fails to reach her.&lt;br /&gt;
|-&lt;br /&gt;
| 208 || Girl Who Murdered Father || Final Chapter || Kiryu House Sealed Room || Induced by the voice of an evil spirit, in her confusion, Akane Kiryu killed her father.&lt;br /&gt;
|-&lt;br /&gt;
| 209 || Man Killed by Daughter || Final Chapter || Kiryu House Sealed Room || Unable to bring himself to fight back, Yoshitatsu Kiryu perished at the hands of his daughter, her bloodlust induced by an evil voice speaking to her.&lt;br /&gt;
|-&lt;br /&gt;
| 210 || Lurking Doll || Final Chapter || Kiryu House Sealed Room || The doll of Azami Kiryu is possessed by an evil spirit that wandered out of the Abyss, bewitching Akane and taking control of her.&lt;br /&gt;
|-&lt;br /&gt;
| 211 || Tragedy of the Kiryu House || Final Chapter || Kiryu House Sealed Room || The doll of Azami Kiryu stood behind Akane, incessantly whispering in her ear when Akane killed her father Yoshitatsu.&lt;br /&gt;
|-&lt;br /&gt;
| 212 || Grateful Girl || Final Chapter || Kiryu House Sealed Room || Azami Kiryu feels gratitude to Mio for exorcising the evil spirit from her doll replica thus freeing Akane&#039;s mind from its control.&lt;br /&gt;
|-&lt;br /&gt;
| 213 || Girl Fleeing Darkness || Chapter 8 || Minakami Village Tachibana House - Back || On the night of the Repentance, the darkness breached the Tachibana house. Sensing its encroachment, Chitose Tachibana begins to cry as she flees.&lt;br /&gt;
|-&lt;br /&gt;
| 214 || Girl Emerging from Room || Chapter 8 || Tachibana House Atrium || On the night of the Repentance, Chitose Tachibana had sensed the darkness while waiting for help. Unable to beat her fear, she leaves the room.&lt;br /&gt;
|-&lt;br /&gt;
| 215 || Girl Going to Brother&#039;s Room || Chapter 8 || Tachibana House Tatami Wing - South || Seeking her brother&#039;s help on the night of the Repentance, Chitose Tachibana ventures towards Itsuki&#039;s room, knowing she won&#039;t find him there.&lt;br /&gt;
|-&lt;br /&gt;
| 216 || Itsuki Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana. He is heading to the Old Tree with Chitose, where his younger brother Mutsuki&#039;s grave is.&lt;br /&gt;
|-&lt;br /&gt;
| 217 || Chitose Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Chitose Tachibana. She is being taken to the Old Tree by Itsuki, where the hidden grave of the Twin Shrine Maidens lies.&lt;br /&gt;
|-&lt;br /&gt;
| 218 || Siblings Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana and Chitose Tachibana. Itsuki is taking Chitose to the Old Tree, where the grave of the Twin Shrine Maidens is located.&lt;br /&gt;
|-&lt;br /&gt;
| 219 || Sae Fleeing Village || Final Chapter || Minakami Village Kureha Shrine Path || Sae and Yae Kurosawa hold hands as they run toward Kureha Shrine in an attempt to leave the village alive.&lt;br /&gt;
|-&lt;br /&gt;
| 220 || Yae Fleeing Village || Final Chapter || Minakami Village Kureha Shrine Path || Yae and Sae Kurosawa hold hands as they race toward Kureha Shrine in an attempt to leave the village alive.&lt;br /&gt;
|-&lt;br /&gt;
| 221 || Itsuki Letting Pair Escape || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana heads towards Kureha Shrine in order to let Yae and Sae run free, watching for anyone trailing him while he thinks about his next steps.&lt;br /&gt;
|-&lt;br /&gt;
| 222 || Itsuki and Escaping Twins || Final Chapter || Minakami Village Kureha Shrine Path || Sae and Yae Kurosawa, along with Itsuki Tachibana, run toward Kureha Shrine, the latter&#039;s heart resolved in what he must do once the girls are free.&lt;br /&gt;
|-&lt;br /&gt;
| 223 || Itsuki Standing || Final Chapter || Minakami Village Storehouse || Itsuki Tachibana standing by the window, reflecting on his actions and fretting over whether he did the right thing.&lt;br /&gt;
|-&lt;br /&gt;
| 224 || Past Itsuki || Final Chapter || Tachibana House Twins&#039; Room || Chitose recalls the peaceful days she spent with her two older brothers, before the ritual was held.&lt;br /&gt;
|-&lt;br /&gt;
| 225 || Past Mutsuki || Final Chapter || Tachibana House Twins&#039; Room || Chitose recalls the peaceful days she spent with her two older brothers, before the ritual was held.&lt;br /&gt;
|-&lt;br /&gt;
| 226 || Past Chitose || Final Chapter || Tachibana House Twins&#039; Room || Chitose Tachibana recalls the peaceful days she once spent with her two older brothers, Itsuki and Mutsuki, before the ritual took place.&lt;br /&gt;
|-&lt;br /&gt;
| 227 || Past Tachibana Clan || Final Chapter || Tachibana House Twins&#039; Room || Memories of the peaceful days the Tachibana siblings, Itsuki, Mutsuki, and Chitose, once spent before the ritual took place.&lt;br /&gt;
|-&lt;br /&gt;
| 228 || Itsuki on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki Tachibana reunited with Mutsuki and Chitose in a scene he saw in his dreams. The trio await the arrival of something.&lt;br /&gt;
|-&lt;br /&gt;
| 229 || Mutsuki on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki Tachibana reunited with Mutsuki, now a butterfly, and Chitose at a place he saw in his dreams. The trio await the arrival of something.&lt;br /&gt;
|-&lt;br /&gt;
| 230 || Chitose on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Chitose Tachibana goes to the Heavenly Bridge at the behest of Mutsuki, now a butterfly. There, they all reunite in a moment Chitose had longed to see.&lt;br /&gt;
|-&lt;br /&gt;
| 231 || Trio on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki, Mutsuki, and Chitose all await something on the Heavenly Bridge in a scene the elder brother previously saw in a dream.&lt;br /&gt;
|-&lt;br /&gt;
| 232 || Girl in Waiting || Final Chapter || Minakami Village Eikado Temple || Azami Kiryu. She had promised the children who could see her that she would play with them, but due to the calamity, the promise was unfulfilled. She is overjoyed at finally being able to play the game she had longed been waiting for.&lt;br /&gt;
|-&lt;br /&gt;
| 233 || Girl Waiting at Cemetery || Final Chapter || Minakami Village Minakami Cemetery || Upon seeing Akane&#039;s mind free, Azami came to the gravesite where she promised to play with the other children.&lt;br /&gt;
|-&lt;br /&gt;
| 234 || Girl Running to Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young girl subsumed into the darkness while playing hide-and-seek. She rejoices at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 235 || Boy Running to Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young boy subsumed into the darkness while playing hide-and-seek. He&#039;s excited at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 236 || Boy Playing in Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young boy subsumed into the darkness while playing hide-and-seek. He&#039;s tearful at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 237 || Man Heading to the Gate of Hell || Final Chapter || Deep Path Tunnel || Having entered the Deep Path, Seijiro Makabe presses onward in order to reach the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 238 || Woman Crying by Torii Gate || Final Chapter || Minakami Village Misono Hill || after getting separated from her sister, Yae Kurosawa returned to Minakami Village, only to find it had vanished due to failure of the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 239 || Yae Beneath Tree || Chapter 8 || Kurosawa House Grounds || Yae Kurosawa is utterly vexed, unsure what the footage that Ryozo wants to show her could possibly depict.&lt;br /&gt;
|-&lt;br /&gt;
| 240 || Sae Beneath Tree || Chapter 8 || Kurosawa House Grounds || After Ryozo tells her that he has footage to show her, the memory of her leaving the village as a young girl briefly flashes across Saw Kurosawa&#039;s mind.&lt;br /&gt;
|-&lt;br /&gt;
| 241 || Youth Beneath Tree || Chapter 8 || Kurosawa House Grounds || Ryozo Munakata invites twins Yae and Sae to a room in the Tachibana House where he had a projector set up, keen to show the girls a particular piece of footage.&lt;br /&gt;
|-&lt;br /&gt;
| 242 || Trio Beneath Tree || Chapter 8 || Kurosawa House Grounds || Ryozo Munakata invites Yae and Sae to a room in the Tachibana house where he has a projector set up, keen to show the girls a particular piece of footage.&lt;br /&gt;
|-&lt;br /&gt;
| 243 || Yae Watching Footage || Final Chapter || Tachibana House Projection Room || After seeing footage of a stream the twins visited as little girls, Yae Kurosawa makes up her mind to leave the village with Sae.&lt;br /&gt;
|-&lt;br /&gt;
| 244 || Sae Watching Footage || Final Chapter || Tachibana House Projection Room || After seeing footage of a stream the twins visited as little girls, Sae Kurosawa reflects on their promise to always remain together.&lt;br /&gt;
|-&lt;br /&gt;
| 245 || Ryozo Controlling Projector || Final Chapter || Tachibana House Projection Room || Seeing Yae and Sae tear up at the footage, Ryozo&#039;s heart swells with satisfaction. His efforts in filming the area were richly rewarded.&lt;br /&gt;
|-&lt;br /&gt;
| 246 || Trio in Projection Room || Final Chapter || Tachibana House Projection Room || Ryozo Munakata and the Kurosawa twins watch footage of a stream they secretly visited as children. The girls recall the promise they made to one another.&lt;br /&gt;
|-&lt;br /&gt;
| 247 || Yae gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond where they once played. Yae realizes the pond connects to the stream and thus, the outside.&lt;br /&gt;
|-&lt;br /&gt;
| 248 || Sae Gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond they once played around. Sae plans to give her sister some time alone with Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 249 || Twins Gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond where they once played. The pair gaze at the water, their minds dwelling on different things.&lt;br /&gt;
|-&lt;br /&gt;
| 250 || Yae Talking to Itsuki || Final Chapter || Minakami Village Storehouse - Back || Feeling Sorry for Itsuki, Yae wished to one day return to the village as a butterfly so that she could help him.&lt;br /&gt;
|-&lt;br /&gt;
| 251 || Itsuki Talking to Yae || Final Chapter || Minakami Village Storehouse - Back || Before letting Yae and Sae escape the village, Itsuki found himself alone with the former, coming to terms with the feelings he held for her.&lt;br /&gt;
|-&lt;br /&gt;
| 252 || Pair Behind Storehouse || Final Chapter || Minakami Village Storehouse - Back || Alone with Itsuki before leaving the village, Yae accepts what he has to say. Feeling sorry for him, she wishes to return one day as a butterfly.&lt;br /&gt;
|-&lt;br /&gt;
| 253 || Dream-Fulfilling Crimson Butterfly || Final Chapter || Minakami Village Osaka-Tachibana Path || A crimson butterfly guiding Mio. Intense sentiment given form, it has returned to the village.&lt;br /&gt;
|-&lt;br /&gt;
| 254 || Woman Crying on Misono Hill || Final Chapter || Minakami Village Misono Hill || Upon returning from hell, Saw followed the sound of Yae&#039;s sobs to Misono Hill. When the two tearful girls faced one another, Yae stood still and cried.&lt;br /&gt;
|-&lt;br /&gt;
| 255 || Young Mio Running || Chapter 1 || - || As a young Mio Amakura ran home from the stream, she followed Mayu onto a different path that goes in the opposite direction from the foot of the mountain.&lt;br /&gt;
|-&lt;br /&gt;
| 256 || Young Mayu Running || Chapter 1 || - || While running through the forest on her way back from the stream, a young Mayu Amakura is lured elsewhere by a faint voice calling out to her.&lt;br /&gt;
|-&lt;br /&gt;
| 257 || Young Pair Running || Chapter 1 || - || As a young Mio and Mayu Amakura ran home from the stream, a voice lures Mayu elsewhere, taking her in the opposite direction from the foot of the mountain.&lt;br /&gt;
|-&lt;br /&gt;
| 258 || Mayu About to Fall || Chapter 8 || Kiryu House Heavenly Bridge || Mayu about to fall from the Heavenly Bridge. With a vacant stare, she tries to take the plunge of her own accord, as if reenacting past events.&lt;br /&gt;
|-&lt;br /&gt;
| 259 || Mayu Gazing at Pond || Chapter 8 || Minakami Village Ukishima || Mayu gazing wistfully at a pond. Though it is her first time coming here, she mutters about having played here much in the past.&lt;br /&gt;
|-&lt;br /&gt;
| 260 || Mayu Watching footage || Chapter 8 || Kiryu House Projection Room || Mayu is entranced by the footage played from the projector. Recognizing the scenery from a dream she had as a girl she begins muttering in a childlike voice.&lt;br /&gt;
|-&lt;br /&gt;
| 261 || Dreaming Mayu || Chapter 8 || Deep Path The Abyss || Trapped in an ominous dream, Mayu stands before the Abyss, looking as if she may fall within at any moment.&lt;br /&gt;
|-&lt;br /&gt;
| 262 || Young Mio Holding Hands || Final Chapter || Minakami Village Misono Hill || As a young Mayu Amakura is lured towards a torii gate, Mio holds her back, taking her hand in an attempt to go home.&lt;br /&gt;
|-&lt;br /&gt;
| 263 || Young Mayu Holding Hands || Final Chapter || Minakami Village Misono Hill || A young Mayu Amakura is lured towards a torii gate by a faint voice calling out to her.&lt;br /&gt;
|-&lt;br /&gt;
| 264 || Young Pair Retreating || Final Chapter || Minakami Village Misono Hill || As a young Mayu Amakura is lured towards a torii gate, Mio holds her back, taking her hand in an attempt to go home. &lt;br /&gt;
|}&lt;br /&gt;
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|-|&lt;br /&gt;
Revenants=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Location&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || Fearful Man || Chapter 3 || [[Kurosawa House]], Bloodstained Room || On the night of the Repentance, this man escaped from a [[kusabi]] and hid in a closet. He was found and killed. Even in death, he continued to hide in fear.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Man in Study || Chapter 6 || [[Kiryu House]], Sliding Screen Room || As he researches the Twin Houses, Seijiro discovers that they are linked by the Earthly and Heavenly Bridges.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || Drowned Woman || Chapter 5 || [[Minakami Village]], Ukishimna Bridge || A woman trapped in the village long before Mio and Mayu came. She drifts endlessly on the icy water into which she was dragged.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || Crushed Man || Chapter 6 || [[Deep Path]], Earthly Bridge || Outcasts crushed by falling stone in the Repentance. Long after their death, the Deep Path  echoed with their groans.&lt;br /&gt;
|-&lt;br /&gt;
| 5 || Twin Boy || Chapter 7 || [[Tachibana House]], Twins&#039; Room || Mutsuki Tachibana, Itsuki&#039;s twin brother, was made into the Crimson Sacrifice. He knew his fate from the moment he was born.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || Lurking Girl || Chapter 8 || Minakami Village, Tachibana House - Front || A girl lurking around trying to hide an important item from the Tsuchihara House. Wanting to be found, she whispers to herself as she hides.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Hiding Boy || Chapter 8 || Minakami Village, Alleyway || A boy who hid an important item from the Tsuchihara House. Wanting to be found, he whispers to those who pass close to his hiding place.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Boy Blending Into Shadows || Chapter 8 || Minakami Village, Alleyway || A boy trying to hide an important item from the Tsuchihara house. He murmurs to himself about how he plans to scare those who find his hiding place.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Kiryu House Ancestor || Chapter 8 || Kiryu House, Sliding Screen Room || The one who crafted the family crest is sent away from the village. He ended his own life to try and repent for the twins&#039; escape.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Trapped Girl || Chapter 8 || Minakami Village, Storehouse || A Remaining girl locked in the storehouse after a past ritual left her despondent. She hides away up in the storehouse ceiling, weeping to herself.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || Seijiro Makabe || Final Chapter || Kurosawa House, Hall of Ropes || A folklorist who came to research the secret rituals. He was turned into a kusabi in order to calm the Abyss&#039; rumblings.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || Failed Kusabi || Final Chapter || Deep Path, Tunnel || Those who could not endure the agonies of the kusabi ritual have their sacrificed corpses placed deep within the Deep Path.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Those Who Fell Into Darkness || - || - || Unspeakable presences, cloaked by miasma, trying to escape the Abyss. All those who see them are struck blind.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || Watching Boy || Chapter 5 || Osaka House, Study || A young boy subsumed into the darkness while playing hide-and-seek. He grows impatient watching over the situation as Mio fails to find him.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || Girl Lost in Play || Chapter 5 || Osaka House, Entrance || A young girl who ended up alone while playing hide-and-seek. She continues to play in secret.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || Girl Hiding Near Entrance || Final Chapter || Eikado Temple Entrance || A young girl subsumed into the darkness while playing hide-and-seek. She hides and waits for Mio at the Eikado Temple entrance.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Boy Hiding in Back Garden || Final Chapter || Eikado Temple Back Garden || A young boy subsumed into the darkness while playing hide-and-seek. He hides and waits for Mio in the back garden of Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Boy Hiding in Temple|| Final Chapter || Eikado Temple Enshrinement Hall || A young boy subsumed into the darkness while playing hide-and-seek. He hides and waits for Mio inside Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || Exhausted Man || Chapter 5 || Kurosawa House Storeroom || Masumi Makimura tried to escape the village with his lover, but was attacked and torn apart by a kusabi when he reached the Kurosawa house.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Man Searching Umbral Mound || Final Chapter || Minakami Village Umbral Mound || Seijiro Makabe investigated the Umbral Mound, realizing he and Ryozo were invited in order to become kusabi, sacrifices for the Shadow Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || Boy Inspecting Old Tree || Chapter 8 || Minakami Village, The Old Tree || Ryozo Munakata recalled Itsuki saying that an underground path from the Old Tree connects to the outside. He is unable, however, to reunite with his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Downcast Woman || Chapter 5 || Kurosawa House, Main Hall || Sae Kurosawa stands alone, having returned from Hell on the night of the Repentance and, with the kusabi, killed the villagers gathered in the main hall.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Girl Remembering the Ritual || Chapter 8 || Kiryu House, Projection Room || Akane Kiryu remembered losing Azami as she watched the footage. She realizes the &amp;quot;Azami&amp;quot; keeping her company with its bewitching voice is in fact a doll.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Regretful Girl || Chapter 8 || Kiryu House, Twins&#039; Room || Akane sat in the twins&#039; room to calm her mind, closing herself off upon remembering she killed her father. Her sister Azami was nowhere to be seen.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Girl Seeking Help || Chapter 8 || Tachibana House, Storeroom - East || On the night of the Repentance, Chitose Tachibana, after entering the Tachibana House to escape the darkness, hides in a small room and prays for rescue.&lt;br /&gt;
|-&lt;br /&gt;
| 26 || Girl Hiding from Wraith || Chapter 8 || Tachibana House, Storeroom || Sensing that the wraiths have reappeared on the night of the Repentance, Chitose Tachibana searches for her next hiding spot.&lt;br /&gt;
|-&lt;br /&gt;
| 27 || Girl Reading Letter || Chapter 8 || Tachibana House, Itsuki&#039;s Room || Chitose finds a letter addressed to her in Itsuki&#039;s room on the night of the Repentance. The darkness consumes her as all of her earlier resentment fades away.&lt;br /&gt;
|-&lt;br /&gt;
| 28 || Boy Standing by Grave || Final Chapter || Minakami Village, The Old Tree || Itsuki Tachibana left white spider lilies on his younger brother&#039;s grave. He&#039;d caused the ritual to end in failure, not becoming one with his sibling.&lt;br /&gt;
|-&lt;br /&gt;
| 29 || Girl Standing by Grave || Final Chapter || Minakami Village, The Old Tree || Chitose Tachibana saw Itsuki leaving flowers at his brother Mutsuki&#039;s grave, his expression telling her that the twins failed to merge and become one.&lt;br /&gt;
|-&lt;br /&gt;
| 30 || Siblings Standing by Grave|| Final Chapter || Minakami Village The Old Tree || Itsuki leaves flowers at his brother Mutsuki&#039;s grave while his sister Chitose looks on, his expression telling her that the twins sailed to merge and become one.&lt;br /&gt;
|-&lt;br /&gt;
| 31 || Itsuki Returning to the Village || Final Chapter || Minakami Village, Kureha Shrine || Itsuki Tachibana. After helping Yae and Sae escape the village, he returns to the village alone. Thinking about what he must do last, he heads toward the storehouse.&lt;br /&gt;
|-&lt;br /&gt;
| 32 || Mutsuki Watching || Final Chapter || Minakami Village, Storehouse || Mutsuki Tachibana offers words of comfort to Itsuki, whose agony persists even in death.&lt;br /&gt;
|-&lt;br /&gt;
| 33 || Girl Playing || Final Chapter || Minakami Village Minakami Cemetery || Azami Kiryu returns to where she belongs, having fulfilled her promise to play with the other children.&lt;br /&gt;
|-&lt;br /&gt;
| 34 || Man Searching the Deep Path || Final Chapter || Deep Path, Osaka Basement || Seijiro Makabe arrives beneath the Osaka house in search of the Deep Path, which leads to the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 35 || Man Checking the Earthly Bridge || Final Chapter || Deep Path, Earthly Bridge || Seijiro Makabe arrives at the Earthly Bridge connecting the Kiryu and Tachibana houses in search of the Deep Path, which leads to the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 36 || Man Investigating Mummified Monk || Final Chapter || Eikado Temple, Deep Path || During his search for the Deep Path and the Gate to Hell, Seijiro Makabe discovers mummies beneath Eikado Temple that failed to turn into kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 37 || Man Searching Ritual Altar || Final Chapter || Deep Path Tunnel || Seijiro Makabe. After entering the Deep Path from the depths of the Kurosawa residence, he reaches the Sacrificial Altar. He hurries toward the Gate of Hell, which is said to lie ahead.&lt;br /&gt;
|-&lt;br /&gt;
| 38 || Woman Crying in Main Hall || Final Chapter || Kurosawa House Main Hall || Sae returned from Hell, killing the villagers as she laughed, although in her heart she cried, yearning to be saved.&lt;br /&gt;
|-&lt;br /&gt;
| 39 || Woman Crying in Storehouse || Final Chapter || Minakami Village Tsuchihara House - Front || Upon returning from Hell, Saw sought salvation from Itsuki. She cried when she remembered he was dead, mourning all the things she&#039;s lost.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/tabber&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF2R}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Fatal Frame II Remake]]&lt;br /&gt;
[[Category:Notfinished]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_II_Remake_Spirit_List&amp;diff=30375</id>
		<title>Fatal Frame II Remake Spirit List</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Fatal_Frame_II_Remake_Spirit_List&amp;diff=30375"/>
		<updated>2026-03-27T05:00:23Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{spoilerwarning}}&lt;br /&gt;
&lt;br /&gt;
The spirit list for [[Fatal Frame II Remake]] has 375 spirits altogether, including 47 [[Twin Dolls Sidequest|Twin Dolls]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tabber&amp;gt;&lt;br /&gt;
|-|&lt;br /&gt;
Wraiths=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || The Wanderer || Miyako Sudo. She came to the village in search of her lost lover, only to be murdered by his spirit and condemned to wander the Osaka house.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Succumbed Man || A villager of Minakami Village. Devoured by the miasma of the Repentance, he lost all sense of self. He stands motionless in the darkness, unable even to suffer.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || The Seeker || A villager wandering the village with a pale torch, hunting the escaped twins for the sake of the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || The Sickle Bearer || A villager wandering with sickle in hand, hunting the fleeing twins for the sake of the ritual. All that matters is preventing their escape...&lt;br /&gt;
|-&lt;br /&gt;
| 5 || The Pole Bearer || A villager hunting the escaped twins for the sake of the ritual, who perished in the Repentance after failing to find them both.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || The Entrapped || A woman who hid in a box to escape the Repentance. Unable to escape the stifling prison, she was still inside when the box was consumed by the darkness.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Sunken Woman || A woman trapped in the village long before the arrival of Mio and Mayu. She was dragged into the icy water by countless hands reaching up from Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Man Killed by Kusabi || A man killed by a kusabi. Hideously scarred, he wanders the village in anguish, hovering between life and death.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Woman Killed by Kusabi || A woman killed by a kusabi. Hideously scarred, she wanders the village in anguish, hovering between life and death.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Veiled Priest || Participants in the Hidden Ceremony. In the ritual, the absence of one of the twins triggered the Repentance, and these people were consumed by the darkness.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || The Shredded || Masumi Makimura, a geological surveyor who stumbled upon the village during a dam inspection. He tried to escape Minakami, only to be killed by a kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || The Mourner || Those charged with guarding the Abyss. Robbed of their sight, they respond to the sound of any who would dare approach - and attack accordingly.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Broken-Necked Woman || A woman who threw herself from the Heavenly Bridge to escape the Repentance. She wanders the village, seeking to inflict upon the living the same pain she suffered.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || The Tag Player || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || The Chased || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || The Frolicker || A child consumed by the darkness while playing hide-and-seek. The game continues on, the children blissfully unaware of their own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Twin Doll || A doll created to resemble Azami Kiryu, a twin turned Crimson Sacrifice from a past ritual. Possessed by an evil spirit from Hell, it controls the girl Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Twin Spirit || Akane Kiryu, a twin maiden who killed her sister in a past Crimson Sacrifice Ritual. Her soul was consumed by a doll resembling her sister Azami, who now controls her body.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || The Fallen || A woman who fell trying to escape the Repentance. She lurks within the Kiryu house, her body transformed.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Doll Maker || Yoshitatsu Kiryu, the patriarch of the Kiryu household. Mourning the daughter he lost to a past ritual, he is killed by the Remaining - his other daughter, under the influence of a possessed doll.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || The Girl in Crimson || Chitose Tachibana, younger sister to twins Mutsuki and Itsuki Tachibana. She hid inside a closet, where she became trapped and lost her life.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Succumbed Woman || A villager of Minakami Village. Devoured by the miasma of the Repentance, she lost all sense of self. She wanders the village in search of aid, unable even to comprehend her suffering.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Kurosawa Patriarch || Ryokan Kurosawa, the man who turned outsiders into kusabi in order to quell the rumbling Abyss. He continues to safeguard the ritual, even after dying in the Repentance.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Man of Ropes || The shade of the folklorist Makabe, a human sacrifice known as a kusabi. Though offered up to quell the tremors of the Abyss, the Repentance instead transformed him into an evil spirit.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Woman in Bloody Kimono || Sae Kurosawa, the final twin maiden. Consumed by madness from the incomplete ritual, she slaughtered her fellow villagers.&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
|-|&lt;br /&gt;
Specters=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Chapter&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Location&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || Girl Entering House || Before Chapter 1 || Minakami Village, Misono Hill - East || Miyako stumbled into Minakami Village in search of her lost lover, a surveyor. She enters the first house she finds in the village.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Woman in the Garden || Chapter 1 || Osaka House, Great Tatami Room || Miyako Sudo roams the house, chasing the shadow of her lost lover. Through the window, she spots Mio picking up the flashlight Miyako left behind.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || Woman Vanishing at Altar || Chapter 1 || Osaka House Dirt Hallway || Miyako Sudo skulked throughout these halls in search of her lost lover. Weakening little by little, she sought the altar room for a moment of respite.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || Woman Roaming Second Floor || Chapter 1 || Osaka House, Sunken Hearth Room || Miyako Sudo roams the house, chasing the shadow of her lover. She tries to draw Mio and Mayu to the second floor so she can tell them her tale.&lt;br /&gt;
|-&lt;br /&gt;
| 5 || Beckoning Woman || Chapter 1 || Osaka House, East Guest Room || Miyako Sudo roams the house, unable to escape the village&#039;s curse. She tries to draw the sisters further inside so she can tell them her tale.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || Woman Watching from Window || Chapter 2 || Osaka House, Sunken Hearth Room || This woman wandered into Minakami long before Mio and Mayu. Pulled into the inky depths by innumerable arms, she roams the village in search of human warmth.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Seeker || Chapter 2 || Osaka House, Kimono Room || This villager wanders the endless dark for all eternity, torch held aloft in search of the twins.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Man Chasing Fleeing Twins || Chapter 2 || Osaka House, Kimono Room || This man wanders his village forever in search of the twins who fled the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Man Fearing Calamity || Chapter 2 || Osaka House, Kimono Room || This spirit seeks out the twins for all eternity, terrified of what calamity would befall the village should they manage to escape.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Villagers || Chapter 2 || Osaka House, Kimono Room || These villagers hunt the escaped twins for the sake of the ritual. Forever do they wander a village plunged into ceaseless night.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || Man Peering into Camera Obscura || Chapter 2 || Osaka House, Entrance || Seijiro Makabe gazed through the viewfinder to test the Paraceptual Filter, a hidden feature of the Camera Obscura he borrowed from Dr. Kunihiko Asou.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || Mayu Being Called || Chapter 2 || Minakami Village, Osaka House - Front || The shade of Mayu, guided through the nocturnal village by an unfamiliar voice. She ambles onward, her gait shaky and unsure.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Butterfly Chaser || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || Drawn by the crimson butterfly, Mayu wanders further into the village. She ignores Mio&#039;s calls and continues on through a large gate.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || Woman in Bloody Kimono || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || A woman in bloodstained garments awaits Mayu, who is guided down a path by a crimson butterfly. She gazes at Mayu, a maddened smile curling her lips.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || Mayu and Inviting Woman || Chapter 2 || Minakami Village, Kiryu-Tachibana Path || Mayu ventures deeper into the village, guided by the crimson butterfly. The woman in the bloodstained kimono receives her with a manic smile.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || Beckoning Crimson Butterfly || Chapter 2 || Minakami Village, Tsuchihara House - Front || A crimson butterfly fluttering through the village. It appears before Mio, flitting about as if to beckon her.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Woman Looking Down || Chapter 2 || Minakami Village Kiryu-Tachibana Path|| A woman gazing down from the corridor connecting two houses. She stares at the ground below, as if cognizant of her fate.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Trapped Boy || Chapter 2 || Minakami Village, Storehouse - Back || The white-haired boy trapped in the storehouse is Itsuki Tachibana. He is tormented with guilt for killing his brother in the Crimson Sacrifice Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || Guiding Crimson Butterfly || Chapter 2 || Minakami Village, Storehouse - Back || A crimson butterfly fluttering through the village. It guides Mio toward the location of the key she&#039;s looking for.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Inviting Crimson Butterfly || Chapter 2 || Minakami Village, Tomonaki River - Shoe || A crimson butterfly fluttering through the village. It guides Mio toward the location of the key she&#039;s looking for.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || Man Searching for Twins at Shrine || Chapter 2 || Minakami Village, Kureha Shrine || This villager roves Kureha Shrine after rumors placed the escaped twins on its holy grounds.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Moonlit Man || Chapter 2 || Minakami Village Tomonaki Gate || A man swallowed up on the day of calamity, when the encroaching darkness found him on high ground. He gazes longingly at the moon, unaware of his own demise.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Man Hiding in Grass || Chapter 2 || Minakami Village, Tomonaki Pond - Bank || Having fled Kurosawa house, this man hid in tall grass to escape the madness that set its sights on him. Nevertheless, the darkness came to claim him.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Floating Woman || Chapter 2 || Minakami Village, Whispering Bridge || A woman trapped in the village long before Mio and Mayu came. She was dragged underwater by countless hands and now spends eternity in their icy grasp.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Woman in the White Kimono || Chapter 2 || Kurosawa House, Grounds || A woman walks toward the Kurosawa house. Her mind is already broken, on her face the manic smile of the mad.&lt;br /&gt;
