Tamashizume: House of the Secret Festival

From Zero Wiki
Jump to navigation Jump to search
The English content of this page features unofficial fan translations.


Tamashizume: House of the Secret Festival

Japanese 秘祭の家
Author Seijiro Makabe
Source Zero Akai Chou Complete Official Capture Book
Page 185-187 (6-8)
Related Notes Hell Gate, The Camera Obscura, Twin Village, Madness of the Festival, Hidden Ceremony

"House of the Secret Festival"


Minakami Village is presided over by a man called Ryokan Kurosawa, the head of the Kurosawa family. We greeted him politely. Beside Mr. Kurosawa stood a pair of identical sisters who looked to have been twins. They seemed to be acquainted with Munakata, appearing bashful for some reason or another as they exchanged words.

"...So, Mr. Makabe, you came to our village for the express purpose of conducting your studies into folklore?"

I hastily returned my gaze to Mr. Kurosawa as he addressed me with the question.

"That is correct. I am interested in the faiths and legends of many different places. After I learned that Minakami Village practices the unusual custom of worshipping twins as shrine maidens, I became determined to study it. I have also heard that a festival is to be held in the village this year, and asked Munakata to do me a great favour by accompanying me here, intent as I am on trying to perhaps glimpse it for myself."

I could have sworn that Mr. Kurosawa knitted his brows for a mere moment, but he quickly smiled at me.

"And you came all the way into the mountains for that? You must be tired. Please, stay at the Osaka House tonight. We cannot offer you much in the way of hospitality, but you may investigate the village mostly at will. Perhaps the documents in my own house's study may be of use in your research. Please do feel free to come over and examine them whenever you so wish."

To be frank, I was utterly delighted by this unexpected offer. The Kurosawas are the ceremony masters in the "Crimson Sacrifice Ritual", and boast the longest history of all of the families in the village. I am truly grateful that not only am I afforded permission to come and go from their home as I please, but that they are even cooperating with my research. I am troubled by the grim expression I saw upon his face for a brief moment earlier, but perhaps I am simply making too much of it.

For the next few days, we were hosted at the Osaka House. Each and every day was fulfilling. The documents kept at the Kurosawa House were of course ideal for investigating the "Crimson Sacrifice Ritual", but I made a variety of discoveries simply strolling about the house. One such discovery was passageways leading out behind the family altar room, built to be symmetrical on both sides. As I made my way outside through one of them, I came upon two long, narrow passageways. I attempted to head further in, but was unable to, the doors seemingly locked. As I wandered around, looking to see if I could perhaps find a way to unlock the doors, I found myself being chided by a woman who appeared to be a servant.

"This is a sacred place. Valued guests of the master's or not, I do not approve of your trespassing here."

I swiftly made my apologies and left, but I am certain that the answers to that which I seek can be found in that place. I shall have to return later to investigate.

During the course of my many investigations, primarily centred around the Kurosawa House, I have come to understand the distribution of roles within the village. First of all, the Osaka House at the entrance. As one would expect, they appear to be responsible for keeping watch over outsiders who come to the village. I believe that they also keep a look out for any attempting to leave. Someone peers through the latticed window at all times, and even merely heading to Misono, I was questioned as to where I was going and when I would return. The people of this house also seem to be responsible for entertaining guests.

Next, the Tachibana House and the Kiryu House. These two are positioned at the centre of the village, both families' dwellings connected by a roofed exterior corridor. It appears as though the Twin Shrine Maidens of the Crimson Sacrifice Ritual take up residence here in order to prepare for the festival. One twin lives in each of the two similarly constructed houses, performing prayers and rituals for their purification. The Tachibana House is the home of Munakata's childhood friend, a young man called Itsuki Tachibana, but unfortunately, it seems as though he and his younger twin brother both became sick and died. It must have happened immediately after he sent that letter to Munakata.

The Kiryu House belonged to the dollmaker who created both the dolls and the many mechanisms found throughout the village. Years ago, a pair of Twin Shrine Maidens called Azami and Akane lived there, but their bloodline was ended for a time after the sisters became deranged. Later, a branch of the Kurosawa family took on and continued the Kiryu name.

Finally, there is the Tsuchihara House. For generations, this family has managed locations related to the Crimson Sacrifice Ritual, such as the shrine and Misono. There is a storehouse on the premises of their manor, where lawbreakers who commit crimes within the village are detained - in certain cases, they even seem to have the authority to try criminals. (I tried peeking into the storehouse, but was stopped by a man who appeared to be a lookout. He claimed that it was not currently in use, but I could have sworn I sensed