|-&lt;br /&gt;
| 26 || Man in Hallway || Chapter 2 || Kurosawa House, Grounds || A man standing by a window in the Kurosawa house. Seeking to flee from the tragedy unfolding around him, he met an unfortunate demise.&lt;br /&gt;
|-&lt;br /&gt;
| 27 || The Man Above || Chapter 3 || Kurosawa House, Entrance || A man watches the entrance from the master&#039;s chamber. He mistakes Mio for Yae and prepares to capture her.&lt;br /&gt;
|-&lt;br /&gt;
| 28 || Hiding Man || Chapter 3 || Kurosawa House, Hallway || On the night of the Repentance, this man hid in a closet, only to be killed when a kusabi entered the servants&#039; quarters. His ghost now hides in shadows.&lt;br /&gt;
|-&lt;br /&gt;
| 29 || Mayu Advancing Ahead || Chapter 3 || Kurosawa House, Dirt Passageway || The shade of Mayu entering Kurosawa house. Amidst crashes of thunder, she plunges through the manor&#039;s dark corridors like a girl possessed.&lt;br /&gt;
|-&lt;br /&gt;
| 30 || Man Running Aimlessly || Chapter 3 || Kurosawa House, Dirt Passageway || A villager lost to the darkness as he fled a kusabi in Kurosawa house on the night of the Repentance. Even in death, his fear of the kusabi lives on.&lt;br /&gt;
|-&lt;br /&gt;
| 31 || Mayu Advancing Ahead || Chapter 3 || Kurosawa House, Main Hall || Mayu entering Kurosawa house. Amidst crashes of thunder, she plunges through the manor&#039;s dark corridors like a girl possessed.&lt;br /&gt;
|-&lt;br /&gt;
| 32 || Mayu Being Guided || Chapter 3 || Kurosawa House, Flickering Room || The shadow of Mayu entering Kurosawa house. She traversed the manor&#039;s dark corridors like a girl possessed, eventually entering the innermost room.&lt;br /&gt;
|-&lt;br /&gt;
| 33 || Man Using Camera Obscura || Chapter 3 || Kurosawa House, Guest Room || Seijiro Makabe took a trial photo with the Exposure Filter, a hidden feature of the Camera Obscura he had borrowed from Dr. Kunihiko Asou.&lt;br /&gt;
|-&lt;br /&gt;
| 34 || Man Entering Room || Chapter 3 || Kurosawa House, Guest Hallway || Ryokan Kurosawa, the patriarch of the Kurosawa house. He enters the master&#039;s chamber to fulfill his day-to-day responsibilities.&lt;br /&gt;
|-&lt;br /&gt;
| 35 || Whispering Man || Chapter 3 || Kurosawa House, Master&#039;s Chamber || Ryokan Kurosawa gazes at the entrance to the Kurosawa house, observing all those who come and go from his domain.&lt;br /&gt;
|-&lt;br /&gt;
| 36 || Fleeing Villager || Chapter 3 || Kurosawa House, Dirt Passageway || A villager who was in the Kurosawa house when the Repentance came. Struck dead by a kusabi, he remains trapped in darkness and terror.&lt;br /&gt;
|-&lt;br /&gt;
| 37 || Dragging Shadow || Chapter 3 || Kurosawa House, Dirt Passageway || Sacrificed for the ritual, kusabi returned from Hell on the night of the Repentance, slaughtering the villagers gathered at the Kurosawa house.&lt;br /&gt;
|-&lt;br /&gt;
| 38 || The Foresaken || Chapter 3 || Kurosawa House, Dirt Passageway || A villager who hid in a dirt passageway when the Repentance came. He tried to resist the kusabi, but was swiftly cut down.&lt;br /&gt;
|-&lt;br /&gt;
| 39 || Shadow Dragging Man || Chapter 3 || Kurosawa House, Dirt Passageway || Returning from Hell on the night of the Repentance, kusabi killed the villagers gathered at Kurosawa house. One such victim was dragged back into the room.&lt;br /&gt;
|-&lt;br /&gt;
| 40 || Closet Man || Chapter 3 || Kurosawa House, Dirt Passageway || On the night of the Repentance, this man hid from a kusabi in a closet, only to be caught and killed. His spirit continues to hide from the terrifying killer.&lt;br /&gt;
|-&lt;br /&gt;
| 41 || Name || Chapter 3 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 42 || The Shamed || Chapter 4 || Kurosawa House, Guest Hallway || The patriarch of the Kurosawa family and high priest of the village, Ryokan Kurosawa, grieves over his daughter, who ran away.&lt;br /&gt;
|-&lt;br /&gt;
| 43 || the Beckoning Man || Chapter 4 || Kurosawa House Courtyard Staircase || Ryokan Kurosawa confuses Mio and Mayu for his own daughters and calls out to them as they plan to escape the village.&lt;br /&gt;
|-&lt;br /&gt;
| 44 || Name || Chapter 4 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 45 || Man Ascending Stairs || Chapter 4 || Kurosawa House Storage Room || Ryokan Kurosawa enters the master&#039;s chamber to fulfill his day-to-day responsibilities, reading books chronicling the ritual of Minakami Village.&lt;br /&gt;
|-&lt;br /&gt;
| 46 || Boy Peering Down Hole || Chapter 4 || Kurosawa House, Partition Screen Room || A village child who played at the Kurosawa house on the day of the Repentance. He&#039;s crestfallen over an important treasure he dropped down a hole.&lt;br /&gt;
|-&lt;br /&gt;
| 47 || Peeping Boy || Chapter 4 || Kurosawa House, Cloth Hallway || A child of the village who was playing in Kurosawa house on the day of the Repentance. He&#039;s thrilled at the prospect of Mio and Mayu joining in his games.&lt;br /&gt;
|-&lt;br /&gt;
| 48 || Boy Running Off || Chapter 4 || Kurosawa House, Cloth Hallway || A child of the village who was playing in Kurosawa house on the day of the Repentance. He urges Mio and Mayu to join in on his games.&lt;br /&gt;
|-&lt;br /&gt;
| 49 || Storehouse Investigator || Chapter 4 || Kurosawa House Storehouse || A folklorist by trade, Seijiro Makabe was invited to the village. He was captured and locked away after trying to enter a place he wasn&#039;t meant to see.&lt;br /&gt;
|-&lt;br /&gt;
| 50 || Imprisoned Man || Chapter 4 || Kurosawa House, Cell || Seijiro Makabe came to Minakami Village to research its secret rituals. He was imprisoned in a cell, destined to be made into a kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 51 || The Ritualist || Chapter 4 || Kurosawa House, Cloth Hallway || Ryokan is saddened by his daughters&#039; loathing of the ritual. He himself had once sacrificed his own brother to protect his fellow villagers.&lt;br /&gt;
|-&lt;br /&gt;
| 52 || Waiting Priest || Chapter 4 || Kurosawa House, Altar Room || The priest waits for the ritual to begin again. He tried to perform it without the required twins and died in the Repentance.&lt;br /&gt;
|-&lt;br /&gt;
| 53 || Man Conversing Privately || Chapter 4 || Kurosawa House, Central Hallway || After the ritual of the twins failed, Ryokan Kurosawa decided to sacrifice the visiting folklorist in their place.&lt;br /&gt;
|-&lt;br /&gt;
| 54 || Priest Speaking || Chapter 4 || Kurosawa House, Central Hallway || The chief priest who performs the ritual of Minakami Village. He told Ryokan Kurosawa of the frequent rumblings of the Abyss - and the need to offer sacrifice.&lt;br /&gt;
|-&lt;br /&gt;
| 55 || Pair Talking Secretively || Chapter 4 || Kurosawa House, Central Hallway || Ryokan Kurosawa and the chief priest. After the ritual using the twins failed, they try to sacrifice a visiting folklorist to quell the Abyss&#039;s rumblings.&lt;br /&gt;
|-&lt;br /&gt;
| 56 || Mayu Heading Underground || Chapter 4 || Kurosawa House Altar Room || Beyond the butterfly gate, Mayu descends to the altar room&#039;s underground alone, without her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 57 || Mayu Proceeding Through Corridor || Chapter 4 || Kurosawa House, Connecting Corridor || Mayu walks down the connecting corridor opposite from Mio, calling out to her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 58 || Ritual Investigator || Chapter 4 || Kurosawa House, Cell || Seijiro Makabe was warned by the Kurosawa girls to flee before he was turned into a kusabi, but his curiosity compelled him to stay in his cell.&lt;br /&gt;
|-&lt;br /&gt;
| 59 || Confined Mayu || Chapter 5 || Kurosawa House, Storehouse || Mayu, locked in a cell. She hates being apart from Mio, due to past trauma. She does not respond when spoken to and quietly mutters to herself instead.&lt;br /&gt;
|-&lt;br /&gt;
| 60 || Fallen Woman || Chapter 5 || Minakami Village Kiryu-Tachibana Path || A woman who took her own life to avoid the pain of the Repentance. Yet, she found no peace in death, and even now she is tormented by endless agony.&lt;br /&gt;
|-&lt;br /&gt;
| 61 || Fluttering Crimson Butterfly || Chapter 5 || Minakami Village Osaka-Tachibana Path || A crimson butterfly fluttering through the village. It flits about, as if trying to convey something to Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 62 || Weeping Woman || Chapter 5 || Minakami Village Tsuchihara House - Front || Sae Kurosawa was forced to witness Itsuki&#039;s death. Overcome with despair, she resolved to continue with the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 63 || Searching Man || Chapter 5 || Osaka House Altar Room || Seijiro Makabe was a folklorist invited to the village. He searched the mansion for a secret underground entrance without telling anyone.&lt;br /&gt;
|-&lt;br /&gt;
| 64 || Underground Hunter || Chapter 5 || Deep Path Osaka Basement || Seijiro Makabe was a folklorist invited to the village. He searched for the Abyss, said to lie somewhere below the village in a network of caves.&lt;br /&gt;
|-&lt;br /&gt;
| 65 || Dragged Shadow || Chapter 5 || Osaka House, Dirt Hallway || The spirit of one killed in the Repentance. The victim tried to hide from the horror of the encroaching darkness, but was ultimately pulled into Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 66 || Mayu Writing Note || Chapter 5 || Kurosawa House Cell|| The shadow of Mayu, left alone in a cell. Heeding a call of some sort, she leaves behind a note for Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 67 || Mayu Exiting Storehouse || Chapter 5 || Kurosawa House Storehouse || The shadow of Mayu, who learned of Sae&#039;s past while in her cell. She opens the door and leaves the storehouse behind intent on apologizing to Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 68 || Mayu Heading to Entrance || Chapter 5 || Kurosawa House Storage Room || Mayu could be seen heading to the entrance of the Kurosawa house. She continued down the dark hallway, sparing no glance to Mio chasing after her.&lt;br /&gt;
|-&lt;br /&gt;
| 69 || Wandering Mayu || Chapter 5 || Kurosawa House Grounds || The shadow of Mayu making for the bridge to Itsuki&#039;s house. She leaves Kurosawa house behind, and with a far-off stare, she walks deeper into the dark village.&lt;br /&gt;
|-&lt;br /&gt;
| 70 || Woman in the Corridor || Chapter 6 || Minakami Village Kiryu-Tachibana Path|| A woman who fell during the Repentance and broke her neck. Even now, she roams the hallways trying to escape the terrible miasma.&lt;br /&gt;
|-&lt;br /&gt;
| 71 || Crimson Butterfly Seeking Aid || Chapter 6 || Minakami Village Kiryu House - Front || A crimson butterfly fluttering through the village. It flits about as if seeking aid from Mio.&lt;br /&gt;
|-&lt;br /&gt;
| 72 || Mayu on the Heavenly Bridge || Chapter  6|| Kiryu House North Hallway || The shadow of Mayu entering the Tachibana house to apologize to Itsuki. Heedless to Mio&#039;s cries, she disappeared inside the home with a vacant look in her eyes.&lt;br /&gt;
|-&lt;br /&gt;
| 73 || Man Approaching Study || Chapter 6 || Kiryu House North Hallway || Seijiro Makabe searches for literature on the Twin Houses of Tachibana and Kiryu.&lt;br /&gt;
|-&lt;br /&gt;
| 74 || Youth Venturing Onward || Chapter 6 || Kiryu House Sliding Screen Room || Ryozo Munakata visited Minakami Village as an aide to folklorist Seijiro Makabe. He&#039;s trying to install a projector for screening footage taken in the village.&lt;br /&gt;
|-&lt;br /&gt;
| 75 || Youth Operating Projector || Chapter 6 || Kiryu House Projection Room || Ryozo Munakata visited Minakami Village as an aide to folklorist Seijiro Makabe. After installing the projector, he plays some footage as a test.&lt;br /&gt;
|-&lt;br /&gt;
| 76 || Man Heading to Cemetery || Chapter 6 || Minakami Village Misono Hill - West || Seijiro Makabe crosses the suspension bridge to the cemetery in order to investigate the customs of Minakami Village.&lt;br /&gt;
|-&lt;br /&gt;
| 77 || Man Inspecting Cemetery || Chapter 6 || Minakami Village Minakami Cemetery || Seijiro Makabe heads deeper into the cemetery to dig up clues on the Shadow Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 78 || Man Hiding Key || Chapter 6 || Minakami Village Minakami Cemetery || Yoshitatsu Kiryu hid the house key in his family grave to prevent anyone from entering the Kiryu House.&lt;br /&gt;
|-&lt;br /&gt;
| 79 || Priest Approaching Shrine || Chapter 6 || Minakami Village Kureha Shrine Path || A priest who performs the ritual of Minakami Village. He jingles his staff all the way from the Kurosawa house to Kureha Shrine.&lt;br /&gt;
|-&lt;br /&gt;
| 80 || Name || Chapter 6 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 81 || Name || Chapter 6 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 82 || Name || Chapter 6 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 83 || Girl Clad in Butterflies || Chapter 6 || Kiryu House Entrance || Azami Kiryu enveloped in crimson butterflies. She lures Mio to the Kiryu house in order to save her twin sister Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 84 || Peering Doll || Chapter 6 || Kiryu House Entrance || A doll of Azami Kiryu. Created to replace the sister lost to the Ritual, this mechanized automata was possessed by a spirit from Hell and became a manikin.&lt;br /&gt;
|-&lt;br /&gt;
| 85 || Vanishing Girl || Chapter 6 || Kiryu House Tatami Room Hallway || The spirit of Akane Kiryu, who once underwent the ritual. Wracked with remorse and unwilling to kill anyone, she fled.&lt;br /&gt;
|-&lt;br /&gt;
| 86 || Vanishing Doll || Chapter 6 || Kiryu House Tatami Room Hallway || The Azami Kiryu doll, made to replace Akane&#039;s twin sister. Not wanting to be killed, she fled.&lt;br /&gt;
|-&lt;br /&gt;
| 87 || Vanishing Twins || Chapter 6 || Kiryu House Tatami Room Hallway || Akane Kiryu and the doll of Azami Kiryu, the spirits of twins who once underwent the ritual. They fled together, desiring neither to kill nor be killed.&lt;br /&gt;
|-&lt;br /&gt;
| 88 || Woman Watching Through Lattice || Chapter 6 || Kiryu House Tatami Room Hallway || A woman who fell and broke her neck during the Repentance. She gazes at Mio, who observed her descent into death.&lt;br /&gt;
|-&lt;br /&gt;
| 89 || Sitting Big Sister || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami were inseparable throughout childhood, until the Crimson Sacrifice Ritual turned Azami into a butterfly and left Akane alone.&lt;br /&gt;
|-&lt;br /&gt;
| 90 || Sitting Little Sister || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami were joined at the hip throughout childhood, until the Crimson Sacrifice Ritual finally made them one.&lt;br /&gt;
|-&lt;br /&gt;
| 91 || Sitting Twins || Chapter 6 || Kiryu House Twins&#039; Room || Akane and Azami Kiryu were inseparable in their youth, undergoing spiritual training to become shrine maidens for the Crimson Sacrifice Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 92 || Brooding Man || Chapter 6 || Kiryu House Ombre Hallway || Yoshitatsu Kiryu, doll maker of Minakami Village. He regrets his part in the Crimson Sacrifice Ritual, losing his daughters Azami in death and Akane in spirit.&lt;br /&gt;
|-&lt;br /&gt;
| 93 || Death&#039;s Wish || Chapter 6 || Kiryu House Doll Room || Azami Kiryu was turned into a butterfly after the ritual. She asks Mio to destroy the mechanical doll that was made to replace her.&lt;br /&gt;
|-&lt;br /&gt;
| 94 || The Parts Seeker || Chapter 6 || Kiryu House Ombre Hallway || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 95 || Girl Opening Door || Chapter 6 || Kiryu House Ombre Hallway || A shrine maiden killed ion the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to open the gate in order to save her twin sister.&lt;br /&gt;
|-&lt;br /&gt;
| 96 || Gazing Boy || Chapter 6 || Kiryu House Ombre Hallway || A young boy consumed by the darkness while playing hide-and-seek. He still plays mischievous pranks on those who come looking for him.&lt;br /&gt;
|-&lt;br /&gt;
| 97 || Man Beyond the Wall || Chapter 6 || Kiryu House Stairwell - Hallway || Yoshitatsu Kiryu used his daughters in the Crimson Sacrifice Ritual, losing Azami. He fashioned a doll in her likeness to comfort her twin sister Akane.&lt;br /&gt;
|-&lt;br /&gt;
| 98 || Girl by Box || Chapter 6 || Kiryu House Storeroom || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 99 || Leading Girl || Chapter 6 || Kiryu House Atrium Hallway || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 100 || Girl Staring at Box || Chapter 6 || Kiryu House Atrium || A shrine maiden killed in the Crimson Sacrifice Ritual, now a crimson butterfly. Azami guides Mio to the doll parts needed to open the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 101 || Lamenting Man || Chapter 6 || Kiryu House Ombre Hallway || Yoshitatsu Kiryu tried to send the evil spirit that possessed Azami&#039;s doll back to the Abyss, but lost the doll hands and head that opened the Earthly Bridge.&lt;br /&gt;
|-&lt;br /&gt;
| 102 || Man Killed by Daughter || Chapter 6 || Kiryu House Altar Room || Yoshitatsu Kiryu tried to send the spirit that possessed the Azami doll back to the Abyss, but instead, the doll manipulated Akane into killing him.&lt;br /&gt;
|-&lt;br /&gt;
| 103 || Girl Murdering Father || Chapter 6 || Kiryu House Altar Room || Akane Kiryu, incited by the evil spirit inhabiting the Azami doll, murdered her father Yoshitatsu.&lt;br /&gt;
|-&lt;br /&gt;
| 104 || Kiryu Clan Father and Daughter || Chapter 6 || Kiryu House Altar Room || The Azami doll Yoshitatsu Kiryu made to comfort Akane was possessed by a spirit from the Abyss. It induced Akane to kill him when he tried to exorcise it.&lt;br /&gt;
|-&lt;br /&gt;
| 105 || Ritual-loathing Man || Chapter 6 || Kiryu House Tatami Room Hallway || Yoshitatsu Kiryu lost the doll parts needed to open the Earthly Bridge, but hid the fact that they can be remade so long as the &amp;quot;soul&amp;quot; isn&#039;t lost. &lt;br /&gt;
|-&lt;br /&gt;
| 106 || Wandering Mayu || Chapter 7 || Tachibana House Hallway || Mayu as she wanders the Tachibana house. Whispering Itsuki&#039;s name, she searches him earnestly.&lt;br /&gt;
|-&lt;br /&gt;
| 107 || Girl Heading Toward Room || Chapter 7 || Tachibana House Hallway || Sae Kurosawa walks through the Tachibana House and heads toward Itsuki&#039;s room in the grip of regret.&lt;br /&gt;
|-&lt;br /&gt;
| 108 || Crying Mayu || Chapter 7 || Tachibana House Hallway || Mayu mourns the death of Itsuki. She believes that she killed him by running away, and so now she remains in this room, apologizing over and over.&lt;br /&gt;
|-&lt;br /&gt;
| 109 || Hiding Girl || Chapter 7 || Tachibana House Hallway || Seeing Yae in Mio, Chitose Tachibana ran off after telling her to give back her brother Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 110 || Name || Chapter 7 || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 111 || Fleeing Girl || Chapter 7 || Tachibana House Hallway || Chitose Tachibana mistakes Mio for Yae and demands that she return her brother. However, Mio strikes back at her, so she runs through the first floor crying while searching for a place to hide.&lt;br /&gt;
|-&lt;br /&gt;
| 112 || Fleeing Girl || Chapter 7 || Tachibana House Stairwell - Hallway || Chitose Tachibana mistakes Mio for Yae and demands that she return her brother. But then fear overtakes her, and she runs into hiding again.&lt;br /&gt;
|-&lt;br /&gt;
| 113 || Running Child || Chapter 7 || Tachibana House Tatami Room Hallway || Seeing Yae in Mio, Chitose Tachibana scolds her for having run away from the village. She ran to the entrance of the Tachibana house while trying to escape the spirits inside.&lt;br /&gt;
|-&lt;br /&gt;
| 114 || Runaway Girl || Chapter 7 || Tachibana House Tatami Room Hallway || Seeing Yae in Mio, Chitose Tachibana scolds her for having run away from the village. She hid in a closet to escape from the spirits in the Tachibana house.&lt;br /&gt;
|-&lt;br /&gt;
| 115 || Arms Emerging from Hell || Chapter 7 || Tachibana House, Sliding Screen Room || Manifestations of anger and grief seeping up from the Deep Path. They struggle endlessly to escape Hell and reach the light of day.&lt;br /&gt;
|-&lt;br /&gt;
| 116 || Imprisoned Boy || Chapter 8 || Minakami Storehouse || Itsuki Tachibana was a white-haired boy confined in the storehouse. He died by suicide after helping Yae and Sae escape the village.&lt;br /&gt;
|-&lt;br /&gt;
| 117 || Lattice Arms || Chapter 8 || Osaka House, Garden || The materialized regret of those who died during the Repentance, spilling over the thresholds such as doors and windows. They grope around in search of light.&lt;br /&gt;
|-&lt;br /&gt;
| 118 || Girl Discussing Secrets || Chapter 8 || Minakami Village Tsuchihara House || A girl consumed by the darkness while playing hide-and-seek. She plays on, unaware of her death. She talks of hiding something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 119 || Boy Discussing Secrets || Chapter 8 || Minakami Village Tsuchihara House || A boy consumed by the darkness while playing hide-and-seek. He plays on, unaware of his death. he talks of hiding something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 120 || Boy Plotting Mischief || Chapter 8 || Minakami Village Tsuchihara House || A boy consumed by the darkness while playing hide-and-seek. He plays on, unaware of his death. He&#039;s decided where to hide an important item in the Tsuchihara House.&lt;br /&gt;
|-&lt;br /&gt;
| 121 || Children Plotting Mischief || Chapter 8 || Minakami Village Tsuchihara House || Children consumed by the darkness while playing hide-and-seek. They plays on, unaware of their death. They hid something from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 122 || Running Girl || Chapter 8 || Minakami Village Tsuchihara House || A young girl subsumed into the darkness while playing hide-and-seek. She rushes off to hide an important item that was in the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 123 || Capering Boy || Chapter 8 || Minakami Village Tsuchihara House || A young boy subsumed into the darkness while playing hide-and-seek. He tried to hide an important item that was in the Tsuchihara house.&lt;br /&gt;
|- &lt;br /&gt;
| 124 || Fleeing Boy || Chapter 8 || Minakami Village Tsuchihara House || A young boy subsumed into the darkness while playing hide-and-seek. He runs off with an important item from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 125 || Children Running Away || Chapter 8 || Minakami Village Tsuchihara House || Children subsumed into the darkness while playing hide-and-seek. They&#039;re trying to hide important items from the Tsuchihara house.&lt;br /&gt;
|-&lt;br /&gt;
| 126 || Inviting Girl || Chapter 8 || Minakami village Kiryu House - Front || Azami Kiryu beckons Mio to the Kiryu house in order to show her the location of what she searches for.&lt;br /&gt;
|-&lt;br /&gt;
| 127 || Searching Man || Chapter 8 || Kiryu House Altar Room || Yoshitatsu Kiryu searches for his family crest, having discovered its absence from its altar.&lt;br /&gt;
|-&lt;br /&gt;
| 128 || Doll Hiding Family Crest || Chapter 8 || Kiryu House Altar Room || A doll resembling Azami Kiryu. Holding the family crest from the Buddhist altar, it wanders the house in order to thwart Yoshitatsu Kiryu.&lt;br /&gt;
|-&lt;br /&gt;
| 129 || Doll Entering the Hidden Door || Chapter 8 || Kiryu House Sliding Screen Room || A doll resembling Azami Kiryu. Holding the family crest from the Buddhist altar, it enters the hidden door disguised as a wall.&lt;br /&gt;
|-&lt;br /&gt;
| 130 || Man Heading to Old Tree || Chapter 8 || Minakami Village Fork in Road || Seijiro Makabe photographed the entrance to the hidden area of Minakami Village concealed by an old tree.&lt;br /&gt;
|-&lt;br /&gt;
| 131 || Man Searching Shrine || Chapter 8 || Minakami Village Kureha Shrine || Seijiro Makabe visited the Kureha Shrine to investigate the passageway connecting it to the old tree.&lt;br /&gt;
|-&lt;br /&gt;
| 132 || Man Investigating the Mechanism || Chapter 8 || Minakami Village The Old Tree || Seijiro Makabe. He is investigating the mechanism to leave the village from the Kureha Shrine.&lt;br /&gt;
|-&lt;br /&gt;
| 133 || Fallen Mayu || Chapter 8 || Minakami Village The Old Tree || Mayu, collapsed inside the Old Tree. She groans softly, muttering something under her breath.&lt;br /&gt;
|-&lt;br /&gt;
| 134 || Man Inspecting Old Tree || Chapter 8 || Minakami Village The Old Tree || Entering and investigating the hollow of the old tree containing the grave of the twins, Seijiro Makabe searches for the oath to the Umbral Mound.&lt;br /&gt;
|-&lt;br /&gt;
| 135 || Fearful Man Holding Camera Obscura || Chapter 8 || Minakami Village Abandoned Graveyard || Having seen the Umbral Mound with the Camera Obscura, Seijiro Makabe is assaulted by countless spectral arms, which he escapes by taking a picture.&lt;br /&gt;
|-&lt;br /&gt;
| 136 || Crimson Butterfly Leading to Mayu || Final Chapter || Minakami Village Fork in Road || A crimson butterfly fluttering through the village. It flied as if to guide Mio to Mayu&#039;s location.&lt;br /&gt;
|-&lt;br /&gt;
| 137 || Mayu Heading to Kurosawa House || Final Chapter || Kurosawa House Grounds || The sight of Mayu entering the Kurosawa house. She advances quietly, as if resigned.&lt;br /&gt;
|-&lt;br /&gt;
| 138 || Prisoner || Final Chapter || Kurosawa House, Cell || Seijiro Makabe understands he is to be made into a kusabi, but is content with his fate so long as he learns the truth.&lt;br /&gt;
|-&lt;br /&gt;
| 139 || Yae Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || Sae&#039;s memory of Yae Kurosawa. After the ritual between Itsuki and Mutsuki failed, Yae implored her sister to flee the village.&lt;br /&gt;
|-&lt;br /&gt;
| 140 || Sae Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || Yae&#039;s memory of Sae Kurosawa before they ran away. Though ashamed to flee from the village, she has resolved that wherever Yae goes, she will follow.&lt;br /&gt;
|-&lt;br /&gt;
| 141 || Sisters Conversing Privately || Final Chapter || Kurosawa House, Hina Doll Room || A memory of Yae and Sae Kurosawa before they ran away. They decide to leave the village so they can always be together.&lt;br /&gt;
|-&lt;br /&gt;
| 142 || Mayu Heading to Connecting Corridor || Final Chapter || Kurosawa House Altar Room || The sight of Mayu walking up to the door of the connecting corridor. She walks calmly as if accepting everything that comes her way.&lt;br /&gt;
|-&lt;br /&gt;
| 143 || Priest Welcoming Shrine Maiden || Final Chapter || Kurosawa House Connecting Corridor || A priest who performs the Minakami Village ritual. When the long-awaited twin maidens return, he bows and ushers them to where they need to go.&lt;br /&gt;
|-&lt;br /&gt;
| 144 || Mayu Walking Connecting Corridor || Final Chapter || Kurosawa House Connecting Corridor || The sight of Mayu walking the connecting corridor. She proceeds at a solemn pace, as if heading to fulfill her duty.&lt;br /&gt;
|-&lt;br /&gt;
| 145 || Mayu Heading to Ritual || Final Chapter || Kurosawa House Connecting Corridor || Mayu heading for the site of the ritual. She advances with an unwavering gait, as if propelled forward by a sense of purpose.&lt;br /&gt;
|-&lt;br /&gt;
| 146 || Yae Heading to Ritual || Final Chapter || Kurosawa Connecting Corridor || Yae Kurosawa heading for the site of the ritual. She advances without hesitation in order to fulfill her unfinished duty.&lt;br /&gt;
|-&lt;br /&gt;
| 147 || Twin Maidens Performing Ritual || Final Chapter || Kurosawa House Connecting Corridor || Mayu and Yae Kurosawa heading for the site of the ritual. They walk forward with dogged determination, set on continuing the unfinished ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 148 || Maiden in White Kimono || Final Chapter || Kurosawa House Connecting Corridor || Sae Kurosawa waits in the passageway to the Deep Path, seeing to redo the ritual that the villagers had themselves performed.&lt;br /&gt;
|-&lt;br /&gt;
| 149 || Older Sister by Ritual || Final Chapter || Deep Path Ritual Altar || An elder twin who once took part in a ritual. her madness dwells in the altar, repeating the cruel sacrifice for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 150 || Younger Sister by Ritual || Final Chapter || Deep Path Ritual Altar || A younger twin who once took part in a ritual. Her madness dwells in the altar, repeating the cruel sacrifice for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 151 || Twins by Ritual || Final Chapter || Deep Path Ritual Altar || The spirits of twins who undertook the ritual in the past. The madness of the ritual dwells in the altar, awaiting the next pair of sacrifices for all eternity.&lt;br /&gt;
|-&lt;br /&gt;
| 152 || Crimson Butterfly Leading to the Abyss || Final Chapter || Deep Path Ritual Altar || A crimson butterfly drifting along the deep path, flittering in place as it to guide one towards the Abyss.&lt;br /&gt;
|-&lt;br /&gt;
| 153 || Mayu Delving into Abyss || Final Chapter || Deep Path Ritual Altar || Mayu making for the stairwell to the Abyss. She mutters to Mio as she walks, referring to her sister as Yae.&lt;br /&gt;
|-&lt;br /&gt;
| 154 || Mayu Laughing Madly || Final Chapter || Deep Path Ritual Altar || Mayu calling out to Mio as she heads into the Abyss, referring to her a Yae. She begins to smile maniacally, fearing what is to come.&lt;br /&gt;
|-&lt;br /&gt;
| 155 || Mayu Softly Inviting || Final Chapter || Deep Path Ritual Altar || Mayu calling out to Mio as she heads into the Abyss. She gently beckons her sister to come, referring to her a Yae all the while.&lt;br /&gt;
|-&lt;br /&gt;
| 156 || Mayu Questioning || Final Chapter || Deep Path Ritual Altar || Mayu questioning Mio as she heads to the Abyss. She gently tells her sister that she knows what mist be done, referring to her as Yae all the while.&lt;br /&gt;
|-&lt;br /&gt;
| 157 || Hellish Abyss Mayu || Final Chapter || Deep Path Main Passage || Mayu, possessed by the murdered Sae. She waited at the edge of the Abyss for Mio, whom she believed was Yae, hoping to bring an end to the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 158 || Playing Girl || Chapter 2 || Minakami Village Kayano || A young girl runs invitingly through the grass towards a secret hideout that only the children know about.&lt;br /&gt;
|-&lt;br /&gt;
| 159 || Girl Peeking into Thatched Hut || Chapter 2 || Minakami Village Kaya Hut || A young girl gazes into a grassland hut, her eyes on Mio, who entered the children&#039;s secret hideout.&lt;br /&gt;
|-&lt;br /&gt;
| 160 || Beckoning Boy || Chapter 5 || Kurosawa House Cloth Hallway || A young boy subsumed into the darkness while playing hide-and-seek. He beckons Mio to hurry, having arrived at the next play spot.&lt;br /&gt;
|-&lt;br /&gt;
| 161 || Girl Beginning to Play || Final Chapter || Eikado Temple Back Garden|| A young girl subsumed into the darkness while playing hide-and-seek. She began to frolic and play upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 162 || Boy Beginning to Play || Final Chapter || Eikado Temple Back Garden|| A young boy subsumed into the darkness while playing hide-and-seek. He began to laugh and play upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 163 || Boy Offering to Play || Final Chapter || Eikado Temple Back Garden|| A young boy subsumed into the darkness while playing hide-and-seek. He began to run out of sheer joy upon seeing Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 164 || Children Offering to Play || Final Chapter || Eikado Temple Back Garden|| Children subsumed into the darkness while playing hide-and-seek. They are overjoyed to see Mio arrive at Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 165 || Woman Adrift || Chapter 2 || Minakami Village Tsuchihara House - Front || Miyako Sudo managed to reunite with her lover, Masumi, only for him to leave her behind in search of a way out. Unable to wait, she headed for Misono Hill.&lt;br /&gt;
|-&lt;br /&gt;
| 166 || Woman Overlooking Village || Chapter 2 || Minakami Village Misono Hill || Miyako Sudo searched long and hard for any sign of Masumi from a plateau overlooking the village.&lt;br /&gt;
|-&lt;br /&gt;
| 167 || Woman at the Windowsill || Chapter 2 || Minakami Village Osaka House - Front || After returning to the Osaka House, Miyako Sudo waited for Masumi to come back, her eyes fixed on the road.&lt;br /&gt;
|-&lt;br /&gt;
| 168 || Woman Heading for Altar || Chapter 2 || Osaka House Dirt Hallway || As the darkness overwhelming Minakami Village consumed Miyako Sudo and weakened ger anew, she made her way to the altar room to slumber.&lt;br /&gt;
|-&lt;br /&gt;
| 169 || Slumbering Woman || Chapter 2 || Osaka House Tatami Lounge || Collapsed, Miyako Sudo finds herself recalling her reunion with Masumi. As she falls asleep once more, she has a dream of being strangled.&lt;br /&gt;
|-&lt;br /&gt;
| 170 || Watchful Man || Chapter 2 || Osaka House Tatami Room || After much searching, Masumi Makimura round an enfeebled Miyako. He vowed to return and left her behind in order to find an escape route.&lt;br /&gt;
|-&lt;br /&gt;
| 171 || Longing Couple || Chapter 2 || Osaka House Tatami Room || After reuniting with Miyako, Masumi Makimura left his exhausted lover behind to find an escape route, determined to return for her.&lt;br /&gt;
|-&lt;br /&gt;
| 172 || Woman Walking into the Depths || Chapter 2 || Osaka House Dirt Hallway || Miyako Sudo wanders around the manor. chasing after the figure of her lover. She invites Mio and company inside the house to convey her thoughts.&lt;br /&gt;
|-&lt;br /&gt;
| 173 || Lady on the Veranda || Chapter 2 || Osaka House Back Room || Miyako Sudo chased after Masumi into the depths of the Osaka house. Once there, unable to remember what happened, she stands motionless atop the veranda.&lt;br /&gt;
|-&lt;br /&gt;
| 174 || Man Investigating || Chapter 2 || Osaka House Entrance || Masumi Makimura ventures off to search for a way out of Minakami Village, promising to return for Miyako.&lt;br /&gt;
|-&lt;br /&gt;
| 175 || Man Investigating the Hilltop || Chapter 2 || Location || Masumi Makimura, a lost geological surveyor. He tried to escape the village by returning to the hill, only to find that the path had vanished.&lt;br /&gt;
|-&lt;br /&gt;
| 176 || Statue Investigator || Chapter 2 || Minakami Village Fork in Road || Masumi Makimura, a lost geological surveyor. He was studying the meaning of the jizo Statues—roadside stone guardians scattered throughout the village.&lt;br /&gt;
|-&lt;br /&gt;
| 177 || Well Investigator || Chapter 2 || Minakami Village Tsuchihara House - Front || Masumi, the geological surveyor, heard wind blowing from the well and realized there were passages underground, but could not find them.&lt;br /&gt;
|-&lt;br /&gt;
| 178 || Man Searching Grounds || Chapter 2 || Minakami Village Kureha Shrine - Grounds || Masumi Makimura, a lost geological surveyor, noticed the butterfly carved on the shrine door, but could not determine its significance.&lt;br /&gt;
|-&lt;br /&gt;
| 179 || Man Approaching Kurosawa House|| Chapter 2 || Minakami Village Whispering Bridge|| Masumi Makimura heads for the Kurosawa house, center of the village festivals, in search of an entrance to the Deep Path and a way out of Minakami.&lt;br /&gt;
|-&lt;br /&gt;
| 180 || Man Returning to His Beloved || Chapter 6 || Minakami Village Osaka-Tachibana Path || Hacked to death and turned into a kusabi, Masumi Makimura returns to the Osaka house for Miyako, just as he promised.&lt;br /&gt;
|-&lt;br /&gt;
| 181 || Man Venturing Onward || Chapter 6 || Osaka House Dirt Hallway || Now a spirit, Masumi Makimura returns to the Osaka house seeking Miyako, but fears he cannot see her again. He instead ventures deeper into the house.&lt;br /&gt;
|-&lt;br /&gt;
| 182 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 183 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 184 || Name || Chapter || Location || Description&lt;br /&gt;
|-&lt;br /&gt;
| 185 || Man Checking Study || Chapter 5 || Osaka House West Guest Room || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Osaka house.&lt;br /&gt;
|-&lt;br /&gt;
| 186 || Man Perusing Bookshelf || Chapter 6 || Kiryu House Servant Quarters - South || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Kiryu house.&lt;br /&gt;
|-&lt;br /&gt;
| 187 || Man Investigating Twins || Chapter 7 || Tachibana House Closet || With permission from the Kurosawa patriarch to investigate each of the houses, Seijiro Makabe went to search for writings on the Tachibana house.&lt;br /&gt;
|-&lt;br /&gt;
| 188 || Reunited Youth || Chapter 5 || Kurosawa House Grounds || Ryozo Munakata reunites with Yar and Sae again. Having visited the village as a boy, he finds himself flustered seeing the twins all grown up.&lt;br /&gt;
|-&lt;br /&gt;
| 189 || Reunited Sae || Chapter 5 || Kurosawa House Grounds || While Sae Kurosawa initially expressed bewilderment at seeing her old friend Ryozo all grown up, she soon relaxes around him once more.&lt;br /&gt;
|-&lt;br /&gt;
| 190 || Reunited Yae || Chapter 5 || Kurosawa House Grounds || While Yae Kurosawa initially expressed bewilderment at seeing her old friend Ryozo all grown up, she felt relieved to see he was the same person deep down.&lt;br /&gt;
|-&lt;br /&gt;
| 191 || Reunited Trio || Chapter 5 || Kurosawa House Grounds || Ryozo Munakata and the Kurosawa twins reunite, having first meet as kids. Though both sides are surprised to see each other grown up, they soon relaxed.&lt;br /&gt;
|-&lt;br /&gt;
| 192 || Boy Searching Shrine || Chapter 6 || Minakami Village Kureha Shrine || Ryozo Munakata heard that Itsuki died. Unable to believe his pen pal is gone, he paid a visit behind the shrine where they once played as boys.&lt;br /&gt;
|-&lt;br /&gt;
| 193 || Boy Leaning on Wall || Final Chapter || Minakami Village, Storehouse || Itsuki left the storehouse, not wanting Ryozo to see him. He leans against the wall as he suppresses his desire to go meet with his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 194 || Boy Searching Storehouse || Final Chapter || Minakami Village Storehouse || Ryozo Munakata visited the storehouse where he played with Itsuki and Mutsuki. Though Itsuki isn&#039;t there, the experience nevertheless brings back memories.&lt;br /&gt;
|-&lt;br /&gt;
| 195 || Pair Passing by || Final Chapter || Minakami Village Storehouse || Itsuki left the storehouse, not wanting Ryozo to see him. The two of them pass by one another, separated only by a single wall.&lt;br /&gt;
|-&lt;br /&gt;
| 196 || Boy Leaving Village || Final Chapter || Minakami Village Misono Hill || Ryozo Munakata arrived at Misono Hill, where Seijiro tells him to leave. Recalling his promise to Itsuki, he swears to return one day for his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 197 || Woman by the Storehouse || Chapter 5 || Kurosawa House Cell|| Sae Kurosawa freed Mayu from the storehouse she was locked in, urging her to continue the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 198 || Woman Returning to Room || Chapter 5 || Kurosawa House Master&#039;s Chambers || Sae Kurosawa whispers Yae&#039;s name as she walks towards the hina doll room.&lt;br /&gt;
|-&lt;br /&gt;
| 199 || Sae Practicing || Chapter 5 || Kurosawa House Hina Doll Room || Sae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 200 || Yae Practicing || Chapter 5 || Kurosawa House Hina Doll Room || Yae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 201 || Practicing Twins || Chapter 5 || Kurosawa House Hina Doll Room || Sae and Yae Kurosawa practiced for the ritual again and again ever since she was young, treating it like a secret game.&lt;br /&gt;
|-&lt;br /&gt;
| 202 || Girl in Shadow|| Chapter 5 || Kurosawa House Hina Doll Room || A young girl visits the manor on the Crimson Sacrifice Ritual, worried for Sae. She was waiting behind the hina dolls when the darkness consumed her.&lt;br /&gt;
|-&lt;br /&gt;
| 203 || Hanging Hand || Chapter 5 || Kurosawa House Guest Room || The hand of a woman killed while trying to flee the kusabi. It scuttles hither and thither, searching for its body.&lt;br /&gt;
|-&lt;br /&gt;
| 204 || Left Behind || Chapter 5 || Kurosawa House Guest Room || A woman killed while trying to flee the kusabi. She wanders hither and thither, searching for her missing hand.&lt;br /&gt;
|-&lt;br /&gt;
| 205 || Hand-seeking Woman || Chapter 5 || Kurosawa House Guest Room || A woman who was killed after failing to escape from the Kusabi. Unaware that her severed hand is nearby, she wanders aimlessly, searching for it.&lt;br /&gt;
|-&lt;br /&gt;
| 206 || Girl Viewing Footage || Chapter 6 || Kiryu House Tatami Room Hallway || Akane Kiryu watches the footage playing out in the projection room as she attempts to recall that which she has lost.&lt;br /&gt;
|-&lt;br /&gt;
| 207 || Watchful Girl || Final Chapter || Kiryu House Twins&#039; Room|| Azami Kiryu watches over Akane, who has closed off. Attempting to comfort her sister, her voice is blocked by an spirit and fails to reach her.&lt;br /&gt;
|-&lt;br /&gt;
| 208 || Girl Who Murdered Father || Final Chapter || Kiryu House Sealed Room || Induced by the voice of an evil spirit, in her confusion, Akane Kiryu killed her father.&lt;br /&gt;
|-&lt;br /&gt;
| 209 || Man Killed by Daughter || Final Chapter || Kiryu House Sealed Room || Unable to bring himself to fight back, Yoshitatsu Kiryu perished at the hands of his daughter, her bloodlust induced by an evil voice speaking to her.&lt;br /&gt;
|-&lt;br /&gt;
| 210 || Lurking Doll || Final Chapter || Kiryu House Sealed Room || The doll of Azami Kiryu is possessed by an evil spirit that wandered out of the Abyss, bewitching Akane and taking control of her.&lt;br /&gt;
|-&lt;br /&gt;
| 211 || Tragedy of the Kiryu House || Final Chapter || Kiryu House Sealed Room || The doll of Azami Kiryu stood behind Akane, incessantly whispering in her ear when Akane killed her father Yoshitatsu.&lt;br /&gt;
|-&lt;br /&gt;
| 212 || Grateful Girl || Final Chapter || Kiryu House Sealed Room || Azami Kiryu feels gratitude to Mio for exorcising the evil spirit from her doll replica thus freeing Akane&#039;s mind from its control.&lt;br /&gt;
|-&lt;br /&gt;
| 213 || Girl Fleeing Darkness || Chapter 8 || Minakami Village Tachibana House - Back || On the night of the Repentance, the darkness breached the Tachibana house. Sensing its encroachment, Chitose Tachibana begins to cry as she flees.&lt;br /&gt;
|-&lt;br /&gt;
| 214 || Girl Emerging from Room || Chapter 8 || Tachibana House Atrium || On the night of the Repentance, Chitose Tachibana had sensed the darkness while waiting for help. Unable to beat her fear, she leaves the room.&lt;br /&gt;
|-&lt;br /&gt;
| 215 || Girl Going to Brother&#039;s Room || Chapter 8 || Tachibana House Tatami Wing - South || Seeking her brother&#039;s help on the night of the Repentance, Chitose Tachibana ventures towards Itsuki&#039;s room, knowing she won&#039;t find him there.&lt;br /&gt;
|-&lt;br /&gt;
| 216 || Itsuki Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana. He is heading to the Old Tree with Chitose, where his younger brother Mutsuki&#039;s grave is.&lt;br /&gt;
|-&lt;br /&gt;
| 217 || Chitose Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Chitose Tachibana. She is being taken to the Old Tree by Itsuki, where the hidden grave of the Twin Shrine Maidens lies.&lt;br /&gt;
|-&lt;br /&gt;
| 218 || Siblings Heading to the Old Tree || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana and Chitose Tachibana. Itsuki is taking Chitose to the Old Tree, where the grave of the Twin Shrine Maidens is located.&lt;br /&gt;
|-&lt;br /&gt;
| 219 || Sae Fleeing Village || Final Chapter || Minakami Village Kureha Shrine Path || Sae and Yae Kurosawa hold hands as they run toward Kureha Shrine in an attempt to leave the village alive.&lt;br /&gt;
|-&lt;br /&gt;
| 220 || Yae Fleeing Village || Final Chapter || Minakami Village Kureha Shrine Path || Yae and Sae Kurosawa hold hands as they race toward Kureha Shrine in an attempt to leave the village alive.&lt;br /&gt;
|-&lt;br /&gt;
| 221 || Itsuki Letting Pair Escape || Final Chapter || Minakami Village Kureha Shrine Path || Itsuki Tachibana heads towards Kureha Shrine in order to let Yae and Sae run free, watching for anyone trailing him while he thinks about his next steps.&lt;br /&gt;
|-&lt;br /&gt;
| 222 || Itsuki and Escaping Twins || Final Chapter || Minakami Village Kureha Shrine Path || Sae and Yae Kurosawa, along with Itsuki Tachibana, run toward Kureha Shrine, the latter&#039;s heart resolved in what he must do once the girls are free.&lt;br /&gt;
|-&lt;br /&gt;
| 223 || Itsuki Standing || Final Chapter || Minakami Village Storehouse || Itsuki Tachibana standing by the window, reflecting on his actions and fretting over whether he did the right thing.&lt;br /&gt;
|-&lt;br /&gt;
| 224 || Past Itsuki || Final Chapter || Tachibana House Twins&#039; Room || Chitose recalls the peaceful days she spent with her two older brothers, before the ritual was held.&lt;br /&gt;
|-&lt;br /&gt;
| 225 || Past Mutsuki || Final Chapter || Tachibana House Twins&#039; Room || Chitose recalls the peaceful days she spent with her two older brothers, before the ritual was held.&lt;br /&gt;
|-&lt;br /&gt;
| 226 || Past Chitose || Final Chapter || Tachibana House Twins&#039; Room || Chitose Tachibana recalls the peaceful days she once spent with her two older brothers, Itsuki and Mutsuki, before the ritual took place.&lt;br /&gt;
|-&lt;br /&gt;
| 227 || Past Tachibana Clan || Final Chapter || Tachibana House Twins&#039; Room || Memories of the peaceful days the Tachibana siblings, Itsuki, Mutsuki, and Chitose, once spent before the ritual took place.&lt;br /&gt;
|-&lt;br /&gt;
| 228 || Itsuki on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki Tachibana reunited with Mutsuki and Chitose in a scene he saw in his dreams. The trio await the arrival of something.&lt;br /&gt;
|-&lt;br /&gt;
| 229 || Mutsuki on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki Tachibana reunited with Mutsuki, now a butterfly, and Chitose at a place he saw in his dreams. The trio await the arrival of something.&lt;br /&gt;
|-&lt;br /&gt;
| 230 || Chitose on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Chitose Tachibana goes to the Heavenly Bridge at the behest of Mutsuki, now a butterfly. There, they all reunite in a moment Chitose had longed to see.&lt;br /&gt;
|-&lt;br /&gt;
| 231 || Trio on the Heavenly Bridge || Final Chapter || Tachibana House Entrance || Itsuki, Mutsuki, and Chitose all await something on the Heavenly Bridge in a scene the elder brother previously saw in a dream.&lt;br /&gt;
|-&lt;br /&gt;
| 232 || Girl in Waiting || Final Chapter || Minakami Village Eikado Temple || Azami Kiryu. She had promised the children who could see her that she would play with them, but due to the calamity, the promise was unfulfilled. She is overjoyed at finally being able to play the game she had longed been waiting for.&lt;br /&gt;
|-&lt;br /&gt;
| 233 || Girl Waiting at Cemetery || Final Chapter || Minakami Village Minakami Cemetery || Upon seeing Akane&#039;s mind free, Azami came to the gravesite where she promised to play with the other children.&lt;br /&gt;
|-&lt;br /&gt;
| 234 || Girl Running to Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young girl subsumed into the darkness while playing hide-and-seek. She rejoices at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 235 || Boy Running to Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young boy subsumed into the darkness while playing hide-and-seek. He&#039;s excited at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 236 || Boy Playing in Cemetery || Final Chapter || Minakami Village Minakami Cemetery || A young boy subsumed into the darkness while playing hide-and-seek. He&#039;s tearful at being able to play at the gravesite after The Repentance prevented it.&lt;br /&gt;
|-&lt;br /&gt;
| 237 || Man Heading to the Gate of Hell || Final Chapter || Deep Path Tunnel || Having entered the Deep Path, Seijiro Makabe presses onward in order to reach the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 238 || Woman Crying by Torii Gate || Final Chapter || Minakami Village Misono Hill || after getting separated from her sister, Yae Kurosawa returned to Minakami Village, only to find it had vanished due to failure of the ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 239 || Yae Beneath Tree || Chapter 8 || Kurosawa House Grounds || Yae Kurosawa is utterly vexed, unsure what the footage that Ryozo wants to show her could possibly depict.&lt;br /&gt;
|-&lt;br /&gt;
| 240 || Sae Beneath Tree || Chapter 8 || Kurosawa House Grounds || After Ryozo tells her that he has footage to show her, the memory of her leaving the village as a young girl briefly flashes across Saw Kurosawa&#039;s mind.&lt;br /&gt;
|-&lt;br /&gt;
| 241 || Youth Beneath Tree || Chapter 8 || Kurosawa House Grounds || Ryozo Munakata invites twins Yae and Sae to a room in the Tachibana House where he had a projector set up, keen to show the girls a particular piece of footage.&lt;br /&gt;
|-&lt;br /&gt;
| 242 || Trio Beneath Tree || Chapter 8 || Kurosawa House Grounds || Ryozo Munakata invites Yae and Sae to a room in the Tachibana house where he has a projector set up, keen to show the girls a particular piece of footage.&lt;br /&gt;
|-&lt;br /&gt;
| 243 || Yae Watching Footage || Final Chapter || Tachibana House Projection Room || After seeing footage of a stream the twins visited as little girls, Yae Kurosawa makes up her mind to leave the village with Sae.&lt;br /&gt;
|-&lt;br /&gt;
| 244 || Sae Watching Footage || Final Chapter || Tachibana House Projection Room || After seeing footage of a stream the twins visited as little girls, Sae Kurosawa reflects on their promise to always remain together.&lt;br /&gt;
|-&lt;br /&gt;
| 245 || Ryozo Controlling Projector || Final Chapter || Tachibana House Projection Room || Seeing Yae and Sae tear up at the footage, Ryozo&#039;s heart swells with satisfaction. His efforts in filming the area were richly rewarded.&lt;br /&gt;
|-&lt;br /&gt;
| 246 || Trio in Projection Room || Final Chapter || Tachibana House Projection Room || Ryozo Munakata and the Kurosawa twins watch footage of a stream they secretly visited as children. The girls recall the promise they made to one another.&lt;br /&gt;
|-&lt;br /&gt;
| 247 || Yae gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond where they once played. Yae realizes the pond connects to the stream and thus, the outside.&lt;br /&gt;
|-&lt;br /&gt;
| 248 || Sae Gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond they once played around. Sae plans to give her sister some time alone with Itsuki.&lt;br /&gt;
|-&lt;br /&gt;
| 249 || Twins Gazing at Pond || Final Chapter || Minakami Village Ukishima || Before leaving the village, Yae and Sae Kurosawa visit the pond where they once played. The pair gaze at the water, their minds dwelling on different things.&lt;br /&gt;
|-&lt;br /&gt;
| 250 || Yae Talking to Itsuki || Final Chapter || Minakami Village Storehouse - Back || Feeling Sorry for Itsuki, Yae wished to one day return to the village as a butterfly so that she could help him.&lt;br /&gt;
|-&lt;br /&gt;
| 251 || Itsuki Talking to Yae || Final Chapter || Minakami Village Storehouse - Back || Before letting Yae and Sae escape the village, Itsuki found himself alone with the former, coming to terms with the feelings he held for her.&lt;br /&gt;
|-&lt;br /&gt;
| 252 || Pair Behind Storehouse || Final Chapter || Minakami Village Storehouse - Back || Alone with Itsuki before leaving the village, Yae accepts what he has to say. Feeling sorry for him, she wishes to return one day as a butterfly.&lt;br /&gt;
|-&lt;br /&gt;
| 253 || Dream-Fulfilling Crimson Butterfly || Final Chapter || Minakami Village Osaka-Tachibana Path || A crimson butterfly guiding Mio. Intense sentiment given form, it has returned to the village.&lt;br /&gt;
|-&lt;br /&gt;
| 254 || Woman Crying on Misono Hill || Final Chapter || Minakami Village Misono Hill || Upon returning from hell, Saw followed the sound of Yae&#039;s sobs to Misono Hill. When the two tearful girls faced one another, Yae stood still and cried.&lt;br /&gt;
|-&lt;br /&gt;
| 255 || Young Mio Running || Chapter 1 || - || As a young Mio Amakura ran home from the stream, she followed Mayu onto a different path that goes in the opposite direction from the foot of the mountain.&lt;br /&gt;
|-&lt;br /&gt;
| 256 || Young Mayu Running || Chapter 1 || - || While running through the forest on her way back from the stream, a young Mayu Amakura is lured elsewhere by a faint voice calling out to her.&lt;br /&gt;
|-&lt;br /&gt;
| 257 || Young Pair Running || Chapter 1 || - || As a young Mio and Mayu Amakura ran home from the stream, a voice lures Mayu elsewhere, taking her in the opposite direction from the foot of the mountain.&lt;br /&gt;
|-&lt;br /&gt;
| 258 || Mayu About to Fall || Chapter 8 || Kiryu House Heavenly Bridge || Mayu about to fall from the Heavenly Bridge. With a vacant stare, she tries to take the plunge of her own accord, as if reenacting past events.&lt;br /&gt;
|-&lt;br /&gt;
| 259 || Mayu Gazing at Pond || Chapter 8 || Minakami Village Ukishima || Mayu gazing wistfully at a pond. Though it is her first time coming here, she mutters about having played here much in the past.&lt;br /&gt;
|-&lt;br /&gt;
| 260 || Mayu Watching footage || Chapter 8 || Kiryu House Projection Room || Mayu is entranced by the footage played from the projector. Recognizing the scenery from a dream she had as a girl she begins muttering in a childlike voice.&lt;br /&gt;
|-&lt;br /&gt;
| 261 || Dreaming Mayu || Chapter 8 || Deep Path The Abyss || Trapped in an ominous dream, Mayu stands before the Abyss, looking as if she may fall within at any moment.&lt;br /&gt;
|-&lt;br /&gt;
| 262 || Young Mio Holding Hands || Final Chapter || Minakami Village Misono Hill || As a young Mayu Amakura is lured towards a torii gate, Mio holds her back, taking her hand in an attempt to go home.&lt;br /&gt;
|-&lt;br /&gt;
| 263 || Young Mayu Holding Hands || Final Chapter || Minakami Village Misono Hill || A young Mayu Amakura is lured towards a torii gate by a faint voice calling out to her.&lt;br /&gt;
|-&lt;br /&gt;
| 264 || Young Pair Retreating || Final Chapter || Minakami Village Misono Hill || As a young Mayu Amakura is lured towards a torii gate, Mio holds her back, taking her hand in an attempt to go home. &lt;br /&gt;
|}&lt;br /&gt;
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|-|&lt;br /&gt;
Revenants=&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| &amp;lt;b&amp;gt;#&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Name&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Location&amp;lt;/b&amp;gt; || &amp;lt;b&amp;gt;Description&amp;lt;/b&amp;gt; &lt;br /&gt;
|-&lt;br /&gt;
| 1 || Fearful Man || Chapter 3 || [[Kurosawa House]], Bloodstained Room || On the night of the Repentance, this man escaped from a [[kusabi]] and hid in a closet. He was found and killed. Even in death, he continued to hide in fear.&lt;br /&gt;
|-&lt;br /&gt;
| 2 || Man in Study || Chapter 6 || [[Kiryu House]], Sliding Screen Room || As he researches the Twin Houses, Seijiro discovers that they are linked by the Earthly and Heavenly Bridges.&lt;br /&gt;
|-&lt;br /&gt;
| 3 || Drowned Woman || Chapter 5 || [[Minakami Village]], Ukishimna Bridge || A woman trapped in the village long before Mio and Mayu came. She drifts endlessly on the icy water into which she was dragged.&lt;br /&gt;
|-&lt;br /&gt;
| 4 || Crushed Man || Chapter 6 || [[Deep Path]], Earthly Bridge || Outcasts crushed by falling stone in the Repentance. Long after their death, the Deep Path  echoed with their groans.&lt;br /&gt;
|-&lt;br /&gt;
| 5 || Twin Boy || Chapter 7 || [[Tachibana House]], Twins&#039; Room || Mutsuki Tachibana, Itsuki&#039;s twin brother, was made into the Crimson Sacrifice. He knew his fate from the moment he was born.&lt;br /&gt;
|-&lt;br /&gt;
| 6 || Lurking Girl || Chapter 8 || Minakami Village, Tachibana House - Front || A girl lurking around trying to hide an important item from the Tsuchihara House. Wanting to be found, she whispers to herself as she hides.&lt;br /&gt;
|-&lt;br /&gt;
| 7 || Hiding Boy || Chapter 8 || Minakami Village, Alleyway || A boy who hid an important item from the Tsuchihara House. Wanting to be found, he whispers to those who pass close to his hiding place.&lt;br /&gt;
|-&lt;br /&gt;
| 8 || Boy Blending Into Shadows || Chapter 8 || Minakami Village, Alleyway || A boy trying to hide an important item from the Tsuchihara house. He murmurs to himself about how he plans to scare those who find his hiding place.&lt;br /&gt;
|-&lt;br /&gt;
| 9 || Kiryu House Ancestor || Chapter 8 || Kiryu House, Sliding Screen Room || The one who crafted the family crest is sent away from the village. He ended his own life to try and repent for the twins&#039; escape.&lt;br /&gt;
|-&lt;br /&gt;
| 10 || Trapped Girl || Chapter 8 || Minakami Village, Storehouse || A Remaining girl locked in the storehouse after a past ritual left her despondent. She hides away up in the storehouse ceiling, weeping to herself.&lt;br /&gt;
|-&lt;br /&gt;
| 11 || Seijiro Makabe || Final Chapter || Kurosawa House, Hall of Ropes || A folklorist who came to research the secret rituals. He was turned into a kusabi in order to calm the Abyss&#039; rumblings.&lt;br /&gt;
|-&lt;br /&gt;
| 12 || Failed Kusabi || Final Chapter || Deep Path, Tunnel || Those who could not endure the agonies of the kusabi ritual have their sacrificed corpses placed deep within the Deep Path.&lt;br /&gt;
|-&lt;br /&gt;
| 13 || Those Who Fell Into Darkness || - || - || Unspeakable presences, cloaked by miasma, trying to escape the Abyss. All those who see them are struck blind.&lt;br /&gt;
|-&lt;br /&gt;
| 14 || Watching Boy || Chapter 5 || Osaka House, Study || A young boy subsumed into the darkness while playing hide-and-seek. He grows impatient watching over the situation as Mio fails to find him.&lt;br /&gt;
|-&lt;br /&gt;
| 15 || Girl Lost in Play || Chapter 5 || Osaka House, Entrance || A young girl who ended up alone while playing hide-and-seek. She continues to play in secret.&lt;br /&gt;
|-&lt;br /&gt;
| 16 || Girl Hiding Near Entrance || Final Chapter || Eikado Temple Entrance || A young girl subsumed into the darkness while playing hide-and-seek. She hides and waits for Mio at the Eikado Temple entrance.&lt;br /&gt;
|-&lt;br /&gt;
| 17 || Boy Hiding in Back Garden || Final Chapter || Eikado Temple Back Garden || A young boy subsumed into the darkness while playing hide-and-seek. He hides and waits for Mio in the back garden of Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 18 || Boy Hiding in Temple|| Final Chapter || Eikado Temple Enshrinement Hall || A young boy subsumed into the darkness while playing hide-and-seek. He hides and waits for Mio inside Eikado Temple.&lt;br /&gt;
|-&lt;br /&gt;
| 19 || Exhausted Man || Chapter 5 || Kurosawa House Storeroom || Masumi Makimura tried to escape the village with his lover, but was attacked and torn apart by a kusabi when he reached the Kurosawa house.&lt;br /&gt;
|-&lt;br /&gt;
| 20 || Man Searching Umbral Mound || Final Chapter || Minakami Village Umbral Mound || Seijiro Makabe investigated the Umbral Mound, realizing he and Ryozo were invited in order to become kusabi, sacrifices for the Shadow Ritual.&lt;br /&gt;
|-&lt;br /&gt;
| 21 || Boy Inspecting Old Tree || Chapter 8 || Minakami Village, The Old Tree || Ryozo Munakata recalled Itsuki saying that an underground path from the Old Tree connects to the outside. He is unable, however, to reunite with his friend.&lt;br /&gt;
|-&lt;br /&gt;
| 22 || Downcast Woman || Chapter 5 || Kurosawa House, Main Hall || Sae Kurosawa stands alone, having returned from Hell on the night of the Repentance and, with the kusabi, killed the villagers gathered in the main hall.&lt;br /&gt;
|-&lt;br /&gt;
| 23 || Girl Remembering the Ritual || Chapter 8 || Kiryu House, Projection Room || Akane Kiryu remembered losing Azami as she watched the footage. She realizes the &amp;quot;Azami&amp;quot; keeping her company with its bewitching voice is in fact a doll.&lt;br /&gt;
|-&lt;br /&gt;
| 24 || Regretful Girl || Chapter 8 || Kiryu House, Twins&#039; Room || Akane sat in the twins&#039; room to calm her mind, closing herself off upon remembering she killed her father. Her sister Azami was nowhere to be seen.&lt;br /&gt;
|-&lt;br /&gt;
| 25 || Girl Seeking Help || Chapter 8 || Tachibana House, Storeroom - East || On the night of the Repentance, Chitose Tachibana, after entering the Tachibana House to escape the darkness, hides in a small room and prays for rescue.&lt;br /&gt;
|-&lt;br /&gt;
| 26 || Girl Hiding from Wraith || Chapter 8 || Tachibana House, Storeroom || Sensing that the wraiths have reappeared on the night of the Repentance, Chitose Tachibana searches for her next hiding spot.&lt;br /&gt;
|-&lt;br /&gt;
| 27 || Girl Reading Letter || Chapter 8 || Tachibana House, Itsuki&#039;s Room || Chitose finds a letter addressed to her in Itsuki&#039;s room on the night of the Repentance. The darkness consumes her as all of her earlier resentment fades away.&lt;br /&gt;
|-&lt;br /&gt;
| 28 || Boy Standing by Grave || Final Chapter || Minakami Village, The Old Tree || Itsuki Tachibana left white spider lilies on his younger brother&#039;s grave. He&#039;d caused the ritual to end in failure, not becoming one with his sibling.&lt;br /&gt;
|-&lt;br /&gt;
| 29 || Girl Standing by Grave || Final Chapter || Minakami Village, The Old Tree || Chitose Tachibana saw Itsuki leaving flowers at his brother Mutsuki&#039;s grave, his expression telling her that the twins failed to merge and become one.&lt;br /&gt;
|-&lt;br /&gt;
| 30 || Siblings Standing by Grave|| Final Chapter || Minakami Village The Old Tree || Itsuki leaves flowers at his brother Mutsuki&#039;s grave while his sister Chitose looks on, his expression telling her that the twins sailed to merge and become one.&lt;br /&gt;
|-&lt;br /&gt;
| 31 || Itsuki Returning to the Village || Final Chapter || Minakami Village, Kureha Shrine || Itsuki Tachibana. After helping Yae and Sae escape the village, he returns to the village alone. Thinking about what he must do last, he heads toward the storehouse.&lt;br /&gt;
|-&lt;br /&gt;
| 32 || Mutsuki Watching || Final Chapter || Minakami Village, Storehouse || Mutsuki Tachibana offers words of comfort to Itsuki, whose agony persists even in death.&lt;br /&gt;
|-&lt;br /&gt;
| 33 || Girl Playing || Final Chapter || Minakami Village Minakami Cemetery || Azami Kiryu returns to where she belongs, having fulfilled her promise to play with the other children.&lt;br /&gt;
|-&lt;br /&gt;
| 34 || Man Searching the Deep Path || Final Chapter || Deep Path, Osaka Basement || Seijiro Makabe arrives beneath the Osaka house in search of the Deep Path, which leads to the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 35 || Man Checking the Earthly Bridge || Final Chapter || Deep Path, Earthly Bridge || Seijiro Makabe arrives at the Earthly Bridge connecting the Kiryu and Tachibana houses in search of the Deep Path, which leads to the Gate to Hell.&lt;br /&gt;
|-&lt;br /&gt;
| 36 || Man Investigating Mummified Monk || Final Chapter || Eikado Temple, Deep Path || During his search for the Deep Path and the Gate to Hell, Seijiro Makabe discovers mummies beneath Eikado Temple that failed to turn into kusabi.&lt;br /&gt;
|-&lt;br /&gt;
| 37 || Man Searching Ritual Altar || Final Chapter || Deep Path Tunnel || Seijiro Makabe. After entering the Deep Path from the depths of the Kurosawa residence, he reaches the Sacrificial Altar. He hurries toward the Gate of Hell, which is said to lie ahead.&lt;br /&gt;
|-&lt;br /&gt;
| 38 || Woman Crying in Main Hall || Final Chapter || Kurosawa House Main Hall || Sae returned from Hell, killing the villagers as she laughed, although in her heart she cried, yearning to be saved.&lt;br /&gt;
|-&lt;br /&gt;
| 39 || Woman Crying in Storehouse || Final Chapter || Minakami Village Tsuchihara House - Front || Upon returning from Hell, Saw sought salvation from Itsuki. She cried when she remembered he was dead, mourning all the things she&#039;s lost.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/tabber&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF2R}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Fatal Frame II Remake]]&lt;br /&gt;
[[Category:Notfinished]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28340</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28340"/>
		<updated>2026-03-03T14:33:25Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph|postmortem photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the area around Mt. Hikami was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired in misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and is hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka and gasps to see the man now standing behind her. He vanishes, however, just as swiftly as he appeared. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the [[Netherworld]] - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions against staying any longer than they need to. She also cautions Yuri to be careful about what traces she follows in the future, as objects are much easier to find than people, and it is especially dangerous to follow the trace of a person who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge; Hisoka, not noticing, continues forward and out of sight. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lunges forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle, causing her to fall backwards into the water, drenching her. Flinching, she aims the Camera Obscura at the ghost and takes a photo. He recoils, but the hands continue to attempt to drag her under. Scrambling to her feet, she continues to exorcise the spirit with the camera until he retreats. Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares off silently; in her mind, she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039;&lt;br /&gt;
:* [[Postmortem Photograph]]&lt;br /&gt;
:: ⤷ Innkeeper Heading Inside&lt;br /&gt;
:* [[Closet Snapshot]]&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing the mountain&#039;s reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Key on Red Keychain]] (Open&#039;s Owner&#039;s Room)&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic &amp;quot;[[trace]]&amp;quot;. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While postmortem photography is a real phenomenon, the compound &amp;quot;弔写真&amp;quot; is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably be the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&#039;&#039;&#039;日上山 / Mt. Hikami&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned inn]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri dutifully keeps watch over the store, a local teen, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Timid, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Haruka would never go to a suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hours at sunset, which which calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]] referenced by Hisoka for Yuri&#039;s training.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of Fuyuhi and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and unable to ignore Fuyuhi&#039;s plight, Yuri, dismissing the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
----&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned inn at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of the same [[Akira Oinuma|drenched man]] from the inn, as well as a similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
After driving away these spirits, Yuri reasons that the camera must have been carried from upstream and that Hisoka must thus be farther up the mountain. She rushes onward hoping to catch up to Fuyuhi, following her trace through a fence cut open by past intruders.&lt;br /&gt;
----&lt;br /&gt;
Beynd the fence, Yuri finds herself in the &#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]]. Originally named for a legend that those who entered the forest would lose their way and forget themselves, the are became even less navigable after the landslide destroyed the newly built road to the [[Shrine of Dolls|forest shrine]], leaving only a warren of paths with destroyed and flooded branches.&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039;&lt;br /&gt;
:* [[Two Schoolgirls]]&lt;br /&gt;
:: ⤷ Fuyuhi Himino Entering the Forest&lt;br /&gt;
:: ⤷ Fuyuhi Himino Heading Inside&lt;br /&gt;
:: ⤷ Fuyuhi Himino Looking Up a Tree&lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
::: This history focuses on the foundational superstition of Mt. Hikami: that it is a place where the worlds of the living and the dead are unusually close. This is especially true at sunset, when the spirits of the dead are said to be able to cross over from the afterlife. To watch the sunset over Mt. Hikami was said to invite death, or create a draw towards death. Moreover, the mountain was said to call out to in those who felt a draw towards death in some way. Legends accumulated of spirited aways whose bodies were never found, rumored to reside beneath the [[Lake of the Departed|lake]] at the mountain&#039;s summit. It was thought that such superstitions would fade as Mt. Hikami became known as a tourist destination, but further disasters cemented its reputation as a cursed location and suicide spot.&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
::: This book more clearly explains the definition and limits of shadow reading hinted at in Hiskoa&#039;s lessons and the records of her recent cases. &lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]], [[Fuyuhi&#039;s Note 2|2]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka wouldn&#039;t go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away. Distraught without her, Fuyuhi wonders if there was anything she could have said that would have prevented Haruka from leaving and longs for the chance to confess her true feelings for her before it&#039;s too late.&lt;br /&gt;
:* [[Note from a Tent]]&lt;br /&gt;
::: Found in an abandoned tent, this note supports many rumors about the area. A trespasser sneaks into the Unfathomable Forest to commit suicide. In no rush and wanting to &amp;quot;do things right&amp;quot;, they set up a tent and find that they feel oddly at peace and, far from being lonely, feel surrounded by other presences. One night they hear children playing (friends of [[Shiragiku]]). Another night they hear raspy breathing, running, and screaming ([[Kyozo Kururugi‎|Kyozo]]&#039;s massacre of the [[Maidens of Black Water]]). Another they see [[Inori_Mikomori|a shrine maiden]] and continues to feel her gaze despite not being able to see her. One night, they hear a sad, melodic voice and get the sense someone is being called, but, to their disappointment, not them. Eventually they run out of supplies, yet remain content with their situation. The note ends, &amp;quot;She is calling. I must go.&amp;quot;&lt;br /&gt;
:* [[Crumpled Note]]&lt;br /&gt;
::: A crushed ball of paper found near the hanging tree, this note supports the rumors in [[Suicide at Mt. Hikami]]. A trespasser sees a woman hang herself and feels compelled to do the same.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Tadahito Koizumi]]&lt;br /&gt;
:* &amp;quot;[[Masaki Tsujiura]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Nao Migiwa]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff) Te &lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
:* [[Shino Kururugi]] (Hanged Woman)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* [[The Deathly Mountain]] connects Mt. Hikami to the &amp;quot;Yomi Gate&amp;quot; mythology of the Fatal Frame universe. Such mythology typically focuses on a boundary of some kind - roads, crossroads, rivers, bridges, beaches, etc. Mountains are one such boundary - a place where the earth becomes the heavens as one ascends. Twilight is likewise a boundary between night and day, and in superstition is seen as a sort of &amp;quot;witching hour&amp;quot; called &#039;&#039;oumagatoki&#039;&#039; (逢魔が時).&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no&amp;quot;) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered &#039;&#039;miko&#039;&#039; rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28314</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28314"/>
		<updated>2026-02-27T20:50:01Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph|postmortem photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the area around Mt. Hikami was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired in misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and is hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka and gasps to see the man now standing behind her. He vanishes, however, just as swiftly as he appeared. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the [[Netherworld]] - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions against staying any longer than they need to. She also cautions Yuri to be careful about what traces she follows in the future, as objects are much easier to find than people, and it is especially dangerous to follow the trace of a person who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge; Hisoka, not noticing, continues forward and out of sight. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lunges forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle, causing her to fall backwards into the water, drenching her. Flinching, she aims the Camera Obscura at the ghost and takes a photo. He recoils, but the hands continue to attempt to drag her under. Scrambling to her feet, she continues to exorcise the spirit with the camera until he retreats. Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares off silently; in her mind, she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]]&lt;br /&gt;
: ⤷ Innkeeper Heading Inside&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing the mountain&#039;s reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic &amp;quot;[[trace]]&amp;quot;. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While postmortem photography is a real phenomenon, the compound &amp;quot;弔写真&amp;quot; is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably be the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&#039;&#039;&#039;日上山 / Mt. Hikami&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned inn]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri dutifully keeps watch over the store, a local teen, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Timid, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Haruka would never go to a suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of Fuyuhi and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and unable to ignore Fuyuhi&#039;s plight, Yuri, dismissing the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
----&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned inn at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of the same [[Akira Oinuma|drenched man]] from the inn, as well as a similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
After driving away these spirits, Yuri reasons that the camera must have been carried from upstream and that Hisoka must thus be farther up the mountain. She rushes onward hoping to catch up to Fuyuhi, following her trace through a fence cut open by past intruders.&lt;br /&gt;
----&lt;br /&gt;
Beynd the fence, Yuri finds herself in the &#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]]. Originally named for a legend that those who entered the forest would lose their way and forget themselves, the are became even less navigable after the landslide destroyed the newly built road to the [[Shrine of Dolls|forest shrine]], leaving only a warren of paths with destroyed and flooded branches.&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]]&lt;br /&gt;
: ⤷ Fuyuhi Himino Entering the Forest&lt;br /&gt;
: ⤷ Fuyuhi Himino Heading Inside&lt;br /&gt;
: ⤷ Fuyuhi Himino Looking Up a Tree&lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]], [[Fuyuhi&#039;s Note 2|2]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka wouldn&#039;t go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away. Distraught without her, Fuyuhi wonders if there was anything she could have said that would have prevented Haruka from leaving and longs for the chance to confess her true feelings for her before it&#039;s too late.&lt;br /&gt;
:* [[Note from a Tent]]&lt;br /&gt;
::: Found in an abandoned tent, this note supports many rumors about the area. A trespasser sneaks into the Unfathomable Forest to commit suicide. In no rush and wanting to &amp;quot;do things right&amp;quot;, they set up a tent and find that they feel oddly at peace and, far from being lonely, feel surrounded by other presences. One night they hear children playing (friends of [[Shiragiku]]). Another night they hear raspy breathing, running, and screaming ([[Kyozo Kururugi‎|Kyozo]]&#039;s massacre of the [[Maidens of Black Water]]). Another they see [[Inori_Mikomori|a shrine maiden]] and continues to feel her gaze despite not being able to see her. One night, they hear a sad, melodic voice and get the sense someone is being called, but, to their disappointment, not them. Eventually they run out of supplies, yet remain content with their situation. The note ends, &amp;quot;She is calling. I must go.&amp;quot;&lt;br /&gt;
:* [[Crumpled Note]]&lt;br /&gt;
::: A crushed ball of paper found near the hanging tree, this note supports the rumors in [[Suicide at Mt. Hikami]]. A trespasser sees a woman hang herself and feels compelled to do the same.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Tadahito Koizumi]]&lt;br /&gt;
:* &amp;quot;[[Masaki Tsujiura]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Nao Migiwa]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
:* [[Shino Kururugi]] (Hanged Woman)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no&amp;quot;) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered &#039;&#039;miko&#039;&#039; rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28313</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28313"/>
		<updated>2026-02-27T17:27:15Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph|postmortem photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the area around Mt. Hikami was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired in misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and is hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka and gasps to see the man now standing behind her. He vanishes, however, just as swiftly as he appeared. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the [[Netherworld]] - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions against staying any longer than they need to. She also cautions Yuri to be careful about what traces she follows in the future, as objects are much easier to find than people, and it is especially dangerous to follow the trace of a person who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge; Hisoka, not noticing, continues forward and out of sight. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lunges forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle, causing her to fall backwards into the water, drenching her. Flinching, she aims the Camera Obscura at the ghost and takes a photo. He recoils, but the hands continue to attempt to drag her under. Scrambling to her feet, she continues to exorcise the spirit with the camera until he retreats. Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares off silently; in her mind, she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]]&lt;br /&gt;
: ⤷ Innkeeper Heading Inside&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing the mountain&#039;s reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic &amp;quot;[[trace]]&amp;quot;. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While postmortem photography is a real phenomenon, the compound &amp;quot;弔写真&amp;quot; is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably be the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&#039;&#039;&#039;日上山 / Mt. Hikami&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned inn]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri dutifully keeps watch over the store, a local teen, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Timid, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Haruka would never go to a suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of Fuyuhi and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and unable to ignore Fuyuhi&#039;s plight, Yuri, dismissing the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
----&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned inn at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of the same [[Akira Oinuma|drenched man]] from the inn, as well as a similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
After driving away these spirits, Yuri reasons that the camera must have been carried from upstream and that Hisoka must thus be farther up the mountain. She rushes onward hoping to catch up to Fuyuhi, following her trace through a fence cut open by past intruders.&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]].  &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]]&lt;br /&gt;
: ⤷ Fuyuhi Himino Entering the Forest &lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka wouldn&#039;t go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no&amp;quot;) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered &#039;&#039;miko&#039;&#039; rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28312</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28312"/>
		<updated>2026-02-27T17:10:23Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph|postmortem photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the area around Mt. Hikami was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired in misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and is hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka and gasps to see the man now standing behind her. He vanishes, however, just as swiftly as he appeared. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the [[Netherworld]] - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions against staying any longer than they need to. She also cautions Yuri to be careful about what traces she follows in the future, as objects are much easier to find than people, and it is especially dangerous to follow the trace of a person who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge; Hisoka, not noticing, continues forward and out of sight. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lunges forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle, causing her to fall backwards into the water, drenching her. Flinching, she aims the Camera Obscura at the ghost and takes a photo. He recoils, but the hands continue to attempt to drag her under. Scrambling to her feet, she continues to exorcise the spirit with the camera until he retreats. Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares off silently; in her mind, she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]]&lt;br /&gt;
: ⤷ Innkeeper Heading Inside&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing the mountain&#039;s reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic &amp;quot;[[trace]]&amp;quot;. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While postmortem photography is a real phenomenon, the compound &amp;quot;弔写真&amp;quot; is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably be the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned inn]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri dutifully keeps watch over the store, a local teen, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Timid, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Hisoka would never go to a suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of Fuyuhi and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and unable to ignore Fuyuhi&#039;s plight, Yuri, dismissing the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, just before the steps that descend into the pool cordoned off by a sacred rope, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of same [[Akira Oinuma|drenched man]] from the inn, as well as similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
Reasoning that the camera must have been carried from upstream, and that Hisoka must thus be farther up the mountain, Yuri rushes onward hoping to catch up to Fuyuhi, following her trace through a damaged fence.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]].  &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]], an extension of which is Fuyuhi Himino Entering the Forest, &lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka would go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered miko rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28311</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28311"/>
		<updated>2026-02-27T15:57:42Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the area around Mt. Hikami was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired in misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and is hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka and gasps to see the man now standing behind her. He vanishes, however, just as swiftly as he appeared. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the [[Netherworld]] - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions against staying any longer than they need to. She also cautions Yuri to be careful about what traces she follows in the future, as objects are much easier to find than people, and it is especially dangerous to follow the trace of a person who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge; Hisoka, not noticing, continues forward and out of sight. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lunges forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle, causing her to fall backwards into the water, drenching her. Flinching, she aims the Camera Obscura at the ghost and takes a photo. He recoils, but the hands continue to attempt to drag her under. Scrambling to her feet, she continues to exorcise the spirit with the camera until he retreats. Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently off silently; in her mind, she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]]&lt;br /&gt;
: ⤷ Innkeeper Heading Inside&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami&#039;s was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing its reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri has dutifully keeps watch over the store, a local girl, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Meek, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Hisoka would never go to a famous suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze they will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even drawn partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of herself and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and moved by Fuyuhi&#039;s plight, Yuri, ignoring the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, just before the steps that descend into the pool cordoned off by a sacred rope, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of same [[Akira Oinuma|drenched man]] from the inn, as well as similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
Reasoning that the camera must have been carried from upstream, and that Hisoka must thus be farther up the mountain, Yuri rushes onward hoping to catch up to Fuyuhi, following her trace through a damaged fence.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]].  &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]], an extension of which is Fuyuhi Himino Entering the Forest, &lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka would go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered miko rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28310</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28310"/>
		<updated>2026-02-27T15:46:32Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but the way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Guardian (FF5)|Guardians]]&lt;br /&gt;
:* The [[Ose Kurosawa|Bride in Black]]&lt;br /&gt;
:* A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends: the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.kurosaw&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by [[Hisoka Kurosawa|Hisoka]], Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, Hisoka explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and risks. She also hands over a [[Postmortem Photograph]] that Yuri can use as a &amp;quot;[[token]]&amp;quot; to find the object they seek within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that Mt. Hikami area was once considered sacred ground until the local religion died out, attempts to revitalize the area as a tourist destination were mired by misfortune, and it became known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]]&lt;br /&gt;
: ⤷ Innkeeper Heading Inside&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;:&lt;br /&gt;
:* [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man)&lt;br /&gt;
:* Hands in the Water (Generic)&lt;br /&gt;
:* A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039;&lt;br /&gt;
:* [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
::: This book goes a little deeper into the history of the area as related by Hisoka. For centuries, Mt. Hikami&#039;s was a destination for pilgrims who came to see the natural beauty of its forests, cliffs, and water features that cascaded from the summit of the mountain to the pond at its foot, as well as the shrines that were built there. After the local Shinto religion died out, there were attempts to revitalize the area as a tourist destination. Even the old inn by Mikomori Pond, Ichiru Manor, received a large expansion. Construction of new infrastructure was plagued by accidents and fatalities, culminating in a landslide which destroyed the roads and buried the old wing of the manor, killing the family of its owner and cementing its reputation as a cursed location and suicide spot popular with occultists.&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[Camera Obscura]]&lt;br /&gt;
:* [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri has dutifully keeps watch over the store, a local girl, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Meek, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Hisoka would never go to a famous suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze they will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even drawn partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of herself and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and moved by Fuyuhi&#039;s plight, Yuri, ignoring the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, just before the steps that descend into the pool cordoned off by a sacred rope, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of same [[Akira Oinuma|drenched man]] from the inn, as well as similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
Reasoning that the camera must have been carried from upstream, and that Hisoka must thus be farther up the mountain, Yuri rushes onward hoping to catch up to Fuyuhi, following her trace through a damaged fence.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]].  &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]], an extension of which is Fuyuhi Himino Entering the Forest, &lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka would go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered miko rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28309</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28309"/>
		<updated>2026-02-27T14:56:31Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, [[Hisoka Kurosawa]] explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find what lies within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains (supported by a discarded [[Mt. Hikami&#039;s Downfall|document]]) that Mt. Hikami area was once considered scared ground until the local religion died out; attempts to revitalize the area as a tourist destination were mired by accidents and landslides and it has since become known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]], an extension of which is Innkeeper Heading Inside.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man), Hands in the Water (Generic), A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri has dutifully keeps watch over the store, a local girl, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Meek, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Hisoka would never go to a famous suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze they will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even drawn partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of herself and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and moved by Fuyuhi&#039;s plight, Yuri, ignoring the danger, takes up the token and heads for Mt. Hikami.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Passing [[Mikomori Pond]] and the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at the foot of the mountain, Yuri follows Fuyuhi&#039;s trace past a collapsed &amp;lt;i&amp;gt;torii&amp;lt;/i&amp;gt; and up an ancient shrine path circumventing the destroyed mountain road. The path leads to the &#039;&#039;Misogi-ga-Fuchi&#039;&#039;, or [[Pool of Purification]], where visitors would purify themselves before continuing up the mountain. Approaching the pool, she finds that the stone lanterns along the path and before the sacred falls are inexplicably alight, allowing her to see a strange glint in the water. Looking closer, just before the steps that descend into the pool cordoned off by a sacred rope, Yuri finds Hisoka&#039;s Camera Obscura. As she picks it up, she is attacked by the ghost of same [[Akira Oinuma|drenched man]] from the inn, as well as similar-looking [[Mizue Fukatsu| woman]].&lt;br /&gt;
&lt;br /&gt;
Reasoning that the camera must have been carried from upstream, and that Hisoka must thus be farther up the mountain, Yuri rushes onward hoping to catch up to Fuyuhi, following her trace through a damaged fence.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Shirazu-no-Fuchi&#039;&#039;, or [[Unfathomable Forest]].  &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Two Schoolgirls]], an extension of which is Fuyuhi Himino Entering the Forest, &lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;br /&gt;
:* [[The Deathly Mountain]]&lt;br /&gt;
:* [[Suicide at Mt. Hikami]]&lt;br /&gt;
:* [[Lost Item Case Files]]&lt;br /&gt;
:* [[The Art of Shadow Reading]]&lt;br /&gt;
:* [[Fuyuhi&#039;s Note 1]]&lt;br /&gt;
::: Fuyuhi&#039;s research into Mt. Hikami suggests that even before the area was a suicide spot, it was supposedly a place people came to die - sacred, but not holy. She claims that not only do people sometimes disappear there, but that the mountain &amp;quot;calls&amp;quot; to people who are intuitive, sensitive, meek but kind, and who lack family - people like Haruka. Believing that Haruka would go to Mt. Hikami to take her life without telling her, Fuyuhi remains convinced that she was called or spirited away.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039;&lt;br /&gt;
:* &amp;quot;[[Akira Oinuma]]&amp;quot;&lt;br /&gt;
:* &amp;quot;[[Mizue Fukatsu]]&amp;quot;&lt;br /&gt;
:* [[Yukiho Tomine]] (Woman on a Cliff)&lt;br /&gt;
:* Hiori Magabuchi (influencing Woman on a Cliff)&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name of the [[Pool of Purification]] - &#039;&#039;Misogi-ga-Fuchi&#039;&#039; (禊ヶ淵; deep pool/abyss of purification) uses the possessive particle &amp;quot;ga&amp;quot; (rather than &amp;quot;no) to show its age; you would find similar renderings for locations such as Sekigahara (関ヶ原; lit. plain of the barrier).&lt;br /&gt;
* The Japanese name of Maiden Fall is pronounced &#039;&#039;kannagi-daki&#039;&#039;, using the pronunciation for &amp;quot;diviner&amp;quot; or &amp;quot;shaman&amp;quot;. This was perhaps glossed over in English to create a pun for the waterway the bodies of the murdered miko rolled down and match the occultist nickname for the pool, &#039;&#039;miko-ga-fuchi&#039;&#039; (巫女ヶ淵; shrine maidens&#039; pool).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28308</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28308"/>
		<updated>2026-02-27T12:07:49Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, [[Hisoka Kurosawa]] explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find what lies within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains (supported by a discarded [[Mt. Hikami&#039;s Downfall|document]]) that Mt. Hikami area was once considered scared ground until the local religion died out; attempts to revitalize the area as a tourist destination were mired by accidents and landslides and it has since become known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]], an extension of which is Innkeeper Heading Inside.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man), Hands in the Water (Generic), A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuhi Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after the incident at the [[Ichiru Manor|abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri has dutifully keeps watch over the store, a local girl, [[Fuyuhi Himino]], stops in to follow up on whether Hisoka will take her case. Meek, but visibly distraught, Fuyuhi explains that her friend [[Haruka Momose|Haruka]] is missing and may have been seen heading towards Mt. Hikami. Fuyuhi stresses that Hisoka would never go to a famous suicide spot - not without telling her. Yuri offers to follow up with Hisoka herself when she returns, but the disappointed Fuyuhi decides to head for the mountain on her own. Yuri begins looking through the residence, hoping to find clues as to whether Fuyuhi&#039;s case was the one Hisoka was working on.&lt;br /&gt;
&lt;br /&gt;
In the office, she finds [[The Deathly Mountain|a book]] detailing Mt. Hikami&#039;s supernatural reputation - a place where the boundary between life and death is ambiguous, especially during the twilight hour (&amp;lt;i&amp;gt;oumagatoki&amp;lt;/i&amp;gt;) at sunset, and that calls to those drawn towards death. She also finds a more recently acquired [[Suicide at Mt. Hikami|book]] exploring the phenomenon of suicide spots - that as deaths in a place accumulate, people grow to see it as a place they won&#039;t die feeling alone. It highlights that, while few places are considered both a suicide spot and a haunted spot, Mt. Hikami is unique in light of the legends of the &amp;quot;[[Maidens of Black Water]]&amp;quot;. Such legends state that those who are seen by the mysterious shrine maidens who reside on the mountain will be drawn towards death and commit suicide, that those who meet their gaze they will never leave, and that those who do not die in accordance with local practices will be cursed to relive the event forever, only fueling Mt. Hikami&#039;s reputation as cursed ground. This book also highlights that those whose attempts to die on Mt. Hikami were thwarted claimed to have seen such a shrine maiden, or ghosts of suicide victims that inspired a compulsion to take their own life in the same manner.&lt;br /&gt;
&lt;br /&gt;
In Hisoka&#039;s room, Yuri finds a pile of [[Lost Item Case Files|recently resolved case files]], including that of the postmortem photographs for [[Ren Hojo]], which he claimed were reference material for a book. Hisoka had reasoned that, since the request had come from someone they knew and the target object was quite old, it should be an easy shadow reading task with little anticipated danger. Realizing her mistake, she had resolved to keep Yuri away from Mt. Hikami in the future. Along with the files was a [[The Art of Shadow Reading|book on shadow reading]], explaining the art of recalling items that had been hidden from sight (or even drawn partly drawn into the Netherworld) by spirits or their residual sentiments. Like Hisoka, it cautioned against following people who had been spirited away, as it might attract the attention of the spirits who did so.&lt;br /&gt;
&lt;br /&gt;
Yuri finds only one case file that is unresolved - a letter from Fuyuhi Himino and [[Two Schoolgirls|a photo of herself and Haruka]] which could be used as a token. Concerned for Hisoka&#039;s safety and moved by Fuyuhi&#039;s plight, Yuri takes up the token and heads for Mt. Hikami.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039; [[The Deathly Mountain]], [[Suicide at Mt. Hikami]], [[Lost Item Case Files]], [[The Art of Shadow Reading]],&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28307</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28307"/>
		<updated>2026-02-27T08:01:27Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, [[Hisoka Kurosawa]] explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find what lies within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains (supported by a discarded [[Mt. Hikami&#039;s Downfall|document]]) that Mt. Hikami area was once considered scared ground until the local religion died out; attempts to revitalize the area as a tourist destination were mired by accidents and landslides, and it has since become known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]], an extension of which is Innkeeper Heading Inside.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man), Hands in the Water (Generic), A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuki Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
A few days after returning from [[Ichiru Manor]], Hisoka went out on another job - this time leaving Yuri safely behind. A few more days have passed and she has not returned. As Yuri has dutifully keeps watch over the store, a local girl, [[Fuyuhi Himino]], enters. &lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28306</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28306"/>
		<updated>2026-02-26T20:18:23Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, [[Hisoka Kurosawa]] explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find what lies within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains (supported by a discarded [[Mt. Hikami&#039;s Downfall|document]]) that Mt. Hikami area was once considered scared ground until the local religion died out; attempts to revitalize the area as a tourist destination were mired by accidents and landslides, and it has since become known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]], an extension of which is Innkeeper Heading Inside.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man), Hands in the Water (Generic), A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Second Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|二ノ雫	&amp;lt;ruby&amp;gt;日上山&amp;lt;rt&amp;gt;&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Hikami-yama&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Second Drop: Mt. Hikami&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽を探す&lt;br /&gt;
|Search for Fuyumi Himino.&lt;br /&gt;
|Find Fuyuhi Himino.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見から数日後。&amp;lt;br&amp;gt;密花は外出したまま戻らなくなっていた。&amp;lt;br&amp;gt;不安を抱く夕莉の元へ、&amp;lt;br&amp;gt;一人の少女が訪れる。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その少女は、密花が「しないほうがいい」と&amp;lt;br&amp;gt;言っていた「人探し」の依頼を口にする…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went out, but never returned.&amp;lt;br&amp;gt;A girl visits the anxious Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;She is looking for a &amp;quot;missing person search&amp;quot;,&amp;lt;br&amp;gt;something Hisoka said it was &amp;quot;better to not do&amp;quot;.&lt;br /&gt;
|It has been several days since the incident&amp;lt;br&amp;gt;at the inn. Hisoka is out on a case. &amp;lt;br&amp;gt;A young girl comes to the shop&amp;lt;br&amp;gt;and finds a worried Yuri.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri is given a missing person case,&amp;lt;br&amp;gt;something Hisoka forbade.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館での影見の数日後。&amp;lt;br&amp;gt;密花はどこかへ出かけたまま、戻らなくなっていた。&amp;lt;br&amp;gt;心配する夕莉だったが、手掛りもなく、ただ、待つことしかできなかった。&amp;lt;br&amp;gt;そんな時、「密花に人探しを依頼した」と言う少女、氷見野冬陽（ひみのふゆひ）が骨董屋を訪れる…&lt;br /&gt;
|It has been several days since the shadow reading at the &#039;&#039;ryokan&#039;&#039;.&amp;lt;br&amp;gt;Hisoka went somewhere, but never returned.&amp;lt;br&amp;gt;Yuri was anxious, but without clues, all she could do was wait.&amp;lt;br&amp;gt;Then a girl named Fuyuhi Himino visits the antique shop&amp;lt;br&amp;gt;and says, &amp;quot;I asked Hisoka to help me find someone&amp;quot;...&lt;br /&gt;
|A few days have passed since Yuri&#039;s introduction to&amp;lt;br&amp;gt;shadow reading at the abandoned inn.&amp;lt;br&amp;gt;Since then, Hisoka has gone off somewhere and hasn&#039;t returned.&amp;lt;br&amp;gt;Yuri worries for Hisoka, but isn&#039;t sure how or where to start&amp;lt;br&amp;gt;searching.&amp;lt;br&amp;gt;As she sits waiting at the antiques shop, a girl named Fuyuhi&amp;lt;br&amp;gt;Himino shows up, claiming to have enlisted Hisoka to help&amp;lt;br&amp;gt;her find a missing person.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|氷見野冬陽は、自ら命を絶った。&amp;lt;br&amp;gt;夕莉が見た彼女の死の間際の光景。&amp;lt;br&amp;gt;そこには、冬陽と同じ方法で命を絶つ女と、&amp;lt;br&amp;gt;雨に濡れた巫女の姿があった。&amp;lt;br&amp;gt;夕莉は、山で見つけた射影機と、&amp;lt;br&amp;gt;密花が身につけていた蜻蛉玉を手に、&amp;lt;br&amp;gt;一人、骨董屋に戻るしかなかった。&amp;lt;br&amp;gt;&lt;br /&gt;
|Fuyuki Himino took her own life.&amp;lt;br&amp;gt;Yuri saw the moments just before her death.&amp;lt;br&amp;gt;She saw a woman take her own life in the same way Fuyuki did,&amp;lt;br&amp;gt;and a miko drenched by the rain.&amp;lt;br&amp;gt;Yuri finds the Camera Obscura in the mountains&amp;lt;br&amp;gt;as well as Hisoka&#039;s &#039;&#039;tonbodama&#039;&#039; charm,&amp;lt;br&amp;gt;but she is forced to return to the antique shop alone.&lt;br /&gt;
|Fuyuhi Himino takes her own life. Yuri&amp;lt;br&amp;gt;witnesses her final moments. Fuyuhi isn&#039;t alone&amp;lt;br&amp;gt;when she dies. There is a woman there who&amp;lt;br&amp;gt;killed herself in the same way, and a shrine&amp;lt;br&amp;gt;maiden, sodden from the rain.&amp;lt;br&amp;gt;Yuri finds Hisoka&#039;s Camera Obscura and a charm&amp;lt;br&amp;gt;Hisoka always liked to wear. She has no choice&amp;lt;br&amp;gt;but to return to the antiques shop alone.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Memos Acquired:&#039;&#039;&#039;&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28305</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28305"/>
		<updated>2026-02-25T17:40:52Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable mw-collapsible mw-collapsed&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura]] that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Ichiru Manor]] at [[Mikomori Hot Springs]], not far from their home, [[Hisoka Kurosawa]] explains that what they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find what lies within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains (supported by a discarded [[Mt. Hikami&#039;s Downfall|document]]) that Mt. Hikami area was once considered scared ground until the local religion died out; attempts to revitalize the area as a tourist destination were mired by accidents and landslides, and it has since become known as a cursed location and suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believes that the photo was taken in the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, the inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of [[Akira Oinuma|a man]] against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see the man now standing behind her; however both vanish as soon as the pair are together. Yuri follows a trace of the [[Tomoki Harakawa|innkeeper]] through the ruins of the concrete addition and into the traditional architecture of the original structure. In the innkeeper&#039;s room, Yuri uses the Camera Obscura to recall an item from the Netherworld - an [[Photo Album|album]] filled with postmortem photographs. The job complete, Hisoka cautions her against staying any longer than they need to. She also cautions her to be careful about what traces she follows, as people are much harder to find than objects, and that it is especially dangerous to follow the trace of someone who has been spirited away.&lt;br /&gt;
&lt;br /&gt;
As they make their way back outside, Yuri hesitates as she approaches the lounge, but Hisoka keeps walking. Cautiously peering into the lounge, [[Akira Oinuma|the man]] she saw earlier reappears and lurches forward. At the same time, a ghostly hand grabs Yuri&#039;s ankle and causes her to fall backwards and into the water, drenching her. She causes the ghost to recoil by taking a photo with the Camera Obscura, but the hands continue to attempt to drag her under until she can pull herself to her feet. When the ghosts finally retreat, Yuri collapses to her knees, unable to speak. Hisoka comes running back to her side, wrapping her arms around her and apologizing for bringing her there. Yuri stares silently into the distance; she sees the cliff and the sunset and thinks to herself, &amp;quot;I am alone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Meanwhile...&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Ren Hojo]], Hisoka&#039;s client, dreams a recurring dream. A ritual in progress. A cave filled with spectators. A young girl in a white kimono standing on a platform above a black box. Himself, a child, approaching reluctantly from behind, a knife in hand. He ascends the platform and raises the blade. She remains stoic, her back to him, facing the open box. He brings the knife down and she falls silently forward, water overflowing from within the box as she lands inside. Ren awakens on his couch. His assistant, [[Rui]], approaches and tells him the good news: Hisoka has found the album. Ren sits up, eagerly taking the book and flipping through its pages. A photo in the middle of the book catches his eye, and he freezes; a young girl in a white kimono standing on a platform above a black box.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Tokens Used:&#039;&#039;&#039; [[Postmortem Photograph]], an extension of which is Innkeeper Heading Inside.&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: [[Tomoki Harakawa]] (Peering Shadow, Hanging Man, Man Looking at a Key, Searching Man, Peering Man), Hands in the Water (Generic), A [[Akira Oinuma|Man from the Water]] (Man Peeking Through, Staring Man, Man from the Water 1)&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* The [[Ichiru Manor]] at [[Mikomori Hot Springs]] (水籠温泉 一縷荘) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; (traditional Japanese inn) which offered access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28304</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28304"/>
		<updated>2026-02-25T12:21:06Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; thought to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Background===&lt;br /&gt;
[[Hisoka Kurosawa]], 23, is the owner of a &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;, a combination residence and shop, called [[Kurosawa&#039;s Antiques]] &amp;amp; Cafe. She has long fostered her talent for [[shadow reading]] by conferring with local elders and old documents. Using a [[Camera Obscura (FF5)|Camera Obscura) that was left to her by an old woman in the area, she makes ends meet by taking odd jobs finding lost people and items. Her good looks, mysterious aura, tasty coffee, and recreational fortunetelling have made her quite popular with the local schoolgirls who frequent her cafe.&lt;br /&gt;
&lt;br /&gt;
[[Yuri Kozukata]], 19, developed a [[sixth sense]] that enables her to see ghosts and visions of the past after she survived a tragic accident. However, this has also caused her to feel drawn towards death.&lt;br /&gt;
&lt;br /&gt;
Once in the past, Yuri disappeared and Hisoka was hired to track her down. Hisoka found her just before she leapt from a cliff and persuaded the orphaned teen to reside at her &amp;lt;i&amp;gt;michiya&amp;lt;/i&amp;gt;. Yuri continues to avoid contact with others to an extreme degree, terrified that she will &amp;quot;see into their souls&amp;quot;. She rarely deals with customers, instead helping around the shop by cleaning, organizing, and keeping watch. She cycles in her free time, as it&#039;s an activity that she can easily do alone.&lt;br /&gt;
&lt;br /&gt;
Despite this, she has an earnest disposition and can&#039;t ignore people in need - a tendency only exacerbated by her ability to see into their heart if they touch.&lt;br /&gt;
&lt;br /&gt;
While Hisoka can sympathize, she can only &amp;quot;sense&amp;quot; the presence of spirits and hearts of others; she cannot see them like Yuri can.&lt;br /&gt;
&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Mikomori Hot Springs]], [[Hisoka Kurosawa]] explains that the object they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a single [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find the lost album within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the the Mt. Hikami area was sacred ground before being turned into a tourist destination, but since it was abandoned has become known primarily as a suicide spot. The photo was provided by their client, novelist [[Ren Hojo]], who believed that the photo came from the area and was hoping to acquire more like it. Despite being boarded up to protect it from the elements and landslides, inn is dilapidated; filled with mud, debris, holes in the walls and floors, and reeds growing throughout the flooded ground level.&lt;br /&gt;
&lt;br /&gt;
Looking into the lounge as she heads down a hallway, Yuri spots the silhouette of a man against the sunset shining through a broken wall. As he shambles towards her, she turns to Hisoka for aid and gasps to see another man stands behind her; however both vanish as soon as the pair are together.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered&#039;&#039;&#039;: Tomoki Harakawa (Peering Shadow), Hands in the Water (Generic), Window Man&lt;br /&gt;
Man Peeking Through&lt;br /&gt;
Hanging Man&lt;br /&gt;
Man Looking at a Key&lt;br /&gt;
Searching Man&lt;br /&gt;
Peering Man&lt;br /&gt;
Staring Man&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Memos Discovered:&#039;&#039;&#039; [[Mt. Hikami&#039;s Downfall]]&lt;br /&gt;
* &#039;&#039;&#039;Items Acquired:&#039;&#039;&#039; [[Camera Obscura]], [[Photo Album]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* [[Mikomori Hot Springs]] (水籠温泉; &amp;lt;i&amp;gt;Mikomori Onsen&amp;lt;/i&amp;gt;) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, a traditional Japanese inn, which offers access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28303</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28303"/>
		<updated>2026-02-25T09:38:33Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
* &#039;&#039;&#039;Spirits Encountered:&#039;&#039;&#039; [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box an air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector). This in turn blends the concepts of the box itself, the shrine maiden within the box, and purpose they share.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for the Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; said to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;A Vanishing Trace&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a flashback, [[Yuri Kozukata|Yuri]] stands at the edge of a cliff watching the sun set into the ocean below. Feeling inexorably alone, she resolves to jump.&lt;br /&gt;
&lt;br /&gt;
Hearing her name called by Hisoka, Yuri snaps out of her reverie. Having just arrived at the abandoned [[Mikomori Hot Springs]], [[Hisoka Kurosawa]] explains that the object they&#039;ve been hired to find should be somewhere inside. Encouraging Yuri to take the lead on a case for the first time, she hands over her [[Camera Obscura (FF5)|Camera Obscura]] and explains its supernatural properties and cautions her against the risk of being &amp;quot;drawn into &amp;quot;the [[Netherworld]]&amp;quot;. She also hands over a single [[Postmortem Photograph]] that Yuri can be use as a [[token]] to find the lost album within the inn.&lt;br /&gt;
&lt;br /&gt;
As they explore, Hisoka explains that the the Mt. Hikami area was sacred ground before being turned into a tourist destination, but since it was abandoned has become known primarily as a suicide spot.&lt;br /&gt;
&lt;br /&gt;
Things around here seem to have changed.&lt;br /&gt;
It wasn&#039;t exactly bustling, but it never used to be like this.&lt;br /&gt;
The mountain used to be revered as sacred ground.&amp;lt;br&amp;gt;Then it became a tourist destination...&amp;lt;br&amp;gt;Now it&#039;s known as a place to commit suicide.&lt;br /&gt;
Apparently only those kind of people come to&amp;lt;br&amp;gt;the mountain these days.&lt;br /&gt;
&lt;br /&gt;
===Content===&lt;br /&gt;
===Notes===&lt;br /&gt;
* The Japanese name for the quest is simply the name for the game mechanic [[trace]]. There is no homophone pun (that I know of), but the characters used to create the Japanese word &amp;quot;trace&amp;quot; or &amp;quot;remnant&amp;quot; are 残影, which individually mean &amp;quot;lingering&amp;quot; and &amp;quot;shadow&amp;quot;, which shares linguistic themes with concepts for ghosts. The English name simply plays off this.&lt;br /&gt;
* The Japanese term for &amp;quot;[[token]]&amp;quot; contains wordplay. It is pronounced &#039;&#039;yosuga&#039;&#039;, same as &amp;quot;clue&amp;quot;, &amp;quot;memento&amp;quot;, or an aid that helps find one&#039;s way or connect someone to something. This would usually be rendered as a character such as 縁, 因 or 便. However, it is rendered using the compound 寄香, which might be translated as something like &amp;quot;offering-scent&amp;quot;, poetically calling to mind the connection between the sense of smell, memories, and mementos (such as incense ceremonies and scented letters). The token, then, is a memento connected to someone or something that you can use to follow their &amp;quot;[[trace]]&amp;quot; like a scent if you are capable of [[shadow reading]].&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;br /&gt;
* [[Mikomori Hot Springs]] (水籠温泉; &amp;lt;i&amp;gt;Mikomori Onsen&amp;lt;/i&amp;gt;) is the name of a &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, a traditional Japanese inn, which offers access to &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, natural hot spring baths. Not all &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt; are in &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;, not all &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; have &amp;lt;i&amp;gt;onsen&amp;lt;/i&amp;gt;, but the combination of amenities is common.&lt;br /&gt;
* &amp;quot;Suicide spots&amp;quot; (自殺の名所) are a real-world phenomenon, the most famous in Japan would arguably by the Aokigahara forest. Comparable examples might be the Golden Gate Bridge in the United States and Beachy Head in the United Kingdom.&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=%E5%AF%84%E9%A6%99&amp;diff=28302</id>
		<title>寄香</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=%E5%AF%84%E9%A6%99&amp;diff=28302"/>
		<updated>2026-02-25T09:28:16Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Redirect Creation&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Token]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28301</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28301"/>
		<updated>2026-02-25T07:57:00Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&amp;lt;div style=&amp;quot;color:#FF0000&amp;quot;&amp;gt;&amp;lt;b&amp;gt;Translations and wordplay analysis are amateur. I wouldn&#039;t put too much stock in them if I were you.&amp;lt;/b&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモリ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Kamikakushi ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box a sense air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector).&lt;br /&gt;
* Spirits Encountered: [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==First Drop==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!width=10%&amp;quot;|&lt;br /&gt;
!width=30%&amp;quot;|JP&lt;br /&gt;
!width=30%&amp;quot;|Translation&lt;br /&gt;
!width=30%&amp;quot;|EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|一ノ雫　&amp;lt;ruby&amp;gt;残影&amp;lt;rt&amp;gt;ザンエイ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|First Drop: &lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|廃旅館で弔写真を探す&lt;br /&gt;
|Search for the Postmortem Photographs at the abandoned ryokan.&lt;br /&gt;
|Find the Postmortem Photographs.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|ある作家からの依頼を受け、&amp;lt;br&amp;gt;夕暮れの廃旅館へとやってきた夕莉と密花。&amp;lt;br&amp;gt;密花から射影機を手渡された夕莉は、&amp;lt;br&amp;gt;初めての「影見」の仕事として、&amp;lt;br&amp;gt;廃旅館のどこかにあるという、&amp;lt;br&amp;gt;「弔写真」を探すことになる。&lt;br /&gt;
|At the request of a certain writer,&amp;lt;br&amp;gt;Yuri and Hisoka arrive at an abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; at dusk.&amp;lt;br&amp;gt;Hisoka hands Yuri a &amp;lt;i&amp;gt;Shaeiki&amp;lt;/i&amp;gt;,&amp;lt;br&amp;gt; and her first &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; job begins.&amp;lt;br&amp;gt;They begin to search for the &amp;quot;&amp;lt;i&amp;gt;choushashin&amp;lt;/i&amp;gt;&amp;quot; said to be somewhere within the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt;.&lt;br /&gt;
|A novelist has sent Yuri and Hisoka&amp;lt;br&amp;gt;to an old inn on a case.&amp;lt;br&amp;gt;Yuri receives the Camera Obscura,&amp;lt;br&amp;gt;and her first shadow reading job begins.&amp;lt;br&amp;gt;They have been asked to find&amp;lt;br&amp;gt;&amp;quot;Postmortem Photographs.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～影見～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;「日上山（ひかみやま）」と呼ばれる霊山の近くにのみ伝わる特殊な力。&amp;lt;br&amp;gt;「影見（かげみ）」の力を持つ者は、神隠しされた人や物の「影」を追うことができた。&amp;gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;その日、不来方夕莉（こずかたゆうり）は、居候先の主人であり、影見の力を持つ女性、黒澤密花（くろさわひそか）と共に、日上山にある廃旅館を訪れていた。夕莉に影見の力を感じた密花は、その力の使い方を教えようと、影見の仕事に連れ出したのだった…&lt;br /&gt;
|~ Kagemi ~&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;A unique power found only near the sacred Mt. Hikami.&amp;lt;br/&amp;gt;Those who possess this can track the &amp;lt;i&amp;gt;kage&amp;lt;/i&amp;gt; of people or objects that have been spirited away.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One day, Yuri Kozukata visits the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami with Hisoka Kurosawa, her residential hostess and a woman with the power of &amp;lt;/i&amp;gt;kagemi&amp;lt;/i&amp;gt;.&amp;lt;br/&amp;gt;Sensing Yuri&#039;s potential with that same power, Hisoka took her to the job at the abandoned &amp;lt;i&amp;gt;ryokan&amp;lt;/i&amp;gt; on Mt. Hikami to help her develop her &amp;lt;i&amp;gt;kagemi&amp;lt;/i&amp;gt; abilities.&lt;br /&gt;
|– Shadow Reading –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Among the residents of the villages at the foot of Mt. Hikami,&amp;lt;br&amp;gt;a certain unique ability has been passed through the ages.&amp;lt;br&amp;gt;This ability, known as &amp;quot;shadow reading,&amp;quot; enables the user&amp;lt;br&amp;gt;to view the shadow, or &amp;quot;trace,&amp;quot; of someone lost in inexplicable&amp;lt;br&amp;gt;circumstances. This is not unlike the &amp;quot;psychometry&amp;quot; practiced&amp;lt;br&amp;gt;elsewhere.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yuri Kozukata accompanies Hisoka Kurosawa, a woman who&amp;lt;br&amp;gt;possesses the shadow reading ability, to an abandoned inn on&amp;lt;br&amp;gt;Mt. Hikami.&amp;lt;p&amp;gt;Sensing Yuri could in time become talented at shadow reading,&amp;lt;br&amp;gt;Hisoka takes her along on an assignment.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|密花から「影見」を教わった夕莉は、&amp;lt;br&amp;gt;日上山の廃旅館から、&amp;lt;br&amp;gt;放生蓮（ほうじょうれん）の依頼品である&amp;lt;br&amp;gt;「弔写真」を持ち帰った。&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;その蓮は、ひとつの悪夢に悩まされていた。&amp;lt;br&amp;gt;幼い頃、自らの手でひとりの少女を&amp;lt;br&amp;gt;手にかけた…&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;それはただの夢なのか？&amp;lt;br&amp;gt;それとも自分自身の体験だったのか？&amp;lt;br&amp;gt;真実はまだ闇の中であった。&lt;br /&gt;
|Learning &#039;&#039;kagemi&#039;&#039; from Hisoka,&amp;lt;br&amp;gt;Yuri was able to retrieve the &#039;&#039;choushahin&#039;&#039;&amp;lt;br&amp;gt;from the abandoned &#039;&#039;ryokan&#039;&#039; on Mt. Hikami,&amp;lt;br&amp;gt;as requested by Ren Hojo.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Ren was plagued by nightmares&amp;lt;br&amp;gt;in which, as a child, he killed a young girl with his own hands.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Was it all just a dream?&amp;lt;br&amp;gt;Or did it really happen?&amp;lt;br&amp;gt;The truth is still shrouded in mystery.&lt;br /&gt;
|While learning about shadow reading from&amp;lt;br&amp;gt;Hisoka, Yuri uses the ability to retrieve an album&amp;lt;br&amp;gt;of Postmortem Photographs from a ruined inn&amp;lt;br&amp;gt;on Mt. Hikami. The album has been requested&amp;lt;br&amp;gt;by a certain Ren Hojo.&amp;lt;p&amp;gt;As Ren awakes from a bad dream, he finds&amp;lt;br&amp;gt;himself tormented by uncertainty.&amp;lt;br&amp;gt;Was it really just a dream? Or a suppressed&amp;lt;br&amp;gt;childhood memory? This question has plagued&amp;lt;br&amp;gt;him for some time.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;残影&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;&amp;lt;/b&amp;gt;&lt;br /&gt;
===Notes===&lt;br /&gt;
* While &amp;quot;Postmortem Photography&amp;quot; is a real phenomenon, the compound 弔写真 is a game-specific term which affixes the prefix character 弔 (&amp;lt;i&amp;gt;chou&amp;lt;/i&amp;gt;; mourning, condolence, funeral) to 写真 (&amp;lt;i&amp;gt;shashin&amp;lt;/i&amp;gt;; photograph). &amp;lt;i&amp;gt;Shashin&amp;lt;/i&amp;gt; is perhaps coincidentally a homophone for 捨身 (to renouncing the flesh or the world, to become a priest, or to risk one&#039;s life for others).&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28300</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28300"/>
		<updated>2026-02-25T06:40:50Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;__NOTOC__&lt;br /&gt;
&lt;br /&gt;
==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!&lt;br /&gt;
!JP&lt;br /&gt;
!Translation&lt;br /&gt;
!EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモ リ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Spirited Away ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box a sense air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector).&lt;br /&gt;
* Spirits Encountered: [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28299</id>
		<title>User:Anwyll/V/Summary</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V/Summary&amp;diff=28299"/>
		<updated>2026-02-25T06:29:25Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Prologue==&lt;br /&gt;
===Data Reference===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:80%&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!&lt;br /&gt;
!JP&lt;br /&gt;
!Translation&lt;br /&gt;
!EN&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Chapter &amp;amp; Title&amp;lt;/b&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|序ノ雫　&amp;lt;ruby&amp;gt;水籠&amp;lt;rt&amp;gt;ミコモ リ&amp;lt;/rt&amp;gt;&amp;lt;/ruby&amp;gt;&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Mikomori&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|Prologue: Lurking in the Deep&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Objective&amp;lt;/b&amp;gt;&lt;br /&gt;
|目覚めた建物から脱出する&lt;br /&gt;
|Escape from the building [where you woke up].&lt;br /&gt;
|Escape the building.&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Synopsis&amp;lt;/b&amp;gt;&lt;br /&gt;
|水の中で目覚めた少女、深羽。&amp;lt;br/&amp;gt;寒さに身を震わせ、立ち上がった彼女の&amp;lt;br/&amp;gt;周りには、無数の女性が漂っていた。&amp;lt;br/&amp;gt;やがて女たちは、深羽に気づいたように&amp;lt;br/&amp;gt;水からその身を起こしはじめた…&lt;br /&gt;
|A girl awakens in the water - Miu.&amp;lt;br/&amp;gt;Shivering from the cold, the stands up, only to find&amp;lt;br/&amp;gt;countless women are floating around her.&amp;lt;br/&amp;gt;Soon, as if noticing Miu,&amp;lt;br/&amp;gt;they begin to rise from the water...&lt;br /&gt;
|A girl named Miu awakes in water.&amp;lt;br/&amp;gt;As she stands up, she sees countless bodies&amp;lt;br/&amp;gt;floating around her.&amp;lt;br/&amp;gt;The bodies stir, as if sensing Miu&#039;s presence...&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Preface&amp;lt;/b&amp;gt;&lt;br /&gt;
|～神隠し～&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;前触れもなく、人が忽然と姿を消す。&amp;lt;br/&amp;gt;手がかりは無く、失踪者の行方を知ることはできない。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;神隠しに遭った少女、 深羽（みう）。&amp;lt;br/&amp;gt;彼女が目覚めたのは、半ば水没した、&amp;lt;br/&amp;gt;古い建物の中だった。&lt;br /&gt;
|~ Spirited Away ~&amp;lt;br/&amp;gt;&amp;lt;/br&amp;gt;People are suddenly disappearing without warning.&amp;lt;br/&amp;gt;Their whereabouts remain unknown, and no clues have been left behind.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Miu is a girl who has been spirited away.&amp;lt;br/&amp;gt;She awakens in an old building, half submerged in water.&lt;br /&gt;
|– Spirited Away –&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;In the vicinity of Mt. Hikami, people have been mysteriously&amp;lt;br/&amp;gt;disappearing without a trace.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;One such girl is Miu Hinasaki. She awakens to find herself in an&amp;lt;br/&amp;gt;old, half-flooded building.	&lt;br /&gt;
|-&lt;br /&gt;
|bgcolor=&amp;quot;#000000&amp;quot; style=&amp;quot;color:#FFFFFF&amp;quot;|&amp;lt;b&amp;gt;Review&amp;lt;/b&amp;gt;&lt;br /&gt;
|神隠しに遭った少女、&amp;lt;br/&amp;gt;深羽は水没した屋敷の中で目覚めた。&amp;lt;br/&amp;gt;出口を求める彼女が辿り着いた部屋には、&amp;lt;br/&amp;gt;ひとつの大きな箱が置かれていた。&amp;lt;br/&amp;gt;その箱の蓋が開き、中から現れたのは、この世の者ではない「何か」であった。&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;彼女の叫びを聞く者はなく、その声は霧の中へと消えた。&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;In search of an exit, she arrived at a room containing only a large box.&amp;lt;br/&amp;gt;The lid of the box opened, and what emerged from within was &amp;quot;something&amp;quot; not of this world.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;No one heard her screams, and her voice faded into the mist.&lt;br /&gt;
|Miu, a girl who has been &amp;quot;spirited away,&amp;quot;&amp;lt;br/&amp;gt;awoke in a flooded mansion.&amp;lt;br/&amp;gt;While searching for the exit, she came across a room with&amp;lt;br/&amp;gt;nothing but a large, black box inside.&amp;lt;br/&amp;gt;As the box opened, what emerged from within&amp;lt;br/&amp;gt;was not of this world.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;With no one there to hear Miu&#039;s scream,&amp;lt;br/&amp;gt;her voice was lost in the mist.&lt;br /&gt;
|}&lt;br /&gt;
===Summary===&lt;br /&gt;
&amp;lt;b&amp;gt;水籠&amp;lt;/b&amp;gt; / &amp;lt;b&amp;gt;Lurking in the Deep&amp;lt;/b&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
In the vicinity of [[Mt. Hikami]], people have been mysteriously disappearing without a trace. [[Miu Hinasaki]], one such &amp;quot;[[spirited away]]&amp;quot;, awakens to find herself in an old, half-flooded [[Shrine on the Water|building]]. As she shivers in the cold, trying to get her bearings, she realizes that she is surrounded by the bodies of countless [[Guardian (FF5)|women]]. As if sensing her, they begin to stir and rise from the water. She flees through the aged hallways towards a light beyond a door, but it slams shut before she can get through. Touching it, her [[sixth sense]] shows her a series of haunting scenes: a woman with bleeding eyes, ghosts surrounding a fallen woman, five women holding hands at the edge of a cliff as a wave approaches, an enraged man sprinting with a lit torch, dozens of ghostly hands reaching through the walls of an old building, the corpse of a woman, a flood of black water gushing forth from within a black cube... &lt;br /&gt;
&lt;br /&gt;
She attempts another path, but way is blocked by a flood of black water preceding the arrival of a [[Ose Kurosawa|woman in black]]. Escaping back towards the locked door, it opens and allows her through, only to slam shut behind her once more. Rather than an exit, Miu finds a dead-end chamber containing only a large, [[reliquary|black box]]. The lid opens, and a [[Pale Mistress|woman]] emerges. Seized by ghostly hair floating through the black water, Miu freezes in terror.&lt;br /&gt;
&lt;br /&gt;
===Notes===&lt;br /&gt;
* The English title, while thematically appropriate, does not correspond to the Japanese title.&lt;br /&gt;
* The character compound in the Japanese title, 水籠, would be read literally as &amp;quot;water-cage&amp;quot; or &amp;quot;water-prison&amp;quot;. The pronunciation &amp;lt;i&amp;gt;mi-komori&amp;lt;/i&amp;gt; gives the black box a sense air of intentional, if not honored (御; &amp;lt;i&amp;gt;mi&amp;lt;/i&amp;gt;), seclusion. The word might also be seen as containing homophones for 巫女 (&amp;lt;i&amp;gt;miko&amp;lt;/i&amp;gt;; shrine maiden) and 守り (&amp;lt;i&amp;gt;mori&amp;lt;/i&amp;gt;; guardian/protector).&lt;br /&gt;
* Spirits Encountered: [[Guardian (FF5)|Guardians]], The [[Ose Kurosawa|Bride in Black]], A [[Pale Mistress]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V&amp;diff=28298</id>
		<title>User:Anwyll/V</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/V&amp;diff=28298"/>
		<updated>2026-02-25T04:18:57Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;center&amp;gt;[[File:FF5 JP Logo.png|150px]]&amp;lt;/center&amp;gt;&lt;br /&gt;
==References==&lt;br /&gt;
*[[User:Anwyll/V/Map|Map]]&lt;br /&gt;
*[[User:Anwyll/V/Battle|Battle Scripts]]&lt;br /&gt;
*[[User:Anwyll/V/Site|Official Site Archive]]&lt;br /&gt;
*[[User:Anwyll/V/Summary|Summary Layout Experiment]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/I/Character&amp;diff=26842</id>
		<title>User:Anwyll/I/Character</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/I/Character&amp;diff=26842"/>
		<updated>2025-06-25T02:24:24Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Page Creation; Prep Checkpoint&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=sortable&lt;br /&gt;
|-&lt;br /&gt;
!style=&amp;quot;text-align:left&amp;quot;|Name&lt;br /&gt;
|-&lt;br /&gt;
|[[Miku Hinasaki|Hinasaki Miku]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Mafuyu Hinasaki|Hinasaki Mafuyu]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Junsei Takamine|Takamine Junsei]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Tomoe Hirasaka|Hirasaka Tomoe]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Koji Ogata|Ogata Koji]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Ryozo Munakata|Munakata Ryozo]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Yae Munakata|Munakata Yae]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Mikoto Munakata|Munakata Mikoto]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Masato Hinasaki|Hinasaki Misato]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Miyuki Hinasaki|Hinasaki Miyuki]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Mr. Hinasaki|Hinasaki ???]]&lt;br /&gt;
|-&lt;br /&gt;
|[[White Kimono|(White Kimono)]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Kirie&#039;s Lover|(Kirie&#039;s Lover)]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Blinded Maiden]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Bound Man]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Boy Hiding]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Broken Neck]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Crawling Girl]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Female Head]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Floating Face]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Floating Woman]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Former Rope Shrine Maiden]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Girl in the Well]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Hands from Floor]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Headless Priests]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Himuro Family Master]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Kirie Himuro]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Long Arms]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Long Hair Woman]]&lt;br /&gt;
|-&lt;br /&gt;
|[[People Killed]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Rope Shrine Maiden]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Tokitada Kyuki]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Wandering Man]]&lt;br /&gt;
|-&lt;br /&gt;
|[[Wandering Monk]]&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Yae_Munakata&amp;diff=25950</id>
		<title>Yae Munakata</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Yae_Munakata&amp;diff=25950"/>
		<updated>2024-09-01T12:58:08Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{FF1 Ghost&lt;br /&gt;
|image       = [[Image:Yaebio.png]]&lt;br /&gt;
|name        = Yae Munakata&lt;br /&gt;
|quote       = &amp;quot;The children... they were only... playing Demon Tag.&amp;quot;&lt;br /&gt;
|kanji       = 黒澤 八重&amp;lt;br&amp;gt;宗方 八重&lt;br /&gt;
|kana        = くろさわ やえ&amp;lt;br&amp;gt;むなかた やえ&lt;br /&gt;
|alias       = Yae Kurosawa&lt;br /&gt;
|age         = 15 (FF2)&amp;lt;br&amp;gt;Unknown - 45? (FF1)&lt;br /&gt;
|family      = [[Ryokan Kurosawa]] (father)&amp;lt;br&amp;gt;[[Sae Kurosawa]] (twin sister)&amp;lt;br&amp;gt;[[Ryozo Munakata]] (husband)&amp;lt;br&amp;gt;[[Mikoto Munakata]] (daughter)&lt;br /&gt;
|occupation  = [[Twin Shrine Maiden]] (FF2)&amp;lt;br&amp;gt;Housewife (FF1)&lt;br /&gt;
|encounter   = [[Cherry Atrium]]&lt;br /&gt;
|cod         = Suicide by hanging&lt;br /&gt;
|died        = [[Timeline (FF1)#July|July 4]]&lt;br /&gt;
|game        = [[Fatal Frame]]&amp;lt;br&amp;gt;[[Fatal Frame II]]&amp;lt;br&amp;gt;[[Deep Crimson Butterfly]]&lt;br /&gt;
|otherappear = &lt;br /&gt;
|notes       = [[Butterfly Diary]]&amp;lt;br&amp;gt;[[Lady&#039;s Diary]]&amp;lt;br&amp;gt;[[Yae&#039;s Death Note]]&lt;br /&gt;
|japanactor  = [[Voice Actors (FF1)|Unknown]] (FF1)&amp;lt;br&amp;gt; [[Voice Actors (FF2)#Japanese|Akemi Kanda]] (FF2 + DCB)&lt;br /&gt;
|voiceactor  = [[Voice Actors (FF1)#English|Bianca Allen]] (FF1)&amp;lt;br&amp;gt; [[Voice Actors (FF2)#English|Kari Wahlgren]] (FF2)&amp;lt;br&amp;gt; [[Voice Actors (DCB)#English|Deeivya Meir]] (credited as Dee Meir)&amp;lt;ref&amp;gt;[http://www.voicespro.com/uk/voice-artist/profile/deeivya-meir VoicesPro profile]&amp;lt;/ref&amp;gt; (DCB)&lt;br /&gt;
}}&#039;&#039;&#039;Yae Munakata&#039;&#039;&#039; is a secondary character first introduced as the ailing wife of folklorist [[Ryozo Munakata]] in [[Fatal Frame]], who bears an uncanny resemblance to [[Miku]]&#039;s mother [[Miyuki]]. In [[Fatal Frame II]] she reappears as the teenager Yae Kurosawa, a [[Twin Shrine Maiden|shrine maiden]] who ran away during the night of an important ritual in hopes of escaping her fate.&lt;br /&gt;
&lt;br /&gt;
==[[Fatal Frame II]] (Childhood)==&lt;br /&gt;
{{Quote|quote=People like Mutsuki shouldn&#039;t have to die. I have to do something.|speaker=Yae Kurosawa|listener=(to Sae Kurosawa)|source=[[Butterfly Diary 2|src]]}}&lt;br /&gt;
Yae and her twin sister [[Sae]] were born in [[Minakami Village|All God&#039;s Village]], the only children of [[Ryokan Kurosawa]], the acting [[Ceremony Master]] at the time of the [[Repentance]]. Although Yae was born second, she was considered the elder and stronger twin based on the [[Twin law|belief system]] of the village. Given the social status of twins in the village, it is likely that the twins had very few friends except each other growing up. Their diaries, notes, and official artwork suggest, however, that they were both close with the [[Tachibana Family|Tachibana]] twins, [[Itsuki Tachibana|Itsuki]] and [[Mutsuki Tachibana|Mutsuki]].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
When Yae and Sae were 14 years old, Itsuki and Mutsuki performed the [[Crimson Sacrifice Ritual]], but their Ceremony was unsuccessful. The responsibility then fell on Yae and her sister to perform the ritual one year later. It is unknown how much the twins were told about the ritual beforehand. Since their father was the Ceremony Master and their friend a [[Remaining]], however, they probably knew what the ritual entailed. Yae was vehemently opposed to the ritual, believing it cruel and unnecessary. She voiced her concerns to her father, and he tried to reassure her, but Yae was unconvinced. With the help of Itsuki, who was also opposed to the ritual, she made plans to run away with Sae, despite the fact that her sister wanted to stay.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Image:Blurtwins.jpg|left|100px]]While Yae and Sae were undergoing their cleansing to prepare for the ritual, the [[folklorist]] [[Seijiro Makabe]] and his apprentice [[Ryozo Munakata]] came to the village to do research on local customs. Ryozo was an old friend of Itsuki&#039;s and had promised to help them escape and take care of them afterwards. The visitors were welcomed by the [[Kurosawa Family]], and treated well. While a guest in [[Kurosawa House]], Seijiro took a picture of Yae and Sae with the [[Camera Obscura]]. Although Yae&#039;s face looked normal in the photograph, Sae&#039;s was distorted. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Despite the initial warm welcome given to the visitors, Yae and Sae believed their father was planning on using the men as [[Kusabi]] sacrifices. In an attempt to save him, the twins took Seijiro a [[Kurosawa House Map|map]] showing a side door leading out of the house, and gave him the [[Hammer Key]] to unlock that door. They warned him that the [[Hidden Ceremony]] was approaching and told him to leave during the night. Seijiro sent Ryozo away, but stayed behind himself, and was ultimately sacrificed. Before leaving, Ryozo whispered to Yae that he would return for her and Sae on the night of the ceremony. She tensed up but said nothing.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
When the time came, Itsuki led the girls into the forest and showed them the path out of the village. He told them to go ahead of him and warned them not to look back. Yae followed the forest path without looking back while Sae struggled to keep up, begging Yae to not leave her. Not wanting to escape, Sae slipped and fell on purpose, believing Yae would stop for her, both would be caught and ultimately be forced to perform the ritual. The two were never reunited; Yae became hopelessly lost in the forest, and Sae was captured by the [[Minakami Villagers|villagers]].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
By the time Yae found her way back, the [[Repentance]] had already occurred, and the village was gone. All that remained was the Torii gate that had once been the entrance. Due to grief, shock, and possibly the Repentance itself, Yae lost all her memories. When Ryozo arrived, he found Yae weeping at the gate, repeating, &#039;&#039;&amp;quot;I&#039;m sorry... I&#039;m so sorry.&amp;quot;&#039;&#039; Fulfilling his promise to Itsuki, Ryozo took Yae with him and took care of her. He noted that she suffered from terrible nightmares for a while, during which she would call out Sae&#039;s name, but she never consciously recovered her memories.&amp;lt;ref&amp;gt;&#039;&#039;The Gate to Hell&#039;&#039;, [[Zero Akai Chou Complete Official Capture Book]], p162. [http://fftranslations.atspace.co.uk/ff2/hellgate.html (English Translation)]&amp;lt;/ref&amp;gt;&lt;br /&gt;
----&lt;br /&gt;
[[Image:Munakatafamily.jpg|right|100px]]Some time later (in-between the time that passes from Yae&#039;s childhood to her adulthood), Ryozo and Yae married, and the couple had a daughter called [[Mikoto]]. The part of Yae&#039;s spirit that remained in Minakami Village was released when [[Mio Amakura]], possessed by Yae, performed a successful Crimson Sacrifice Ritual with her sister [[Mayu Amakura|Mayu]].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==[[Fatal Frame]] (Adulthood)==&lt;br /&gt;
{{Quote|quote=Everything has been so strange! Ever since we moved to this mansion... Ever since we got that camera...|speaker=Yae Kurosawa|source=[[Lady&#039;s Diary Scrap 3|src]]}}&lt;br /&gt;
[[Image:Yaemikoto.jpg|left|Yae and Mikoto|100px]]&lt;br /&gt;
Later in her life, Yae&#039;s health declined, and the family moved into [[Himuro Mansion]], where Ryozo could continue his work as a folklorist while staying close to her. The family lived there without incident, and Yae was beginning to grow stronger, until Mikoto found a strange [[Camera Obscura|camera]]. Yae&#039;s curiosity got the better of her, and she began taking pictures all over the mansion with it. Before long, she realized it wasn&#039;t an ordinary camera: it could capture images of an unseen world, and things that shouldn&#039;t exist. The camera&#039;s power over her grew, until she could see the spirits with her own eyes. For a long time, she kept the camera from Mikoto to protect her, but eventually relented and let her use it. Mikoto took the camera out with her, and she and her friends disappeared.&lt;br /&gt;
&lt;br /&gt;
Yae was horrified. She was convinced that ghosts must have been responsible for taking the children away, and she blamed herself. She wrote a [[Yae&#039;s Death Note|suicide note]] to her husband, and then hanged herself in the [[Cherry Atrium]] of the mansion. Her husband found her body shortly before his own death. Yae never learned that Mikoto had survived.&lt;br /&gt;
&lt;br /&gt;
==Alternate Ending==&lt;br /&gt;
[[image:saeyaerope.jpg|right|100px|Sae and Yae reunited]]&lt;br /&gt;
In the [[Promise Ending]] for Fatal Frame II, Sae and Yae are reunited in Minakami Village. The fragmented memories of Yae from her younger self had lingered on at the entrance of Minakami Village, until [[Mio Amakura|Mio]] and [[Mayu Amakura]] ventured into the village. When Mio crossed the torii gate leading into the village, Yae&#039;s spirit attached itself to her.  Likewise, when Mio crossed the torii gate leading to the [[Hellish Abyss]], Yae&#039;s spirit detached from her in order to reunite with the spirit of Sae. She apologizes for leaving her sister. The twins join hands and are at last able to become one.&lt;br /&gt;
&lt;br /&gt;
This ending is not considered canon. For more information, see [[Fatal Frame II Endings]].&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Yae Render.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Misc. Info==&lt;br /&gt;
* Yae is one of the few secondary characters to appear in the [[Fatal Frame Series]] twice.&lt;br /&gt;
* Yae Munakata looks so similar to [[Miyuki Hinasaki]] that a lot of fans confuse the two during Miku&#039;s flashback where she discovered her mother&#039;s body. She is Miyuki&#039;s grandmother, and [[Mafuyu Hinasaki|Mafuyu]] and Miku&#039;s great-grandmother.&lt;br /&gt;
* Ultimately Yae shares a similar demise to that of her twin sister Sae. Both died by hanging.&lt;br /&gt;
* Yae is one of only a few characters to suffer from [[Overexposure]].&lt;br /&gt;
* Kurosawa is the last name of famous Japanese director Akira Kurosawa, whom Fatal Frame creator [[Keisuke Kikuchi]] has mentioned is one of his favorite directors.&lt;br /&gt;
* As of the time of this writing, there is no evidence to suggest that Yae is in any way related to [[Rei Kurosawa]], the heroine of [[Fatal Frame III]].&lt;br /&gt;
* The kimono Yae wore as a young girl is an [[Sae and Yae Kimonos(FF2)|unlockable outfit]] for Mio Amakura in Fatal Frame II.&lt;br /&gt;
* In the [[Zero Perfect Guide|official guidebook]] for Fatal Frame, Yae is mentioned - like her granddaughter, Miyuki - to have been weak and sickly since childhood.&amp;lt;ref&amp;gt;&#039;&#039;&amp;quot;Zero&amp;quot; Glossary&#039;&#039;, [[Zero Perfect Guide]] p156-159. [http://fftranslations.atspace.co.uk/ff/ff1glossary.html (English translation)]&amp;lt;/ref&amp;gt; However, no hint to this effect is given in Fatal Frame II, and by Minakami tradition the first-born twin (Sae) is the weak twin, the second-born twin (Yae) the strong twin.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* For other members of the &#039;&#039;Kurosawa family&#039;&#039;, see [[Kurosawa Family]].&lt;br /&gt;
* For other members of the &#039;&#039;Munakata family&#039;&#039;, see [[Munakata Family]].&lt;br /&gt;
* For other twin pairs, see [[Twins]].&lt;br /&gt;
* For other suicides in the [[Fatal Frame Series]], see [[Suicide]].&lt;br /&gt;
* For other rituals in [[Fatal Frame II]], see [[Fatal Frame II Rituals]].&lt;br /&gt;
* For images related to Yae Kurosawa, see [[:Category:Images of Yae Kurosawa|Images of Yae Kurosawa]].&lt;br /&gt;
&lt;br /&gt;
{{FF}}&lt;br /&gt;
{{FFII}}&lt;br /&gt;
{{DCB}}&lt;br /&gt;
&lt;br /&gt;
[[Category: Deep Crimson Butterfly Characters]]&lt;br /&gt;
[[Category: Fatal Frame Characters]]&lt;br /&gt;
[[Category: Fatal Frame II Characters]]&lt;br /&gt;
[[Category: Fatal Frame Ghosts]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Sae_Kurosawa&amp;diff=25949</id>
		<title>Sae Kurosawa</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Sae_Kurosawa&amp;diff=25949"/>
		<updated>2024-09-01T12:57:59Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{FF2 Ghost&lt;br /&gt;
|image       = [[image:Saek.png]]&lt;br /&gt;
|name        = Sae Kurosawa&lt;br /&gt;
|quote       = &amp;quot;Dear sister... are you leaving me again?&amp;quot;&lt;br /&gt;
|kanji       = 黒澤 紗重&lt;br /&gt;
|kana        = くろさわ　さえ&lt;br /&gt;
|alias       = Bloody Kimono or White Kimono (FF2)&amp;lt;br&amp;gt;Girl in Bloody Kimono (DCB)&lt;br /&gt;
|age         = 15&lt;br /&gt;
|family      = [[Ryokan Kurosawa]] (father)&amp;lt;br&amp;gt;[[Yae Kurosawa]] (twin sister)&lt;br /&gt;
|occupation  = [[Twin Shrine Maidens|Twin Shrine Maiden]]&lt;br /&gt;
|encounter   = [[Hellish Abyss]]&lt;br /&gt;
|cod         = Hanging&lt;br /&gt;
|died        = Night of the [[Repentance]]&lt;br /&gt;
|game        = [[Fatal Frame II]]&amp;lt;br&amp;gt;[[Deep Crimson Butterfly]]&lt;br /&gt;
|otherappear = [[Zero4D]]&amp;lt;br&amp;gt;[[Cross title content#Identity V|Identity V]]&lt;br /&gt;
|notes       = [[Butterfly Diary]]&amp;lt;br&amp;gt;[[Final Letter]]&lt;br /&gt;
|stone       = [[Fluorite]]&lt;br /&gt;
|menu        = Sae Kurosawa&#039;s strawberry yogurt&amp;lt;ref&amp;gt;[[KOEI TECMO Cafe and Dining Zero Series Collaboration]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
|japanactor  = [[Voice Actors (FF2)#Japanese|Ayako Kawasumi]]&lt;br /&gt;
|voiceactor  = [[Voice Actors (FF2)#English|Kim Mai Guest]] (FF2)&amp;lt;br&amp;gt; [[Voice Actors (DCB)#English|Patricia Gannon]] (DCB)&lt;br /&gt;
}}[[Sae Kurosawa]] is the main antagonist in [[Fatal Frame II]]. She was the last twin sacrificed, whose failed [[Crimson Sacrifice Ritual|ritual]] was the final straw that caused the [[Repentance]] to occur, wiping [[Minakami Village|All God&#039;s Village]] from the map in one horrific night.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
==Past==&lt;br /&gt;
Sae was born in All God&#039;s Village along with her twin sister [[Yae Kurosawa|Yae]]. The girls were the only children of [[Ryokan Kurosawa]], the acting [[Ceremony Master]] at the time of the Repentance. Although Sae was born first, she was considered the younger and weaker twin based on the [[Twin law|belief system]] of the village. Given the social status of twins in the village, it is likely that the twins had very few friends except each other growing up. Their [[Butterfly Diary|diaries]], notes, and official artwork suggest however that they were both close with the [[Tachibana Family|Tachibana]] twins, [[Itsuki Tachibana|Itsuki]] and [[Mutsuki Tachibana|Mutsuki]].&lt;br /&gt;
&lt;br /&gt;
When Sae and Yae were 14, Itsuki and Mutsuki performed the [[Crimson Sacrifice Ritual]]. Unfortunately, the boys&#039; ritual failed. The responsibility then fell on Sae and her sister to complete the ritual successfully one year later. It is unknown how much the twins were told about the ritual beforehand. Since their father was the ceremony master and their friend a [[Remaining]], however, they probably knew what the ritual entailed. Sae, realizing that in time she and Yae would grow apart, wanted nothing more than to complete the ritual and &amp;quot;become one&amp;quot; with her sister. Yae, however, was opposed to the ritual, believing it cruel and unnecessary. With Itsuki&#039;s help, she planned on escaping with Sae. Sae went along with the idea only because Yae wished it.&lt;br /&gt;
&lt;br /&gt;
[[Image:Blurtwins.jpg|left|100px|Sae&#039;s face blurred in the photo]]&lt;br /&gt;
While Sae and Yae were undergoing their cleansing to prepare for the ritual, the [[folklorist]], [[Seijiro Makabe]], and his apprentice [[Ryozo Munakata]] arrived at the village to conduct research on local customs. Ryozo was an old friend of Itsuki&#039;s and had promised to take care of Sae and Yae after their escape. The visitors were greeted by the [[Kurosawa Family]], and treated well. Seijiro took a photo of Sae and Yae with the [[Camera Obscura]]. Sae&#039;s face showed up horribly blurred in the photo, and she remarked that such was &amp;quot;interesting to see.&amp;quot; Despite the initial warm welcome given to the visitors, Sae and Yae believed their father was planning on using the men as [[Kusabi]] sacrifices. They took Seijiro a [[Kurosawa House Map|map]] showing a side door leading out of the house and the [[Hammer Key|key]] to unlock it. They warned him that the [[Hidden Ceremony]] was approaching and told him to leave during the night. Seijiro sent Ryozo away but stayed behind, ultimately to be sacrificed. Before leaving, Ryozo whispered to Yae that he would return for her and Sae on the night of the ceremony. Sae mused in [[Butterfly Diary 2|her diary]] that her and Yae&#039;s completion of the ritual would appease the [[Hellish Abyss]] and prevent people from having to suffer further.&lt;br /&gt;
&lt;br /&gt;
[[image:saelookback.jpg|left|100px|Sae looks back at Itsuki]]&lt;br /&gt;
When the time came, Itsuki led the girls into the forest and showed them the path out of the village. He told them to go ahead of him and warned them not to look back as Sae looked back at her friend one last time. Yae followed the forest path without looking back, while Sae struggled to keep up, begging Yae to not leave her. As she fell further and further behind, Sae understood that even if they escaped, she and Yae might eventually grow apart and die separately. At that moment of realisation, her foot slipped and she fell down the cliff.&amp;lt;ref&amp;gt;&#039;&#039;Fatal Frame II Hard Mode Ending: Sae&#039;s Feelings&#039;&#039;, [[Fatal Frame Fanbook]], p24-25. ([http://fftranslations.atspace.co.uk/fb/fbhardff2.html English translation])&amp;lt;/ref&amp;gt; A mob of [[Minakami Villagers|villagers]] soon found her and took her back to the village. She waited for Yae&#039;s return, insisting that her sister would come back for her.&lt;br /&gt;
&lt;br /&gt;
[[image:saefindsitsuki.jpg|left|100px|Sae finds Itsuki&#039;s body]]&lt;br /&gt;
While waiting for Yae&#039;s return, Sae went to see Itsuki one last time before the festival, by visiting the [[Storehouse]] where he was locked in as punishment for helping her and Yae escape. Upon entering the building, she discovered Itsuki had committed suicide by hanging himself. She cried, blaming herself and saying, &amp;quot;If it was to come to this... we should have done the ritual.&amp;quot;  She resolved to complete the ritual alone.&lt;br /&gt;
&lt;br /&gt;
Although no Twin Shrine Maiden had ever completed the ritual alone, Ryokan was growing desperate because of the horrible rumbling coming from the Abyss. He decided to go ahead and perform the ritual with Sae alone, hoping she could appease the Abyss. In another of [[Butterfly Diary 6|her diaries]], Sae wondered if she would be able to become a [[Crimson Butterfly|butterfly]] without Yae. Still, she hoped that Yae would come back in time and complete the ritual with her.&lt;br /&gt;
&lt;br /&gt;
[[image:saehung.jpg|left|100px|Sae is hanged by the Veiled Priests]]&lt;br /&gt;
A group of [[Veiled Priest|Veiled Priests]] escorted Sae to the ritual site. On the way she dropped [[Final Letter|a note]] for Yae to find, saying she would wait until the very end. As the priests approached the Abyss, Sae hesitated, but was pushed on. The priests hung her from the very last Torii Gate, and the [[Mourners]] threw her lifeless body into the Abyss. Since the sacrifice was not properly performed, however, the ritual failed and the Repentance occurred. A huge wave of [[Darkness]] burst forth from the Abyss, covering the entire village and killing many villagers in its path.[[Image:Therepentence.jpg‎|right|100px|Sae emerges]] The vengeful ghost of Sae emerged from the Abyss, filling the night with her maniacal laughter as the Kusabi began to slaughter all those within sight. After killing everyone in the [[Kurosawa House]], they proceeded to massacre the surviving villagers. Sae&#039;s spirit bore a bloodstained kimono and a rope mark on her neck. She continued to wait in the carnage for Yae&#039;s return.&lt;br /&gt;
&lt;br /&gt;
In [[Timeline (FF2)#1988|1988]], the Amakura twins, [[Mio Amakura|Mio]] and [[Mayu Amakura|Mayu]], became trapped in the village. Sae&#039;s spirit possessed Mayu and urged Mio, whom she called Yae, to complete the ritual. Mio followed Sae all the way down to the Abyss, where she and Mayu completed the Crimson Ritual in the [[Kurosawa Family|Kurosawa]] twins&#039; stead. Their ritual was successful, and Sae&#039;s spirit, as well as her curse, was finally put to rest.&lt;br /&gt;
&lt;br /&gt;
==Alternate Endings==&lt;br /&gt;
===[[Lingering Scent Ending]]===&lt;br /&gt;
[[image:lingeringscentsae.jpg|right|100px|Sae chases Mio in the Lingering Scent Ending]]&lt;br /&gt;
Instead of following Mayu into the Kurosawa House, Mio exits the village through the [[Kureha Shrine]]. Sae&#039;s ghost pursues and grabs Mio who then wakes up alone. Mayu and Sae&#039;s voices are heard vowing to wait for their sisters forever.&lt;br /&gt;
&lt;br /&gt;
===[[Hellish Abyss Ending]]===&lt;br /&gt;
[[image:saeabyss.jpg|right|100px|Sae falls into the Abyss alone]]&lt;br /&gt;
Instead of causing Mio to perform the ritual, Sae&#039;s vengeful spirit attacks her. After Mio defeats Sae with the Camera Obscura, Sae&#039;s ghost splits from Mayu. Mio rushes forward and grabs Mayu&#039;s hand, saving her, while Sae plummets into the Abyss with a shrill scream.&lt;br /&gt;
&lt;br /&gt;
===[[Promise Ending]]===&lt;br /&gt;
[[image:saeyaerope.jpg|right|100px|Sae and Yae reunited]]&lt;br /&gt;
As Mio runs down to the Hellish Abyss to find her sister, Mio&#039;s body &#039;splits&#039; and the spirit of Yae bursts forth from her. Yae apologizes to her sister for running away, and the two hold hands as their red ceremonial rope reforms around their waists. Together, hand in hand, both jump into the Abyss, as Mio narrowly manages to pull Mayu from Sae&#039;s body. The two emerge as a single crimson butterfly, the curse is lifted, and the spirits of everyone who have died in the village are released.&lt;br /&gt;
&lt;br /&gt;
==Fatal Frame III==&lt;br /&gt;
Although her spirit was no longer actively haunting the village and bringing in people to it, she still appears briefly in one of [[Kei]]&#039;s dream sequences into the [[Manor of Sleep]], surrounded by bodies in the [[Great Hall]].&lt;br /&gt;
&lt;br /&gt;
==Gallery==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:Sae Render DC.jpg&lt;br /&gt;
File:Identity V Xover 5.jpg|Sae as she appears in the 2022 [[Cross title content#Identity V|Identity V]] crossover event.&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Misc. Info==&lt;br /&gt;
* Sae is one of the very few enemies in the series that instantly kills with one touch. &lt;br /&gt;
* Sae&#039;s blood-soaked kimono is an unlockable [[Fatal Frame II Costumes|costume]] for Mayu Amakura in Fatal Frame II.&lt;br /&gt;
* Sae&#039;s ghost appears in two forms, a vengeful spirit called Bloody Kimono and a sad apologizing spirit called White Kimono.&lt;br /&gt;
* Kurosawa is the last name of famous Japanese director Akira Kurosawa, who [[Fatal Frame Series|Fatal Frame]] creator Keisuke Kikuchi has mentioned is one of his favorite directors.&lt;br /&gt;
* Ultimately, Sae still shares a similar death to her sister, as both were hanged, although [[Yae]]&#039;s hanging was suicide.&lt;br /&gt;
* Sae wears her kimono the &#039;dead&#039; way, right over left. In Japan, this is only done for burial when one is deceased.&lt;br /&gt;
* In December 2022, Sae will make an appearance as a Hunter in a special crossover event for the multiplayer horror game [[Cross title content#Identity V|Identity V]]. She is a costume for [https://id5.fandom.com/wiki/Geisha Geisha], also known as the Red Butterfly.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* For quotes by Sae, see [[Quotes: Sae Kurosawa]].&lt;br /&gt;
* For other members of the &#039;&#039;Kurosawa family&#039;&#039;, see [[Kurosawa Family]].&lt;br /&gt;
* For other shrine maidens, see [[Shrine Maiden]].&lt;br /&gt;
* For other rituals in [[Fatal Frame II]], see [[Fatal Frame II Rituals]].&lt;br /&gt;
* For other antagonist ghosts in the [[Fatal Frame Series]], see [[Antagonist Ghosts]].&lt;br /&gt;
* For other twin pairs, see [[Twins]].&lt;br /&gt;
* For images related to Sae, see [[:Category:Images of Sae Kurosawa|Images of Sae Kurosawa]].&lt;br /&gt;
* For [[Fan Theories]] related to Sae, see [[Theory: Sae Kurosawa]].&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FFII}}&lt;br /&gt;
{{DCB}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Deep Crimson Butterfly Ghosts]]&lt;br /&gt;
[[Category:Fatal Frame II Ghosts]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL/FF2Notes&amp;diff=25945</id>
		<title>User:Anwyll/Sandbox/DPL/FF2Notes</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL/FF2Notes&amp;diff=25945"/>
		<updated>2024-08-31T02:14:20Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#dpl:&lt;br /&gt;
|Category = Fatal Frame II Notes&lt;br /&gt;
|includematch=/\{{!}}\s*game\s*=\s*FF2/s&lt;br /&gt;
|table = class=&amp;quot;wikitable sortable&amp;quot;,FF2 Name,DCB Name,JP Name,DCB,JP&lt;br /&gt;
|tablesortcol=1&lt;br /&gt;
|includepage = {Note Infobox2}:title:kanji:english:japanese&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL/DCBNotes&amp;diff=25944</id>
		<title>User:Anwyll/Sandbox/DPL/DCBNotes</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL/DCBNotes&amp;diff=25944"/>
		<updated>2024-08-31T02:11:59Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Created page with &amp;quot;{{#dpl: |Category = Deep Crimson Butterfly Notes |includematch=/\{{!}}\s*game\s*=\s*DCB/s |table = class=&amp;quot;wikitable sortable&amp;quot;,FF2 Name,JP Name,DCB Name,DCB,JP |tablesortcol=1 |includepage = {Note Infobox2}:title:kanji:english:japanese }}&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{#dpl:&lt;br /&gt;
|Category = Deep Crimson Butterfly Notes&lt;br /&gt;
|includematch=/\{{!}}\s*game\s*=\s*DCB/s&lt;br /&gt;
|table = class=&amp;quot;wikitable sortable&amp;quot;,FF2 Name,JP Name,DCB Name,DCB,JP&lt;br /&gt;
|tablesortcol=1&lt;br /&gt;
|includepage = {Note Infobox2}:title:kanji:english:japanese&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL&amp;diff=25943</id>
		<title>User:Anwyll/Sandbox/DPL</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=User:Anwyll/Sandbox/DPL&amp;diff=25943"/>
		<updated>2024-08-31T02:11:49Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*[[User:Anwyll/Sandbox/DPL/FF1Notes]]&lt;br /&gt;
*[[User:Anwyll/Sandbox/DPL/FF2Notes]]&lt;br /&gt;
*[[User:Anwyll/Sandbox/DPL/DCBNotes]]&lt;br /&gt;
*[[User:Anwyll/Sandbox/DPL/DCB]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25942</id>
		<title>Headless Priests</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25942"/>
		<updated>2024-08-30T05:16:11Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Group&lt;br /&gt;
|image      = [[image:Headless priests bio.jpg|250px]]&lt;br /&gt;
|name       = Headless Priests&lt;br /&gt;
|kanji      = 首無し神官の霊 (くび なし しんかん の れい)&lt;br /&gt;
|aliases    = N/A&lt;br /&gt;
|age        = Various&lt;br /&gt;
|occupation = Priests&lt;br /&gt;
|purpose    = [[Himuro Family]] members that serve as priests to aid the [[Himuro Family Master]] in the secret rituals of [[Himuro Mansion]]&lt;br /&gt;
|rituals    = [[Strangling Ritual]], [[Blinding Ritual]] &amp;amp; [[Ceremony of the Ropes]]&lt;br /&gt;
|location   = [[Himuro Mansion]]&lt;br /&gt;
|tn         = 4 at the time of the [[Calamity]]&lt;br /&gt;
|games      = [[Fatal Frame]]}}The Headless Priests are four hostile ghosts in [[Fatal Frame]].&lt;br /&gt;
&lt;br /&gt;
==Role==&lt;br /&gt;
The priests were members of the [[Himuro family]], and acted as assistants to the [[Ceremony Master|Himuro Family Master]]. Their primary duty was to look after the [[Rope Shrine Maiden]] during her 10 years of isolation and ensure that she remained true to her cause. If they thought someone threatened the Rope Shrine Maiden&#039;s willingness to die they would inform the Himuro Family Master, who would decide the proper course of action to take.&lt;br /&gt;
&lt;br /&gt;
The priests would also take part in the [[Blinding Ritual]] and [[Strangling Ritual]]. During the Blinding Ritual, they would restrain the [[Shrine Maiden|maiden]] that was to become the [[Blinded Maiden|Blind Demon]] from moving while the Himuro Family Master applied the [[Blinding Mask]] to her.&lt;br /&gt;
&lt;br /&gt;
During the Strangling Ritual they would act as rope pullers, along with the Himuro Family Master. Each priest was assigned a letter in Sanskrit script, and each symbol represented one of the four limbs of the Rope Maiden, determining which rope the priest pulled.&lt;br /&gt;
&lt;br /&gt;
==Events of Fatal Frame==&lt;br /&gt;
The last four acting priests before the [[Calamity]] were the ones that looked after [[Kirie Himuro]]. These are also the four Headless Priests that are encountered in the game.&lt;br /&gt;
&lt;br /&gt;
Sometime during the last year of Kirie&#039;s confinement, the Himuro Family had a young male about Kirie&#039;s age visit the mansion. One day, Kirie and the [[Kirie&#039;s Lover|visitor]] got a glimpse of each other while he was walking out in the [[Cherry Atrium]]. He waved to her and she ducked down from the window of her [[Dungeon|cell]] in a fluster. When she told the chief priest what had happened, he was terribly surprised and told her not to look out the window again for a while.&lt;br /&gt;
&lt;br /&gt;
Some time in the same week, during Kirie&#039;s day to take a stroll out in the atrium, Kirie ran into the young guest and the two began to talk. This had been the first time she had talked to an outsider in 9 years. She began to fall in love with him after this meeting and the two of them tried to visit each other everyday.&lt;br /&gt;
&lt;br /&gt;
The priests didn&#039;t seem to think much of their daily meetings at first, as they didn&#039;t try very hard to prevent them. The only thing the chief priest asked them to do at first was not to go out into the garden together.&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The priests may have been trying to prevent the pair&#039;s meetings from being known to everyone in the mansion. The young guest disregarded the priests&#039; wishes and sneaked her out into the courtyard anyway. The priests&#039; outlook on the situation turned at this point. After a few days of these meetings they noticed Kirie&#039;s outlook on life began to change for the better; she seemed to be enjoying life, something a viable Rope Shrine Maiden shouldn&#039;t feel.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; They decided that they needed to take action.&lt;br /&gt;
&lt;br /&gt;
At first, they only tried to deter the young guest from seeing Kirie. The day after the guest sneaked Kirie out into the courtyard, the chief priest told the young guest that he could no longer visit Kirie, as she was too sick to have visitors.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;&amp;gt;[[Guest&#039;s Notes]], [[Fatal Frame&amp;lt;/ref&amp;gt; The chief priest also told Kirie that the young guest went home. She didn&#039;t believe them, but she couldn&#039;t figure out why they would lie to her.&amp;lt;ref name=&amp;quot;KD 4&amp;quot;&amp;gt;[[Kirie&#039;s Diary 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The guest refused to give up on seeing his love. He tried repeatedly to see Kirie but never was successful. Eventually his persistence came to a point where the priests told him that if he tried to see Kirie again he would be putting his life in danger.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The priests grew increasingly concerned about the situation on their hands. The young guest had grown too fond of Kirie and refused to give up on seeing her. They also knew that the young guest had affected Kirie&#039;s attitude towards living, so they decided to tell the [[Himuro Family Master]] what had been going on. He told them to eliminate him and dispose of his body.&lt;br /&gt;
&lt;br /&gt;
The Himuro Family Priests obeyed their master&#039;s orders. The next time the young guest approached [[Dungeon|Kirie&#039;s room]], they led him to the [[Abyss (FF1)|Abyss]] and murdered him there. They dumped his body there so that Kirie would never be able to find it. They regretted having to do it, but knew that it was their duty.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 2]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; However, Kirie realized what had happened and sank into depression, causing the priests to worry for the upcoming ritual.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On December 13, 1837, the priests escorted a struggling Kirie to the [[Rope Altar]], where they performed the [[Strangling Ritual]]. However, when they came to the [[Hell Gate]] to [[Ceremony of the Ropes|offer up]] the [[Laceration Rope|bloodied ropes]], the seal was broken and the [[Holy Mirror]] shattered. The mansion filled with [[Malice]], and the Himuro Family Master went insane.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; He began roaming the mansion, decapitating anyone he came across with his katana. All four of the Himuro Family Priests fell prey to the Family Master&#039;s blade. One was killed in the Cherry Atrium, another in the Abyss, another in the Backyard, and the final one in the Square Garden.&lt;br /&gt;
&lt;br /&gt;
After their deaths, the Himuro Family Priests&#039; spirits wandered the mansion, searching in vain for their missing heads. [[Miku Hinasaki]] encountered them during her quest to find her missing [[Mafuyu Hinasaki|brother]]. She managed to defeat all of them and move on with her quest. Their spirits are finally put to rest when Miku breaks the curse over the mansion.&lt;br /&gt;
&lt;br /&gt;
==Misc Info==&lt;br /&gt;
*The Himuro Family Master can be seen decapitating one of the Himuro Family Priests in a cut scene prior to fighting him for the first time.&lt;br /&gt;
*In Kirie&#039;s diaries, she refers to a &amp;quot;chief priest&amp;quot;&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;, which may give the impression that one of the four priests under the [[Himuro Family Master|Family Master]] had a role superior to the other three. However, in the Japanese text of [[Kirie&#039;s Diary 4|her fourth diary entry]], she uses this term in the plural form (宮司様たち; &#039;&#039;guuji-sama-tachi&#039;&#039;), suggesting that all four held this title. This would be consistent with [[Fatal Frame II: Crimson Butterfly|Crimson Butterfly]], in which all four [[Veiled Priests]] are called by this title. In both Crimson Butterfly and [[Fatal Frame: Mask of the Lunar Eclipse|Mask of the Lunar Eclipse]], the highest ranking priest ([[Ryokan Kurosawa]] and [[Shigeto Haibara]], respectively) bears the title &amp;quot;High Priest&amp;quot; (祭主; &#039;&#039;saishu&#039;&#039;), which may suggest the Family Master also held this rank. In the real world, this position superseding even the chief priests (宮司; &#039;&#039;guuji&#039;&#039;) is in use only at the [https://en.wikipedia.org/wiki/Ise_Shrine Ise Shrine].&lt;br /&gt;
*Kirie mentions in her [[Kirie&#039;s Diary 6|last diary]] that one of the priests, prior to the [[Strangling Ritual]], kept glancing at her with a look of sadness on his face. Which of the four priests this was is unknown.&lt;br /&gt;
*During fights, the Headless Priests can only take damage when their heads are visible.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* For other members of the &#039;&#039;Himuro family&#039;&#039;, see [[Himuro Family]].&lt;br /&gt;
* For other rituals in [[Fatal Frame]], see [[Fatal Frame Rituals]].&lt;br /&gt;
* For other hostile ghosts, see [[Hostile Ghosts]].&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Groups]]&lt;br /&gt;
[[Category:Fatal Frame Ghosts]]&lt;br /&gt;
[[Category:Terminology]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25941</id>
		<title>Headless Priests</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25941"/>
		<updated>2024-08-30T05:15:45Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Group&lt;br /&gt;
|image      = [[image:Headless priests bio.jpg|250px]]&lt;br /&gt;
|name       = Headless Priests&lt;br /&gt;
|kanji      = 首無し神官の霊 (くび なし しんかん の れい)&lt;br /&gt;
|aliases    = N/A&lt;br /&gt;
|age        = Various&lt;br /&gt;
|occupation = Priests&lt;br /&gt;
|purpose    = [[Himuro Family]] members that serve as priests to aid the [[Himuro Family Master]] in the secret rituals of [[Himuro Mansion]]&lt;br /&gt;
|rituals    = [[Strangling Ritual]], [[Blinding Ritual]] &amp;amp; [[Ceremony of the Ropes]]&lt;br /&gt;
|location   = [[Himuro Mansion]]&lt;br /&gt;
|tn         = 4 at the time of the [[Calamity]]&lt;br /&gt;
|games      = [[Fatal Frame]]}}The Headless Priests are four hostile ghosts in [[Fatal Frame]].&lt;br /&gt;
&lt;br /&gt;
==Role==&lt;br /&gt;
The priests were members of the [[Himuro family]], and acted as assistants to the [[Ceremony Master|Himuro Family Master]]. Their primary duty was to look after the [[Rope Shrine Maiden]] during her 10 years of isolation and ensure that she remained true to her cause. If they thought someone threatened the Rope Shrine Maiden&#039;s willingness to die they would inform the Himuro Family Master, who would decide the proper course of action to take.&lt;br /&gt;
&lt;br /&gt;
The priests would also take part in the [[Blinding Ritual]] and [[Strangling Ritual]]. During the Blinding Ritual, they would restrain the [[Shrine Maiden|maiden]] that was to become the [[Blinded Maiden|Blind Demon]] from moving while the Himuro Family Master applied the [[Blinding Mask]] to her.&lt;br /&gt;
&lt;br /&gt;
During the Strangling Ritual they would act as rope pullers, along with the Himuro Family Master. Each priest was assigned a letter in Sanskrit script, and each symbol represented one of the four limbs of the Rope Maiden, determining which rope the priest pulled.&lt;br /&gt;
&lt;br /&gt;
==Events of Fatal Frame==&lt;br /&gt;
The last four acting priests before the [[Calamity]] were the ones that looked after [[Kirie Himuro]]. These are also the four Headless Priests that are encountered in the game.&lt;br /&gt;
&lt;br /&gt;
Sometime during the last year of Kirie&#039;s confinement, the Himuro Family had a young male about Kirie&#039;s age visit the mansion. One day, Kirie and the [[Kirie&#039;s Lover|visitor]] got a glimpse of each other while he was walking out in the [[Cherry Atrium]]. He waved to her and she ducked down from the window of her [[Dungeon|cell]] in a fluster. When she told the chief priest what had happened, he was terribly surprised and told her not to look out the window again for a while.&lt;br /&gt;
&lt;br /&gt;
Some time in the same week, during Kirie&#039;s day to take a stroll out in the atrium, Kirie ran into the young guest and the two began to talk. This had been the first time she had talked to an outsider in 9 years. She began to fall in love with him after this meeting and the two of them tried to visit each other everyday.&lt;br /&gt;
&lt;br /&gt;
The priests didn&#039;t seem to think much of their daily meetings at first, as they didn&#039;t try very hard to prevent them. The only thing the chief priest asked them to do at first was not to go out into the garden together.&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The priests may have been trying to prevent the pair&#039;s meetings from being known to everyone in the mansion. The young guest disregarded the priests&#039; wishes and sneaked her out into the courtyard anyway. The priests&#039; outlook on the situation turned at this point. After a few days of these meetings they noticed Kirie&#039;s outlook on life began to change for the better; she seemed to be enjoying life, something a viable Rope Shrine Maiden shouldn&#039;t feel.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; They decided that they needed to take action.&lt;br /&gt;
&lt;br /&gt;
At first, they only tried to deter the young guest from seeing Kirie. The day after the guest sneaked Kirie out into the courtyard, the chief priest told the young guest that he could no longer visit Kirie, as she was too sick to have visitors.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;&amp;gt;[[Guest&#039;s Notes]], [[Fatal Frame&amp;lt;/ref&amp;gt; The chief priest also told Kirie that the young guest went home. She didn&#039;t believe them, but she couldn&#039;t figure out why they would lie to her.&amp;lt;ref name=&amp;quot;KD 4&amp;quot;&amp;gt;[[Kirie&#039;s Diary 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The guest refused to give up on seeing his love. He tried repeatedly to see Kirie but never was successful. Eventually his persistence came to a point where the priests told him that if he tried to see Kirie again he would be putting his life in danger.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The priests grew increasingly concerned about the situation on their hands. The young guest had grown too fond of Kirie and refused to give up on seeing her. They also knew that the young guest had affected Kirie&#039;s attitude towards living, so they decided to tell the [[Himuro Family Master]] what had been going on. He told them to eliminate him and dispose of his body.&lt;br /&gt;
&lt;br /&gt;
The Himuro Family Priests obeyed their master&#039;s orders. The next time the young guest approached [[Dungeon|Kirie&#039;s room]], they led him to the [[Abyss (FF1)|Abyss]] and murdered him there. They dumped his body there so that Kirie would never be able to find it. They regretted having to do it, but knew that it was their duty.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 2]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; However, Kirie realized what had happened and sank into depression, causing the priests to worry for the upcoming ritual.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On December 13, 1837, the priests escorted a struggling Kirie to the [[Rope Altar]], where they performed the [[Strangling Ritual]]. However, when they came to the [[Hell Gate]] to [[Ceremony of the Ropes|offer up]] the [[Laceration Rope|bloodied ropes]], the seal was broken and the [[Holy Mirror]] shattered. The mansion filled with [[Malice]], and the Himuro Family Master went insane.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; He began roaming the mansion, decapitating anyone he came across with his katana. All four of the Himuro Family Priests fell prey to the Family Master&#039;s blade. One was killed in the Cherry Atrium, another in the Abyss, another in the Backyard, and the final one in the Square Garden.&lt;br /&gt;
&lt;br /&gt;
After their deaths, the Himuro Family Priests&#039; spirits wandered the mansion, searching in vain for their missing heads. [[Miku Hinasaki]] encountered them during her quest to find her missing [[Mafuyu Hinasaki|brother]]. She managed to defeat all of them and move on with her quest. Their spirits are finally put to rest when Miku breaks the curse over the mansion.&lt;br /&gt;
&lt;br /&gt;
==Misc Info==&lt;br /&gt;
*The Himuro Family Master can be seen decapitating one of the Himuro Family Priests in a cut scene prior to fighting him for the first time.&lt;br /&gt;
*In Kirie&#039;s notes, she refers to a &amp;quot;chief priest&amp;quot;&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;, which may give the impression that one of the four priests under the [[Himuro Family Master|Family Master]] had a role superior to the other three. However, in the Japanese text of [[Kirie&#039;s Diary 4|her fourth diary entry]], she uses this term in the plural form (宮司様たち; &#039;&#039;guuji-sama-tachi&#039;&#039;), suggesting that all four held this title. This would be consistent with [[Fatal Frame II: Crimson Butterfly|Crimson Butterfly]], in which all four [[Veiled Priests]] are called by this title. In both Crimson Butterfly and [[Fatal Frame: Mask of the Lunar Eclipse|Mask of the Lunar Eclipse]], the highest ranking priest ([[Ryokan Kurosawa]] and [[Shigeto Haibara]], respectively) bears the title &amp;quot;High Priest&amp;quot; (祭主; &#039;&#039;saishu&#039;&#039;), which may suggest the Family Master also held this rank. In the real world, this position superseding even the chief priests (宮司; &#039;&#039;guuji&#039;&#039;) is in use only at the [https://en.wikipedia.org/wiki/Ise_Shrine Ise Shrine].&lt;br /&gt;
*Kirie mentions in her [[Kirie&#039;s Diary 6|last diary]] that one of the priests, prior to the [[Strangling Ritual]], kept glancing at her with a look of sadness on his face. Which of the four priests this was is unknown.&lt;br /&gt;
*During fights, the Headless Priests can only take damage when their heads are visible.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* For other members of the &#039;&#039;Himuro family&#039;&#039;, see [[Himuro Family]].&lt;br /&gt;
* For other rituals in [[Fatal Frame]], see [[Fatal Frame Rituals]].&lt;br /&gt;
* For other hostile ghosts, see [[Hostile Ghosts]].&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Groups]]&lt;br /&gt;
[[Category:Fatal Frame Ghosts]]&lt;br /&gt;
[[Category:Terminology]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25940</id>
		<title>Headless Priests</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Headless_Priests&amp;diff=25940"/>
		<updated>2024-08-30T05:07:41Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Updated Note&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Group&lt;br /&gt;
|image      = [[image:Headless priests bio.jpg|250px]]&lt;br /&gt;
|name       = Headless Priests&lt;br /&gt;
|kanji      = 首無し神官の霊 (くび なし しんかん の れい)&lt;br /&gt;
|aliases    = N/A&lt;br /&gt;
|age        = Various&lt;br /&gt;
|occupation = Priests&lt;br /&gt;
|purpose    = [[Himuro Family]] members that serve as priests to aid the [[Himuro Family Master]] in the secret rituals of [[Himuro Mansion]]&lt;br /&gt;
|rituals    = [[Strangling Ritual]], [[Blinding Ritual]] &amp;amp; [[Ceremony of the Ropes]]&lt;br /&gt;
|location   = [[Himuro Mansion]]&lt;br /&gt;
|tn         = 4 at the time of the [[Calamity]]&lt;br /&gt;
|games      = [[Fatal Frame]]}}The Headless Priests are four hostile ghosts in [[Fatal Frame]].&lt;br /&gt;
&lt;br /&gt;
==Role==&lt;br /&gt;
The priests were members of the [[Himuro family]], and acted as assistants to the [[Ceremony Master|Himuro Family Master]]. Their primary duty was to look after the [[Rope Shrine Maiden]] during her 10 years of isolation and ensure that she remained true to her cause. If they thought someone threatened the Rope Shrine Maiden&#039;s willingness to die they would inform the Himuro Family Master, who would decide the proper course of action to take.&lt;br /&gt;
&lt;br /&gt;
The priests would also take part in the [[Blinding Ritual]] and [[Strangling Ritual]]. During the Blinding Ritual, they would restrain the [[Shrine Maiden|maiden]] that was to become the [[Blinded Maiden|Blind Demon]] from moving while the Himuro Family Master applied the [[Blinding Mask]] to her.&lt;br /&gt;
&lt;br /&gt;
During the Strangling Ritual they would act as rope pullers, along with the Himuro Family Master. Each priest was assigned a letter in Sanskrit script, and each symbol represented one of the four limbs of the Rope Maiden, determining which rope the priest pulled.&lt;br /&gt;
&lt;br /&gt;
==Events of Fatal Frame==&lt;br /&gt;
The last four acting priests before the [[Calamity]] were the ones that looked after [[Kirie Himuro]]. These are also the four Headless Priests that are encountered in the game.&lt;br /&gt;
&lt;br /&gt;
Sometime during the last year of Kirie&#039;s confinement, the Himuro Family had a young male about Kirie&#039;s age visit the mansion. One day, Kirie and the [[Kirie&#039;s Lover|visitor]] got a glimpse of each other while he was walking out in the [[Cherry Atrium]]. He waved to her and she ducked down from the window of her [[Dungeon|cell]] in a fluster. When she told the chief priest what had happened, he was terribly surprised and told her not to look out the window again for a while.&lt;br /&gt;
&lt;br /&gt;
Some time in the same week, during Kirie&#039;s day to take a stroll out in the atrium, Kirie ran into the young guest and the two began to talk. This had been the first time she had talked to an outsider in 9 years. She began to fall in love with him after this meeting and the two of them tried to visit each other everyday.&lt;br /&gt;
&lt;br /&gt;
The priests didn&#039;t seem to think much of their daily meetings at first, as they didn&#039;t try very hard to prevent them. The only thing the chief priest asked them to do at first was not to go out into the garden together.&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The priests may have been trying to prevent the pair&#039;s meetings from being known to everyone in the mansion. The young guest disregarded the priests&#039; wishes and sneaked her out into the courtyard anyway. The priests&#039; outlook on the situation turned at this point. After a few days of these meetings they noticed Kirie&#039;s outlook on life began to change for the better; she seemed to be enjoying life, something a viable Rope Shrine Maiden shouldn&#039;t feel.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; They decided that they needed to take action.&lt;br /&gt;
&lt;br /&gt;
At first, they only tried to deter the young guest from seeing Kirie. The day after the guest sneaked Kirie out into the courtyard, the chief priest told the young guest that he could no longer visit Kirie, as she was too sick to have visitors.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;&amp;gt;[[Guest&#039;s Notes]], [[Fatal Frame&amp;lt;/ref&amp;gt; The chief priest also told Kirie that the young guest went home. She didn&#039;t believe them, but she couldn&#039;t figure out why they would lie to her.&amp;lt;ref name=&amp;quot;KD 4&amp;quot;&amp;gt;[[Kirie&#039;s Diary 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; The guest refused to give up on seeing his love. He tried repeatedly to see Kirie but never was successful. Eventually his persistence came to a point where the priests told him that if he tried to see Kirie again he would be putting his life in danger.&amp;lt;ref name=&amp;quot;Guest&#039;s Notes&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The priests grew increasingly concerned about the situation on their hands. The young guest had grown too fond of Kirie and refused to give up on seeing her. They also knew that the young guest had affected Kirie&#039;s attitude towards living, so they decided to tell the [[Himuro Family Master]] what had been going on. He told them to eliminate him and dispose of his body.&lt;br /&gt;
&lt;br /&gt;
The Himuro Family Priests obeyed their master&#039;s orders. The next time the young guest approached [[Dungeon|Kirie&#039;s room]], they led him to the [[Abyss (FF1)|Abyss]] and murdered him there. They dumped his body there so that Kirie would never be able to find it. They regretted having to do it, but knew that it was their duty.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 2]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; However, Kirie realized what had happened and sank into depression, causing the priests to worry for the upcoming ritual.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 3]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On December 13, 1837, the priests escorted a struggling Kirie to the [[Rope Altar]], where they performed the [[Strangling Ritual]]. However, when they came to the [[Hell Gate]] to [[Ceremony of the Ropes|offer up]] the [[Laceration Rope|bloodied ropes]], the seal was broken and the [[Holy Mirror]] shattered. The mansion filled with [[Malice]], and the Himuro Family Master went insane.&amp;lt;ref&amp;gt;[[Priest&#039;s Writings 4]], [[Fatal Frame]]&amp;lt;/ref&amp;gt; He began roaming the mansion, decapitating anyone he came across with his katana. All four of the Himuro Family Priests fell prey to the Family Master&#039;s blade. One was killed in the Cherry Atrium, another in the Abyss, another in the Backyard, and the final one in the Square Garden.&lt;br /&gt;
&lt;br /&gt;
After their deaths, the Himuro Family Priests&#039; spirits wandered the mansion, searching in vain for their missing heads. [[Miku Hinasaki]] encountered them during her quest to find her missing [[Mafuyu Hinasaki|brother]]. She managed to defeat all of them and move on with her quest. Their spirits are finally put to rest when Miku breaks the curse over the mansion.&lt;br /&gt;
&lt;br /&gt;
==Misc Info==&lt;br /&gt;
*The Himuro Family Master can be seen decapitating one of the Himuro Family Priests in a cut scene prior to fighting him for the first time.&lt;br /&gt;
*In Kirie&#039;s notes, she refers to a &amp;quot;chief priest&amp;quot;&amp;lt;ref&amp;gt;[[Kirie&#039;s Diary 1]], [[Fatal Frame]]&amp;lt;/ref&amp;gt;, which may give the impression that one of the four priests under the [[Himuro Family Master|Family Master]] had a role superior to the other three. However, in the Japanese text of [[Kirie&#039;s Diary 4|her fourth diary entry]], she uses this term in the plural form (宮司様たち; &#039;&#039;guuji-sama-tachi&#039;&#039;), suggesting that all four held this title. This would be consistent with [[Fatal Frame II: Crimson Butterfly|Crimson Butterfly]], in which all four [[Veiled Priests]] are called by this title. In both Crimson Butterfly and [[Fatal Frame: Mask of the Lunar Eclipse|Mask of the Lunar Eclipse]], the highest ranking priest ([[Ryokan Kurosawa]] and [[Shigeto Haibara]], respectively) bears the title &amp;quot;High Priest&amp;quot; (祭主; &#039;&#039;saishu&#039;&#039;), which may suggest the Family Master also held this rank. In the real-world, this position superseding even the chief priests (宮司; &#039;&#039;guuji&#039;&#039;) is in use only at the [https://en.wikipedia.org/wiki/Ise_Shrine Ise Shrine].&lt;br /&gt;
*Kirie mentions in her [[Kirie&#039;s Diary 6|last diary]] that one of the priests, prior to the [[Strangling Ritual]], kept glancing at her with a look of sadness on his face. Which of the four priests this was is unknown.&lt;br /&gt;
*During fights, the Headless Priests can only take damage when their heads are visible.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
* For other members of the &#039;&#039;Himuro family&#039;&#039;, see [[Himuro Family]].&lt;br /&gt;
* For other rituals in [[Fatal Frame]], see [[Fatal Frame Rituals]].&lt;br /&gt;
* For other hostile ghosts, see [[Hostile Ghosts]].&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{FF}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Groups]]&lt;br /&gt;
[[Category:Fatal Frame Ghosts]]&lt;br /&gt;
[[Category:Terminology]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25939</id>
		<title>Black Notebook Scrap 5</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25939"/>
		<updated>2024-08-29T22:18:20Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 5&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 五&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = Backyard&lt;br /&gt;
| obtained       = On top of gravestone&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 5 - [[Holy Mirror]], mystery of the [[Himuro Mansion|mansion]]&lt;br /&gt;
| adddescription = On top of the gravestone is a piece of a notebook in a plastic bag.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 6]]&lt;br /&gt;
| english        = Sept 14th - 8:00 pm:&amp;lt;br&amp;gt;&lt;br /&gt;
In the materials [[Tomoe Hirasaka|Tomoe]] gathered for me, there&#039;s a paragraph about five pieces of mirror passed down through the [[Himuro family]] for generations. These pieces were said to seal off the [[Hell Gate]] and protect the region from a great [[Calamity|disaster]]. They might have something to do with the current hellish situation. Five holy mirrors in shrines around the area all broke in a small earthquake the other day.&lt;br /&gt;
&lt;br /&gt;
When I heard about it, it gave me the idea for this next work of mine. I think I brought a [[News Clipping (FF1)|news article]] about it with me when I came here. It says there were only five holy mirrors in existence. But according to some legends, there is another - the True [[Holy Mirror]].&lt;br /&gt;
&lt;br /&gt;
The [[Ryozo Munakata|folklorist]] also mentions this in his [[Research Scrap 4|research documents]], the one I found here in the [[Himuro Mansion|mansion]]. (I think I dropped the research when I was trying to escape that [[Kirie Himuro|cursed woman]].) Here are my theories. I think that the five mirrors that were destroyed in the earthquake the other day had the role of &#039;watching over&#039; the True Holy Mirror. I don&#039;t think it was the earthquake that broke the five holy mirrors in the shrines. I think it was the signal that the seal on the Hell Gate that the Himuro True Holy Mirror provides had broken for some reason. The five mirrors were trying to warn us.&lt;br /&gt;
| japanese       = &#039;&#039;&#039;９月１４日　２０：００&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
巴くんが集めてくれた資料の中に、&lt;br /&gt;
氷室家に伝わる五枚の鏡についての一節がある。&lt;br /&gt;
&lt;br /&gt;
その鏡は、この地方の災厄をはらい、&lt;br /&gt;
異界との門を封じる、とされている。&lt;br /&gt;
この異常事態の原因は、その鏡ではないか。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
先日の小さな地震で、この地方にある&lt;br /&gt;
５つの神社の御神鏡が全て壊れた。&lt;br /&gt;
私が今回の作品を思いついたのも、そ&lt;br /&gt;
の出来事を知ったことがきっかけだ。&lt;br /&gt;
&lt;br /&gt;
たしか、持ってきた資料の中に新聞記&lt;br /&gt;
事が入っていたはずだ。&lt;br /&gt;
&lt;br /&gt;
現存する御神鏡は五枚、とされている&lt;br /&gt;
が、一部の伝承にはもう一枚、「本体」&lt;br /&gt;
の鏡が存在すると言われる。&lt;br /&gt;
屋敷内でみつけた、民俗学者の研究書&lt;br /&gt;
にも、そういう記述があった。&lt;br /&gt;
（その研究書は、あの女から逃れる間に、&lt;br /&gt;
どこかで落してしまったようだが）&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ここからは、私の推論になる。&lt;br /&gt;
先日、地震で破壊されたと言う、その&lt;br /&gt;
五枚の鏡は、本体の鏡を「監視」する役&lt;br /&gt;
割だったのでは、ということだ。&lt;br /&gt;
五枚の鏡が割れた原因は、地震などで&lt;br /&gt;
はなく、本体である「氷室御神鏡」の封&lt;br /&gt;
印が、何らかの理由で壊れた印であり、&lt;br /&gt;
その事を我々に知らせる警鐘だったの&lt;br /&gt;
ではないか。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*There is a possible error in the English translation. Takamine refers to &amp;quot;five pieces of mirror&amp;quot; passed down through the Himuro family. In the Japanese text, this is simply &amp;quot;five mirrors&amp;quot; (五枚の鏡). He appears to be referring to the mirrors in the five peripheral shrines, as the mirror was not in pieces until the Calamity and, after that, there was no Himuro family to pass the pieces down through. Though he lost the relevant [[News Clipping (FF1)|news clipping]] and [[Research Scrap 4|research scrap]] by [[Ryozo Munakata]], he infers that the shrine mirrors &amp;quot;watched over&amp;quot; the seal from the &amp;quot;main mirror&amp;quot; and warned if it was broken. He does not appear to know that the mirror itself is broken (which may be why [[Tomoe Hirasaka|Hirasaka]]&#039;s ghost is insistent that Miku &amp;quot;tell him&amp;quot;. However, this is possibly contradicted by the guidebook, which states, &amp;quot;Takamine had determined that the only way to be rid of the curse was to return the Holy Mirror, broken into five pieces, to its previous state, and set about doing so with all of his might.&amp;quot;[http://fftranslations.atspace.co.uk/ff/ff1story.html]&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25938</id>
		<title>Black Notebook Scrap 6</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25938"/>
		<updated>2024-08-29T22:17:56Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Clarifying Note&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 6&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 六&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Narukami Shrine]]&lt;br /&gt;
| obtained       = Outside, after defeating Takamine&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 6 - Takamine&#039;s last hope&lt;br /&gt;
| adddescription = There is a notebook on the staircase. Most of the pages have been torn out.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 5]]&lt;br /&gt;
| english        = I&#039;m about to go to the [[Narukami Shrine|shrine]] deep within [[Himuro Mansion]], where they say a piece of the true [[Holy Mirror|holy mirror]] is kept. The curse has already left its mark on my four limbs. There&#039;s no escaping it. About the only thing left now that I can do is try to reseal the [[Hell Gate]]. It&#039;s my last hope. I&#039;ve already found four of the [[Buddha statues]] I need to get a [[Mirror Piece 1|piece of the mirror]]. And I&#039;ve managed to find an old document that tells of the location of the fifth statue.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;Make observance to the Buddha,&lt;br /&gt;
&#039;&#039;At the base of the large gate,&lt;br /&gt;
&#039;&#039;So that the souls of the piteous [[Rope Shrine Maidens|maidens]],&lt;br /&gt;
&#039;&#039;Can reach up to the heavens.&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
If all goes well, no one will ever have to read these notes, and I can use them towards the content of my next book. In closing, I would like to thank my assistant and my partner, [[Tomoe Hirasaka]]. If it weren&#039;t for the words she left with me, I wouldn&#039;t have been able to complete this, my final work. If I don&#039;t return, please give her a decent burial.&lt;br /&gt;
&lt;br /&gt;
Signed: [[Junsei Takamine]], September 15th&lt;br /&gt;
| japanese       = これから私は、御神鏡が納められたと&lt;br /&gt;
される、氷室邸奥の神社へ向かう。&lt;br /&gt;
呪いにより四肢が縛られ、逃げること&lt;br /&gt;
もかなわぬ私にできることは&lt;br /&gt;
&lt;br /&gt;
::::「壊れた封印を元に戻す」&lt;br /&gt;
&lt;br /&gt;
という、わずかな望みに掛けるしかないからだ。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
鏡を手に入れるために必要とされる仏&lt;br /&gt;
像は、既に４体まで発見した。&lt;br /&gt;
&lt;br /&gt;
残り一体の場所に関する古文書も発見している。&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;哀レナル巫女ノ魂ガ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::&#039;&#039;神ノ御前ニ届ク様&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:::&#039;&#039;大イナル鳥ノ足元ニ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::::&#039;&#039;ソノ御仏ヲ奉ラン&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
上手くいけば、このメモは誰にも読ま&lt;br /&gt;
れず、私の次回作のプロットとなるはずだ。&lt;br /&gt;
&lt;br /&gt;
最後に、私の助手であり、パートナー&lt;br /&gt;
でもあった平坂巴くんに、感謝の意を表&lt;br /&gt;
しておきたい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
彼女の残してくれた言葉がなければ、&lt;br /&gt;
私は、この最後の作品を残すことさえ、&lt;br /&gt;
できなかっただろう。&lt;br /&gt;
&lt;br /&gt;
もし私が戻っていなければ、彼女を手&lt;br /&gt;
厚く葬ってやってほしい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
:::::９月１５日　高峰準星&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*There is a possible error in the English translation. Takamine refers to &amp;quot;a piece&amp;quot; of the mirror. In the Japanese text, this is simply, &amp;quot;the (true) Holy Mirror&amp;quot; (御神鏡). In the Japanese text, Takamine knows that the seal associated with the mirror is broken, but may not know that the mirror itself is broken (which may be why [[Tomoe Hirasaka|Hirasaka]]&#039;s ghost is insistent that Miku &amp;quot;tell him&amp;quot;. However, this is possibly contradicted by the guidebook, which states, &amp;quot;Takamine had determined that the only way to be rid of the curse was to return the Holy Mirror, broken into five pieces, to its previous state, and set about doing so with all of his might.&amp;quot;[http://fftranslations.atspace.co.uk/ff/ff1story.html]&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25937</id>
		<title>Black Notebook Scrap 5</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25937"/>
		<updated>2024-08-29T22:16:16Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Clarifying Note&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 5&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 五&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = Backyard&lt;br /&gt;
| obtained       = On top of gravestone&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 5 - [[Holy Mirror]], mystery of the [[Himuro Mansion|mansion]]&lt;br /&gt;
| adddescription = On top of the gravestone is a piece of a notebook in a plastic bag.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 6]]&lt;br /&gt;
| english        = Sept 14th - 8:00 pm:&amp;lt;br&amp;gt;&lt;br /&gt;
In the materials [[Tomoe Hirasaka|Tomoe]] gathered for me, there&#039;s a paragraph about five pieces of mirror passed down through the [[Himuro family]] for generations. These pieces were said to seal off the [[Hell Gate]] and protect the region from a great [[Calamity|disaster]]. They might have something to do with the current hellish situation. Five holy mirrors in shrines around the area all broke in a small earthquake the other day.&lt;br /&gt;
&lt;br /&gt;
When I heard about it, it gave me the idea for this next work of mine. I think I brought a [[News Clipping (FF1)|news article]] about it with me when I came here. It says there were only five holy mirrors in existence. But according to some legends, there is another - the True [[Holy Mirror]].&lt;br /&gt;
&lt;br /&gt;
The [[Ryozo Munakata|folklorist]] also mentions this in his [[Research Scrap 4|research documents]], the one I found here in the [[Himuro Mansion|mansion]]. (I think I dropped the research when I was trying to escape that [[Kirie Himuro|cursed woman]].) Here are my theories. I think that the five mirrors that were destroyed in the earthquake the other day had the role of &#039;watching over&#039; the True Holy Mirror. I don&#039;t think it was the earthquake that broke the five holy mirrors in the shrines. I think it was the signal that the seal on the Hell Gate that the Himuro True Holy Mirror provides had broken for some reason. The five mirrors were trying to warn us.&lt;br /&gt;
| japanese       = &#039;&#039;&#039;９月１４日　２０：００&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
巴くんが集めてくれた資料の中に、&lt;br /&gt;
氷室家に伝わる五枚の鏡についての一節がある。&lt;br /&gt;
&lt;br /&gt;
その鏡は、この地方の災厄をはらい、&lt;br /&gt;
異界との門を封じる、とされている。&lt;br /&gt;
この異常事態の原因は、その鏡ではないか。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
先日の小さな地震で、この地方にある&lt;br /&gt;
５つの神社の御神鏡が全て壊れた。&lt;br /&gt;
私が今回の作品を思いついたのも、そ&lt;br /&gt;
の出来事を知ったことがきっかけだ。&lt;br /&gt;
&lt;br /&gt;
たしか、持ってきた資料の中に新聞記&lt;br /&gt;
事が入っていたはずだ。&lt;br /&gt;
&lt;br /&gt;
現存する御神鏡は五枚、とされている&lt;br /&gt;
が、一部の伝承にはもう一枚、「本体」&lt;br /&gt;
の鏡が存在すると言われる。&lt;br /&gt;
屋敷内でみつけた、民俗学者の研究書&lt;br /&gt;
にも、そういう記述があった。&lt;br /&gt;
（その研究書は、あの女から逃れる間に、&lt;br /&gt;
どこかで落してしまったようだが）&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ここからは、私の推論になる。&lt;br /&gt;
先日、地震で破壊されたと言う、その&lt;br /&gt;
五枚の鏡は、本体の鏡を「監視」する役&lt;br /&gt;
割だったのでは、ということだ。&lt;br /&gt;
五枚の鏡が割れた原因は、地震などで&lt;br /&gt;
はなく、本体である「氷室御神鏡」の封&lt;br /&gt;
印が、何らかの理由で壊れた印であり、&lt;br /&gt;
その事を我々に知らせる警鐘だったの&lt;br /&gt;
ではないか。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*There is a possible error in the English translation. Takamine refers to &amp;quot;five pieces of mirror&amp;quot; passed down through the Himuro family. In the Japanese text, this is simply &amp;quot;five mirrors&amp;quot; (五枚の鏡). He appears to be referring to the mirrors in the five peripheral shrines, as the mirror was not in pieces until the Calamity and, after that, there was no Himuro family to pass the pieces down through. Though he lost the relevant [[News Clipping (FF1)|news clipping]] and [[Research Scrap 4|research scrap]] by [[Ryozo Munakata]], he infers that the shrine mirrors &amp;quot;watched over&amp;quot; the seal from the &amp;quot;main mirror&amp;quot; and warned if it was broken. He does not appear to know that the mirror itself is broken (which may be why [[Tomoe Hirasaka|Hirasaka]]&#039;s ghost is insistent that Miku &amp;quot;tell him&amp;quot;. However, this is possibly contradicted by the guidebook which says, &amp;quot;Takamine had determined that the only way to be rid of the curse was to return the Holy Mirror, broken into five pieces, to its previous state, and set about doing so with all of his might.&amp;quot;[http://fftranslations.atspace.co.uk/ff/ff1story.html]&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_1&amp;diff=25933</id>
		<title>Red Tape 1</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_1&amp;diff=25933"/>
		<updated>2024-08-24T10:49:59Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Fixed transcript of background voice.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 1&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ 一&lt;br /&gt;
| kana           = あかいテープ いち&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = Anteroom&lt;br /&gt;
| obtained       = In front of the dolls on the chest of drawers.&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 1&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 1&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 2]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 10th - 10:20 AM:&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;We discovered some disturbing photos in a chest of drawers. &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[Hurry! ... Hurry!]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; Could these be the [[Ryozo Munakata|folklorist&#039;s]] children mentioned in [[Koji Ogata|Koji&#039;s]] notes? The photo is quite old, and shows some kids playing [[Demon Tag|tag]]. In the corner of the photo there&#039;s a faint image of a young [[White Kimono|girl]] in a white kimono. Her finger is pointed this way and she looks as if she&#039;s making some silent accusation &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[Please! Stop me...!]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039;...&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１０日　１０時２０分&lt;br /&gt;
&lt;br /&gt;
箪笥は引き出すから見つけた写真に、気になるものが写っている。緒方氏のメモにあった、ここに住んでいたという民俗学者の子供たちのだろうか。相当古い写真で、子供たちが鬼ごっこをしている者だ。写真の隅に、白い着物を着た幼い少女が薄ら写り込んでいる。この少女はこちらを指差し、その目は何か訴えているように思える。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note:==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[White Kimono]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25932</id>
		<title>Red Tape 2</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25932"/>
		<updated>2024-08-24T10:46:33Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 2&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ ニ&lt;br /&gt;
| kana           = あかいテープ に&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Cherry Atrium]]&lt;br /&gt;
| obtained       = On the steps to the [[Moon Shrine]].&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 2&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 2&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 11th - 8:16 PM:&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same...]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; We looked all over the [[Himuro Mansion|mansion]], but we still couldn&#039;t find [[Koji Ogata|Koji]]. While true that this mansion is huge, I&#039;m certain we would have found him by now... Could he have already left? &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[The rope is [unknown word]... It strangles... *Laughing*]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; He&#039;s been saying something about &#039;more ropes&#039; since we took some [[Editor&#039;s Photo|photos]] yesterday.&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１１日　８時１６分&lt;br /&gt;
&lt;br /&gt;
屋敷の隅々まで探したが、緒方さんは依然として見つからない。いくら広いとはいえ、同じ屋敷にいて見つからないはずはないのだけれど。先に帰ってしまったのだろうか。昨日、写真を撮ってから、うわ言のように「縄が増えた」と言っていたようだけど。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[Kirie]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25931</id>
		<title>Red Tape 2</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25931"/>
		<updated>2024-08-24T10:46:21Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 2&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ ニ&lt;br /&gt;
| kana           = あかいテープ に&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Cherry Atrium]]&lt;br /&gt;
| obtained       = On the steps to the [[Moon Shrine]].&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 2&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 2&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 11th - 8:16 PM:&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; We looked all over the [[Himuro Mansion|mansion]], but we still couldn&#039;t find [[Koji Ogata|Koji]]. While true that this mansion is huge, I&#039;m certain we would have found him by now... Could he have already left? &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[The rope is [unknown word]... It strangles... *Laughing*]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; He&#039;s been saying something about &#039;more ropes&#039; since we took some [[Editor&#039;s Photo|photos]] yesterday.&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１１日　８時１６分&lt;br /&gt;
&lt;br /&gt;
屋敷の隅々まで探したが、緒方さんは依然として見つからない。いくら広いとはいえ、同じ屋敷にいて見つからないはずはないのだけれど。先に帰ってしまったのだろうか。昨日、写真を撮ってから、うわ言のように「縄が増えた」と言っていたようだけど。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[Kirie]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_4&amp;diff=25930</id>
		<title>Red Tape 4</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_4&amp;diff=25930"/>
		<updated>2024-08-24T10:44:25Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Fixed transcript of background voice.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 4&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ 四&lt;br /&gt;
| kana           = あかいテープ し&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Fish Tank Room]]&lt;br /&gt;
| obtained       = Defeat Tomoe&#039;s ghost&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 4&amp;quot; on the label&lt;br /&gt;
| adddescription = A red audio tape. Only a little bit of it has been used.&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 2]], &amp;amp; [[Red Tape 3]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;Since I met that [[Kirie Himuro|girl]], I&#039;ve seen many strange visions. All the ghosts in the [[Himuro Mansion|mansion]] howl and scream at me... &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[You won&#039;t escape!]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; I don&#039;t think they&#039;ll ever let me out of this mansion. I don&#039;t even know how long I can hold onto my sanity. Anyway... I&#039;m leaving this tape. If ever someone listens to this... Please! Tell me what has happened to me! ... &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[You will suffer, too...]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; Still... I hope it&#039;s just a dream...&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = あの女を見てから、様々な幻覚を見る。屋敷中の霊があたしに訴えかけてくる。あたしはもう、この屋敷から出られない・・・だろう。いつまで正気を保っていられるかさえわからない。とにかく、このテープを残す。誰かが聞いてくれているのであれば、その時に私にどうなっているのか、教えて欲しい。でも、できれば、夢であって&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[Kirie]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25929</id>
		<title>Red Tape 2</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25929"/>
		<updated>2024-08-24T10:39:16Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 2&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ ニ&lt;br /&gt;
| kana           = あかいテープ に&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Cherry Atrium]]&lt;br /&gt;
| obtained       = On the steps to the [[Moon Shrine]].&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 2&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 2&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 11th - 8:16 PM:&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039;&#039;&#039; We looked all over the [[Himuro Mansion|mansion]], but we still couldn&#039;t find [[Koji Ogata|Koji]]. While true that this mansion is huge, I&#039;m certain we would have found him by now... Could he have already left? &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[The rope is [unknown word]... It strangles... *Laughing*]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; He&#039;s been saying something about &#039;more ropes&#039; since we took some [[Editor&#039;s Photo|photos]] yesterday.&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１１日　８時１６分&lt;br /&gt;
&lt;br /&gt;
屋敷の隅々まで探したが、緒方さんは依然として見つからない。いくら広いとはいえ、同じ屋敷にいて見つからないはずはないのだけれど。先に帰ってしまったのだろうか。昨日、写真を撮ってから、うわ言のように「縄が増えた」と言っていたようだけど。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[Kirie]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25928</id>
		<title>Red Tape 2</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25928"/>
		<updated>2024-08-24T10:39:04Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 2&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ ニ&lt;br /&gt;
| kana           = あかいテープ に&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Cherry Atrium]]&lt;br /&gt;
| obtained       = On the steps to the [[Moon Shrine]].&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 2&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 2&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 11th - 8:16 PM:&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039;&#039;&#039; We looked all over the [[Himuro Mansion|mansion]], but we still couldn&#039;t find [[Koji Ogata|Koji]]. While true that this mansion is huge, I&#039;m certain we would have found him by now... Could he have already left? &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[The rope is [unknown word]... It strangles... *Laughing*]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; He&#039;s been saying something about &#039;more ropes&#039; since we took some [[Editor&#039;s Photo|photos]] yesterday.&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１１日　８時１６分&lt;br /&gt;
&lt;br /&gt;
屋敷の隅々まで探したが、緒方さんは依然として見つからない。いくら広いとはいえ、同じ屋敷にいて見つからないはずはないのだけれど。先に帰ってしまったのだろうか。昨日、写真を撮ってから、うわ言のように「縄が増えた」と言っていたようだけど。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of Kirie can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25927</id>
		<title>Red Tape 2</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_2&amp;diff=25927"/>
		<updated>2024-08-24T10:38:55Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Fixed transcript of background voice.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 2&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ ニ&lt;br /&gt;
| kana           = あかいテープ に&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Cherry Atrium]]&lt;br /&gt;
| obtained       = On the steps to the [[Moon Shrine]].&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 2&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 2&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 3]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 11th - 8:16 PM:&#039;&#039;&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039;&#039;&#039; We looked all over the [[Himuro Mansion|mansion]], but we still couldn&#039;t find [[Koji Ogata|Koji]]. While true that this mansion is huge, I&#039;m certain we would have found him by now... Could he have already left? &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[The rope is [unknown word]... It strangles... *Laughing*]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; He&#039;s been saying something about &#039;more ropes&#039; since we took some [[Editor&#039;s Photo|photos]] yesterday.&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１１日　８時１６分&lt;br /&gt;
&lt;br /&gt;
屋敷の隅々まで探したが、緒方さんは依然として見つからない。いくら広いとはいえ、同じ屋敷にいて見つからないはずはないのだけれど。先に帰ってしまったのだろうか。昨日、写真を撮ってから、うわ言のように「縄が増えた」と言っていたようだけど。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
    While Hirasaka is speaking, the voice of Kirie can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Red_Tape_3&amp;diff=25926</id>
		<title>Red Tape 3</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Red_Tape_3&amp;diff=25926"/>
		<updated>2024-08-24T10:12:23Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Fixed transcript of background voice.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Red Tape 3&lt;br /&gt;
| image          = [[Image:Red tape.png]]&lt;br /&gt;
| kanji          = 赤いテープ 三&lt;br /&gt;
| kana           = あかいテープ さん&lt;br /&gt;
| author         = Tomoe Hirasaka&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Abyss (FF1)|Abyss]]&lt;br /&gt;
| obtained       = In front of the waterwheel.&lt;br /&gt;
| description    = An audio tape with red label. It says &amp;quot;Research - 3&amp;quot; on the label&lt;br /&gt;
| adddescription = An audio tape with red label. It&#039;s labeled &amp;quot;Research - 3&amp;quot;&lt;br /&gt;
| related        = [[Red Tape 1]], [[Red Tape 2]], &amp;amp; [[Red Tape 4]]&lt;br /&gt;
| english        = &#039;&#039;&amp;quot;September 12th - 9:00 AM:&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[All of you... just the same...]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; I found [[Koji Ogata|Koji]]. &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[You&#039;ll never get away...]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; His death was just like the [[News Clipping 3 (FF1)|one]] in the mountain village! His hands and limbs were severed! &#039;&#039;&#039;&amp;lt;nowiki&amp;gt;[More ropes!]&amp;lt;/nowiki&amp;gt;&#039;&#039;&#039; I can&#039;t believe what&#039;s happening!&amp;quot;&#039;&#039;&lt;br /&gt;
| japanese       = ９月１２日　９時&lt;br /&gt;
&lt;br /&gt;
緒方さんを・・・発見した。緒方さんの遺体はまるでふもとの村で起こった変死事件と同じような。首と手、足が引き裂かれて。まさか、こんなことが・・・&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*While Hirasaka is speaking, the voice of [[Kirie]] can be heard faintly in the background. The extra script from her voice has been put in brackets and bolded.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25823</id>
		<title>Black Notebook Scrap 5</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25823"/>
		<updated>2024-08-10T22:19:46Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 5&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 五&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = Backyard&lt;br /&gt;
| obtained       = On top of gravestone&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 5 - [[Holy Mirror]], mystery of the [[Himuro Mansion|mansion]]&lt;br /&gt;
| adddescription = On top of the gravestone is a piece of a notebook in a plastic bag.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 6]]&lt;br /&gt;
| english        = Sept 14th - 8:00 pm:&amp;lt;br&amp;gt;&lt;br /&gt;
In the materials [[Tomoe Hirasaka|Tomoe]] gathered for me, there&#039;s a paragraph about five pieces of mirror passed down through the [[Himuro family]] for generations. These pieces were said to seal off the [[Hell Gate]] and protect the region from a great [[Calamity|disaster]]. They might have something to do with the current hellish situation. Five holy mirrors in shrines around the area all broke in a small earthquake the other day.&lt;br /&gt;
&lt;br /&gt;
When I heard about it, it gave me the idea for this next work of mine. I think I brought a [[News Clipping (FF1)|news article]] about it with me when I came here. It says there were only five holy mirrors in existence. But according to some legends, there is another - the True [[Holy Mirror]].&lt;br /&gt;
&lt;br /&gt;
The [[Ryozo Munakata|folklorist]] also mentions this in his [[Research Scrap 4|research documents]], the one I found here in the [[Himuro Mansion|mansion]]. (I think I dropped the research when I was trying to escape that [[Kirie Himuro|cursed woman]].) Here are my theories. I think that the five mirrors that were destroyed in the earthquake the other day had the role of &#039;watching over&#039; the True Holy Mirror. I don&#039;t think it was the earthquake that broke the five holy mirrors in the shrines. I think it was the signal that the seal on the Hell Gate that the Himuro True Holy Mirror provides had broken for some reason. The five mirrors were trying to warn us.&lt;br /&gt;
| japanese       = &#039;&#039;&#039;９月１４日　２０：００&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
巴くんが集めてくれた資料の中に、&lt;br /&gt;
氷室家に伝わる五枚の鏡についての一節がある。&lt;br /&gt;
&lt;br /&gt;
その鏡は、この地方の災厄をはらい、&lt;br /&gt;
異界との門を封じる、とされている。&lt;br /&gt;
この異常事態の原因は、その鏡ではないか。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
先日の小さな地震で、この地方にある&lt;br /&gt;
５つの神社の御神鏡が全て壊れた。&lt;br /&gt;
私が今回の作品を思いついたのも、そ&lt;br /&gt;
の出来事を知ったことがきっかけだ。&lt;br /&gt;
&lt;br /&gt;
たしか、持ってきた資料の中に新聞記&lt;br /&gt;
事が入っていたはずだ。&lt;br /&gt;
&lt;br /&gt;
現存する御神鏡は五枚、とされている&lt;br /&gt;
が、一部の伝承にはもう一枚、「本体」&lt;br /&gt;
の鏡が存在すると言われる。&lt;br /&gt;
屋敷内でみつけた、民俗学者の研究書&lt;br /&gt;
にも、そういう記述があった。&lt;br /&gt;
（その研究書は、あの女から逃れる間に、&lt;br /&gt;
どこかで落してしまったようだが）&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ここからは、私の推論になる。&lt;br /&gt;
先日、地震で破壊されたと言う、その&lt;br /&gt;
五枚の鏡は、本体の鏡を「監視」する役&lt;br /&gt;
割だったのでは、ということだ。&lt;br /&gt;
五枚の鏡が割れた原因は、地震などで&lt;br /&gt;
はなく、本体である「氷室御神鏡」の封&lt;br /&gt;
印が、何らかの理由で壊れた印であり、&lt;br /&gt;
その事を我々に知らせる警鐘だったの&lt;br /&gt;
ではないか。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*The English translation appears to contain an error. Takamine refers to &amp;quot;five pieces of mirror&amp;quot; passed down through the Himuro family. This should be &amp;quot;five mirrors&amp;quot; (五枚の鏡).&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25822</id>
		<title>Black Notebook Scrap 6</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25822"/>
		<updated>2024-08-10T22:19:31Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 6&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 六&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Narukami Shrine]]&lt;br /&gt;
| obtained       = Outside, after defeating Takamine&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 6 - Takamine&#039;s last hope&lt;br /&gt;
| adddescription = There is a notebook on the staircase. Most of the pages have been torn out.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 5]]&lt;br /&gt;
| english        = I&#039;m about to go to the [[Narukami Shrine|shrine]] deep within [[Himuro Mansion]], where they say a piece of the true [[Holy Mirror|holy mirror]] is kept. The curse has already left its mark on my four limbs. There&#039;s no escaping it. About the only thing left now that I can do is try to reseal the [[Hell Gate]]. It&#039;s my last hope. I&#039;ve already found four of the [[Buddha statues]] I need to get a [[Mirror Piece 1|piece of the mirror]]. And I&#039;ve managed to find an old document that tells of the location of the fifth statue.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;Make observance to the Buddha,&lt;br /&gt;
&#039;&#039;At the base of the large gate,&lt;br /&gt;
&#039;&#039;So that the souls of the piteous [[Rope Shrine Maidens|maidens]],&lt;br /&gt;
&#039;&#039;Can reach up to the heavens.&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
If all goes well, no one will ever have to read these notes, and I can use them towards the content of my next book. In closing, I would like to thank my assistant and my partner, [[Tomoe Hirasaka]]. If it weren&#039;t for the words she left with me, I wouldn&#039;t have been able to complete this, my final work. If I don&#039;t return, please give her a decent burial.&lt;br /&gt;
&lt;br /&gt;
Signed: [[Junsei Takamine]], September 15th&lt;br /&gt;
| japanese       = これから私は、御神鏡が納められたと&lt;br /&gt;
される、氷室邸奥の神社へ向かう。&lt;br /&gt;
呪いにより四肢が縛られ、逃げること&lt;br /&gt;
もかなわぬ私にできることは&lt;br /&gt;
&lt;br /&gt;
::::「壊れた封印を元に戻す」&lt;br /&gt;
&lt;br /&gt;
という、わずかな望みに掛けるしかないからだ。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
鏡を手に入れるために必要とされる仏&lt;br /&gt;
像は、既に４体まで発見した。&lt;br /&gt;
&lt;br /&gt;
残り一体の場所に関する古文書も発見している。&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;哀レナル巫女ノ魂ガ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::&#039;&#039;神ノ御前ニ届ク様&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:::&#039;&#039;大イナル鳥ノ足元ニ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::::&#039;&#039;ソノ御仏ヲ奉ラン&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
上手くいけば、このメモは誰にも読ま&lt;br /&gt;
れず、私の次回作のプロットとなるはずだ。&lt;br /&gt;
&lt;br /&gt;
最後に、私の助手であり、パートナー&lt;br /&gt;
でもあった平坂巴くんに、感謝の意を表&lt;br /&gt;
しておきたい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
彼女の残してくれた言葉がなければ、&lt;br /&gt;
私は、この最後の作品を残すことさえ、&lt;br /&gt;
できなかっただろう。&lt;br /&gt;
&lt;br /&gt;
もし私が戻っていなければ、彼女を手&lt;br /&gt;
厚く葬ってやってほしい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
:::::９月１５日　高峰準星&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*The English translation appears to contain an error. Takamine refers to &amp;quot;a piece&amp;quot; of the mirror. This should be &amp;quot;the (true) Holy Mirror&amp;quot; (御神鏡). In the Japanese text, Takamine knows that the seal associated with the mirror is broken, but does not know that the mirror itself is broken.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Lady%27s_Diary_Scrap_3&amp;diff=25821</id>
		<title>Lady&#039;s Diary Scrap 3</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Lady%27s_Diary_Scrap_3&amp;diff=25821"/>
		<updated>2024-08-10T21:52:38Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Note&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Lady&#039;s Diary Scrap 3&lt;br /&gt;
| image          = [[Image:Ladys diary scrap.png]]&lt;br /&gt;
| kanji          = 女性の日記の断片 三&lt;br /&gt;
| kana           = じょせいのにっきのだんぺん さん&lt;br /&gt;
| author         = Yae Munakata&lt;br /&gt;
| chapter        = 2&lt;br /&gt;
| location       = [[Koto Room]]&lt;br /&gt;
| obtained       = On the table&lt;br /&gt;
| description    = [[Ryozo|Folklorist&#039;s]] Wife&#039;s Papers - The [[Mikoto|daughter]] disappears&lt;br /&gt;
| adddescription = There is an old piece of paper on the desk.&lt;br /&gt;
| related        = [[Lady&#039;s Diary Scrap 1]] &amp;amp; [[Lady&#039;s Diary Scrap 2]]&lt;br /&gt;
| english        = June 24th&lt;br /&gt;
[[Mikoto]] is missing. She said she was only going to play [[Demon Tag]] here in the [[Himuro Mansion|mansion]]. I don&#039;t think she would have gone outside... She had that [[Camera Obscura|camera]] with her... None of Mikoto&#039;s four [[Demon Tag Children|friends]] have come home, either. It&#039;s as if they&#039;ve all been snatched up away by ghosts...&lt;br /&gt;
&lt;br /&gt;
June 27th&lt;br /&gt;
It&#039;s been three days since Mikoto was snatched away from us. Everything has been so strange! Ever since we moved to this mansion... Ever since we got that camera... If I lost my sanity now, too, I wouldn&#039;t have to think about it anymore. I could be free...&lt;br /&gt;
&lt;br /&gt;
I can see them... I can see them now even without the camera...&lt;br /&gt;
| japanese       = ６月２４日&lt;br /&gt;
&lt;br /&gt;
美琴が帰ってきません。&lt;br /&gt;
&lt;br /&gt;
お友達と鬼遊びをすると言って、家の&lt;br /&gt;
中から出ていないはずなのに。&lt;br /&gt;
&lt;br /&gt;
あの写真機を持ったまま。&lt;br /&gt;
&lt;br /&gt;
美琴のお友達も、四人とも帰ってこな&lt;br /&gt;
いなんて。まるで神隠しのように。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
６月２７日&lt;br /&gt;
&lt;br /&gt;
美琴が神隠しにあってから３日が過ぎ&lt;br /&gt;
ました。&lt;br /&gt;
&lt;br /&gt;
全てがおかしくなったのです。&lt;br /&gt;
この屋敷に越してきてから。&lt;br /&gt;
あの写真機を拾ってから。&lt;br /&gt;
&lt;br /&gt;
私もおかしくなってしまえれば&lt;br /&gt;
どんなにか楽なのに。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
私には、もう、&lt;br /&gt;
写真機がなくても見えるのです。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*In both the English and Japanese version of this note, [[Yae Munakata|Yae]] refers to [[Mikoto Munakata|Mikoto]] having four missing friends. Mikoto, as noted by [[Old News Article 2]], only has three missing friends: the [[Clock Boy]], the [[Crawling Girl]], and the [[Girl in the Well]]. Yae appears to be counting the [[Kirie Himuro|the little girl in the white kimono]] among Mikoto&#039;s missing friends, as she had previously taken a [[Kirie Photo|photo]] of them together.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25820</id>
		<title>Black Notebook Scrap 6</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25820"/>
		<updated>2024-08-05T16:54:39Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 6&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 六&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Narukami Shrine]]&lt;br /&gt;
| obtained       = Outside, after defeating Takamine&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 6 - Takamine&#039;s last hope&lt;br /&gt;
| adddescription = There is a notebook on the staircase. Most of the pages have been torn out.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 5]]&lt;br /&gt;
| english        = I&#039;m about to go to the [[Narukami Shrine|shrine]] deep within [[Himuro Mansion]], where they say a piece of the true [[Holy Mirror|holy mirror]] is kept. The curse has already left its mark on my four limbs. There&#039;s no escaping it. About the only thing left now that I can do is try to reseal the [[Hell Gate]]. It&#039;s my last hope. I&#039;ve already found four of the [[Buddha statues]] I need to get a [[Mirror Piece 1|piece of the mirror]]. And I&#039;ve managed to find an old document that tells of the location of the fifth statue.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;Make observance to the Buddha,&lt;br /&gt;
&#039;&#039;At the base of the large gate,&lt;br /&gt;
&#039;&#039;So that the souls of the piteous [[Rope Shrine Maidens|maidens]],&lt;br /&gt;
&#039;&#039;Can reach up to the heavens.&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
If all goes well, no one will ever have to read these notes, and I can use them towards the content of my next book. In closing, I would like to thank my assistant and my partner, [[Tomoe Hirasaka]]. If it weren&#039;t for the words she left with me, I wouldn&#039;t have been able to complete this, my final work. If I don&#039;t return, please give her a decent burial.&lt;br /&gt;
&lt;br /&gt;
Signed: [[Junsei Takamine]], September 15th&lt;br /&gt;
| japanese       = これから私は、御神鏡が納められたと&lt;br /&gt;
される、氷室邸奥の神社へ向かう。&lt;br /&gt;
呪いにより四肢が縛られ、逃げること&lt;br /&gt;
もかなわぬ私にできることは&lt;br /&gt;
&lt;br /&gt;
::::「壊れた封印を元に戻す」&lt;br /&gt;
&lt;br /&gt;
という、わずかな望みに掛けるしかないからだ。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
鏡を手に入れるために必要とされる仏&lt;br /&gt;
像は、既に４体まで発見した。&lt;br /&gt;
&lt;br /&gt;
残り一体の場所に関する古文書も発見している。&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;哀レナル巫女ノ魂ガ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::&#039;&#039;神ノ御前ニ届ク様&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:::&#039;&#039;大イナル鳥ノ足元ニ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::::&#039;&#039;ソノ御仏ヲ奉ラン&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
上手くいけば、このメモは誰にも読ま&lt;br /&gt;
れず、私の次回作のプロットとなるはずだ。&lt;br /&gt;
&lt;br /&gt;
最後に、私の助手であり、パートナー&lt;br /&gt;
でもあった平坂巴くんに、感謝の意を表&lt;br /&gt;
しておきたい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
彼女の残してくれた言葉がなければ、&lt;br /&gt;
私は、この最後の作品を残すことさえ、&lt;br /&gt;
できなかっただろう。&lt;br /&gt;
&lt;br /&gt;
もし私が戻っていなければ、彼女を手&lt;br /&gt;
厚く葬ってやってほしい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
:::::９月１５日　高峰準星&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*The English translation contains an error. Takamine refers to &amp;quot;a piece&amp;quot; of the mirror. This should be &amp;quot;the (true) Holy Mirror&amp;quot; (御神鏡). In the Japanese text, Takamine knows that the seal associated with the mirror is broken, but does not know that the mirror itself is broken.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25819</id>
		<title>Black Notebook Scrap 6</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_6&amp;diff=25819"/>
		<updated>2024-08-05T16:53:48Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Note on translation error.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 6&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 六&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = [[Narukami Shrine]]&lt;br /&gt;
| obtained       = Outside, after defeating Takamine&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 6 - Takamine&#039;s last hope&lt;br /&gt;
| adddescription = There is a notebook on the staircase. Most of the pages have been torn out.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 5]]&lt;br /&gt;
| english        = I&#039;m about to go to the [[Narukami Shrine|shrine]] deep within [[Himuro Mansion]], where they say a piece of the true [[Holy Mirror|holy mirror]] is kept. The curse has already left its mark on my four limbs. There&#039;s no escaping it. About the only thing left now that I can do is try to reseal the [[Hell Gate]]. It&#039;s my last hope. I&#039;ve already found four of the [[Buddha statues]] I need to get a [[Mirror Piece 1|piece of the mirror]]. And I&#039;ve managed to find an old document that tells of the location of the fifth statue.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;Make observance to the Buddha,&lt;br /&gt;
&#039;&#039;At the base of the large gate,&lt;br /&gt;
&#039;&#039;So that the souls of the piteous [[Rope Shrine Maidens|maidens]],&lt;br /&gt;
&#039;&#039;Can reach up to the heavens.&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
If all goes well, no one will ever have to read these notes, and I can use them towards the content of my next book. In closing, I would like to thank my assistant and my partner, [[Tomoe Hirasaka]]. If it weren&#039;t for the words she left with me, I wouldn&#039;t have been able to complete this, my final work. If I don&#039;t return, please give her a decent burial.&lt;br /&gt;
&lt;br /&gt;
Signed: [[Junsei Takamine]], September 15th&lt;br /&gt;
| japanese       = これから私は、御神鏡が納められたと&lt;br /&gt;
される、氷室邸奥の神社へ向かう。&lt;br /&gt;
呪いにより四肢が縛られ、逃げること&lt;br /&gt;
もかなわぬ私にできることは&lt;br /&gt;
&lt;br /&gt;
::::「壊れた封印を元に戻す」&lt;br /&gt;
&lt;br /&gt;
という、わずかな望みに掛けるしかないからだ。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
鏡を手に入れるために必要とされる仏&lt;br /&gt;
像は、既に４体まで発見した。&lt;br /&gt;
&lt;br /&gt;
残り一体の場所に関する古文書も発見している。&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;哀レナル巫女ノ魂ガ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::&#039;&#039;神ノ御前ニ届ク様&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:::&#039;&#039;大イナル鳥ノ足元ニ&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::::&#039;&#039;ソノ御仏ヲ奉ラン&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
上手くいけば、このメモは誰にも読ま&lt;br /&gt;
れず、私の次回作のプロットとなるはずだ。&lt;br /&gt;
&lt;br /&gt;
最後に、私の助手であり、パートナー&lt;br /&gt;
でもあった平坂巴くんに、感謝の意を表&lt;br /&gt;
しておきたい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
彼女の残してくれた言葉がなければ、&lt;br /&gt;
私は、この最後の作品を残すことさえ、&lt;br /&gt;
できなかっただろう。&lt;br /&gt;
&lt;br /&gt;
もし私が戻っていなければ、彼女を手&lt;br /&gt;
厚く葬ってやってほしい。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
:::::９月１５日　高峰準星&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*The English translation contains an error. Takamine refers to a &amp;quot;piece of the mirror&amp;quot;. This should be &amp;quot;the sacred mirror&amp;quot; (御神鏡). In the Japanese text, Takamine knows that the seal associated with the mirror is broken, but does not know that the mirror itself is broken.&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25818</id>
		<title>Black Notebook Scrap 5</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Black_Notebook_Scrap_5&amp;diff=25818"/>
		<updated>2024-08-05T05:17:19Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: Note on translation error.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Note Infobox2&lt;br /&gt;
| game           = FF1&lt;br /&gt;
| title          = Black Notebook Scrap 5&lt;br /&gt;
| image          = [[Image:Black notebook scrap.png]]&lt;br /&gt;
| kanji          = 黒い手帳の断片 五&lt;br /&gt;
| kana           = くろいてちょうのだんぺん&lt;br /&gt;
| author         = Junsei Takamine&lt;br /&gt;
| chapter        = 1&lt;br /&gt;
| location       = Backyard&lt;br /&gt;
| obtained       = On top of gravestone&lt;br /&gt;
| description    = Novelist Takamine&#039;s Notes 5 - [[Holy Mirror]], mystery of the [[Himuro Mansion|mansion]]&lt;br /&gt;
| adddescription = On top of the gravestone is a piece of a notebook in a plastic bag.&lt;br /&gt;
| related        = [[Black Notebook Scrap 1]], [[Black Notebook Scrap 2]], [[Black Notebook Scrap 3]], [[Black Notebook Scrap 4]], &amp;amp; [[Black Notebook Scrap 6]]&lt;br /&gt;
| english        = Sept 14th - 8:00 pm:&amp;lt;br&amp;gt;&lt;br /&gt;
In the materials [[Tomoe Hirasaka|Tomoe]] gathered for me, there&#039;s a paragraph about five pieces of mirror passed down through the [[Himuro family]] for generations. These pieces were said to seal off the [[Hell Gate]] and protect the region from a great [[Calamity|disaster]]. They might have something to do with the current hellish situation. Five holy mirrors in shrines around the area all broke in a small earthquake the other day.&lt;br /&gt;
&lt;br /&gt;
When I heard about it, it gave me the idea for this next work of mine. I think I brought a [[News Clipping (FF1)|news article]] about it with me when I came here. It says there were only five holy mirrors in existence. But according to some legends, there is another - the True [[Holy Mirror]].&lt;br /&gt;
&lt;br /&gt;
The [[Ryozo Munakata|folklorist]] also mentions this in his [[Research Scrap 4|research documents]], the one I found here in the [[Himuro Mansion|mansion]]. (I think I dropped the research when I was trying to escape that [[Kirie Himuro|cursed woman]].) Here are my theories. I think that the five mirrors that were destroyed in the earthquake the other day had the role of &#039;watching over&#039; the True Holy Mirror. I don&#039;t think it was the earthquake that broke the five holy mirrors in the shrines. I think it was the signal that the seal on the Hell Gate that the Himuro True Holy Mirror provides had broken for some reason. The five mirrors were trying to warn us.&lt;br /&gt;
| japanese       = &#039;&#039;&#039;９月１４日　２０：００&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
巴くんが集めてくれた資料の中に、&lt;br /&gt;
氷室家に伝わる五枚の鏡についての一節がある。&lt;br /&gt;
&lt;br /&gt;
その鏡は、この地方の災厄をはらい、&lt;br /&gt;
異界との門を封じる、とされている。&lt;br /&gt;
この異常事態の原因は、その鏡ではないか。&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
先日の小さな地震で、この地方にある&lt;br /&gt;
５つの神社の御神鏡が全て壊れた。&lt;br /&gt;
私が今回の作品を思いついたのも、そ&lt;br /&gt;
の出来事を知ったことがきっかけだ。&lt;br /&gt;
&lt;br /&gt;
たしか、持ってきた資料の中に新聞記&lt;br /&gt;
事が入っていたはずだ。&lt;br /&gt;
&lt;br /&gt;
現存する御神鏡は五枚、とされている&lt;br /&gt;
が、一部の伝承にはもう一枚、「本体」&lt;br /&gt;
の鏡が存在すると言われる。&lt;br /&gt;
屋敷内でみつけた、民俗学者の研究書&lt;br /&gt;
にも、そういう記述があった。&lt;br /&gt;
（その研究書は、あの女から逃れる間に、&lt;br /&gt;
どこかで落してしまったようだが）&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ここからは、私の推論になる。&lt;br /&gt;
先日、地震で破壊されたと言う、その&lt;br /&gt;
五枚の鏡は、本体の鏡を「監視」する役&lt;br /&gt;
割だったのでは、ということだ。&lt;br /&gt;
五枚の鏡が割れた原因は、地震などで&lt;br /&gt;
はなく、本体である「氷室御神鏡」の封&lt;br /&gt;
印が、何らかの理由で壊れた印であり、&lt;br /&gt;
その事を我々に知らせる警鐘だったの&lt;br /&gt;
ではないか。&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Note==&lt;br /&gt;
*The English translation contains an error. Takamine refers to &amp;quot;five pieces of mirror&amp;quot; passed down through the Himuro family. This should be &amp;quot;five mirrors&amp;quot; (五枚の鏡).&lt;br /&gt;
&lt;br /&gt;
{{FF File}}&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Category:Fatal_Frame_Characters&amp;diff=23547</id>
		<title>Category:Fatal Frame Characters</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Category:Fatal_Frame_Characters&amp;diff=23547"/>
		<updated>2024-01-14T23:04:07Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;center&amp;gt;&lt;br /&gt;
&amp;lt;font size=&amp;quot;+1&amp;quot;&amp;gt;&#039;&#039;&#039;Main Characters&#039;&#039;&#039;&amp;lt;/font&amp;gt;&amp;lt;table&amp;gt;&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:RA_mikuhinasaki.jpg|82px|link=Miku Hinasaki]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Miku Hinasaki]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_mafuyuhinasaki.jpg|80px|link=Mafuyu Hinasaki]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Mafuyu Hinasaki]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;td&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&lt;br /&gt;
&amp;lt;font size=&amp;quot;+1&amp;quot;&amp;gt;&#039;&#039;&#039;Supporting Characters&#039;&#039;&#039;&amp;lt;/font&amp;gt;&amp;lt;table&amp;gt;&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_junseitakamine.jpg|link=Junsei Takamine]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Junsei Takamine]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_tomoehirasaka.jpg|link=Tomoe Hirasaka]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Tomoe Hirasaka]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_kojiogata.jpg|77px|link=Koji Ogata]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Koji Ogata]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_miyukihinasaki.jpg|70px|link=Miyuki Hinasaki]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Miyuki Hinasaki]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_ryozomunakata.jpg|74px|link=Ryozo Munakata]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Ryozo Munakata]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:Yae FF1 RA.jpg|74px|link=Yae Munakata]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Yae Munakata]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_mikotomunakata.jpg|74px|link=Mikoto Munakata]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Mikoto Munakata]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot; valign=&amp;quot;top&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[image:RA_male.jpg|link=Mr. Hinasaki]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Mr. Hinasaki]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Fatal Frame]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Category:Deep_Crimson_Butterfly&amp;diff=23546</id>
		<title>Category:Deep Crimson Butterfly</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Category:Deep_Crimson_Butterfly&amp;diff=23546"/>
		<updated>2024-01-14T22:57:45Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Articles about [[Fatal Frame: Deep Crimson Butterfly]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;lt;b&amp;gt;Check the sub-categories to view more pages!&amp;lt;/b&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;&lt;br /&gt;
&amp;lt;font size=&amp;quot;+1&amp;quot;&amp;gt;&#039;&#039;&#039;[[Fatal Frame: Deep Crimson Butterfly|Deep Crimson Butterfly]] Universe&#039;&#039;&#039;&amp;lt;/font&amp;gt;&amp;lt;table&amp;gt;&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:RA mioamakura.jpg|link=Category:Deep Crimson Butterfly Characters]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Characters|Characters]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:RA saekurosawa.jpg|link=Category:Deep Crimson Butterfly Ghosts]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Ghosts|Ghosts]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|130}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:DCBgraphic.png|110px|link=Category:Deep Crimson Butterfly Locations]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Locations|Locations]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Shadow Festival.png|130px|link=Fatal Frame II Rituals]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Fatal Frame II Rituals|Rituals]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:DCB Camera Obscura.jpg|120px|link=Camera Obscura (DCB)]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Camera Obscura (DCB)|Camera Obscura]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Crimsondiary.png|70px|link=Category:Deep Crimson Butterfly Notes]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Notes|Game Notes]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:Herbalmedicine.png|60px|link=Category:Deep Crimson Butterfly Items]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Items|Items]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Butterflies and Guardian Stone.png|120px|link=Category:Category:Deep Crimson Butterfly Photographs]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Photographs|Photographs]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:DCB Chapter 8.jpg|120px|link=Category:Deep Crimson Butterfly Chapters]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Deep Crimson Butterfly Chapters|Chapters]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Twin Diamond Key.png|70px|link=Deep Crimson Butterfly Unlockables]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Deep Crimson Butterfly Unlockables|Unlockables]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:DCB 113-114.png|120px|link=Deep Crimson Butterfly Spirit List]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Deep Crimson Butterfly Spirit List|Spirit List]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:Timeline Thumb.jpg|100px|link=Timeline (FF2)]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Timeline (FF2)|Timeline]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Games]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
	<entry>
		<id>https://wiki.thelostvillage.net/index.php?title=Category:Fatal_Frame_III&amp;diff=23538</id>
		<title>Category:Fatal Frame III</title>
		<link rel="alternate" type="text/html" href="https://wiki.thelostvillage.net/index.php?title=Category:Fatal_Frame_III&amp;diff=23538"/>
		<updated>2024-01-14T22:56:43Z</updated>

		<summary type="html">&lt;p&gt;Anwyll: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Articles about the third Fatal Frame game, [[Fatal Frame III: The Tormented]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&amp;lt;b&amp;gt;Check the sub-categories to view more pages!&amp;lt;/b&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;&lt;br /&gt;
&amp;lt;font size=&amp;quot;+1&amp;quot;&amp;gt;&#039;&#039;&#039;[[Fatal Frame III]] Universe&#039;&#039;&#039;&amp;lt;/font&amp;gt;&amp;lt;table&amp;gt;&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:RA reikurosawa.jpg|link=Category:Fatal Frame III Characters]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Characters|Characters]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:RA reikakuze.png|link=Category:Fatal Frame III Ghosts]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Ghosts|Ghosts]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|130}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Manor of Sleep.jpg|75px|link=Category:Fatal Frame III Locations]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Locations|Locations]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Impalementritual.jpg|115px|link=Fatal Frame III Rituals]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Fatal Frame III Rituals|Rituals]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Camera Obscura FF3 Icon.png|90px|link=Camera Obscura (FF3)]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Camera Obscura (FF3)|Camera Obscura]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Tattoeddiary.png|75px|link=Category:Fatal Frame III Notes]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Notes|Game Notes]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:Herbalmedicine.png|60px|link=Category:Fatal Frame III Items]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Items|Items]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:FilePhoto Shrine Maiden Icon.png|100px|link=Category:Fatal Frame III Photographs]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Photographs|Photographs]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Hour1.PNG|110px|link=Category:Fatal Frame III Chapters]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[:Category:Fatal Frame III Chapters|Hours]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:Hollykey2.png|70px|link=Fatal Frame III Unlockables]]&lt;br /&gt;
[[Fatal Frame III Unlockables|Unlockables]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|125}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[File:FFIII 008.PNG|120px|link=Fatal Frame III Spirit List]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Fatal Frame III Spirit List|Spirit List]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;td align=&amp;quot;center&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div align=&amp;quot;center&amp;quot; style=&amp;quot; border-style:solid; border-width: 0px; border-color: grey; padding: 5px; margin: 5px; width: {{{width|100}}}px; text-align: center; &amp;quot;&amp;gt;&lt;br /&gt;
[[Image:Timeline Thumb.jpg|100px|link=Timeline (FF3)]]&amp;lt;br&amp;gt;&lt;br /&gt;
[[Timeline (FF3)|Timeline]]&amp;lt;/div&amp;gt;&amp;lt;/td&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/tr&amp;gt;&amp;lt;/table&amp;gt;&amp;lt;/center&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Games]]&lt;/div&gt;</summary>
		<author><name>Anwyll</name></author>
	</entry>
</feed>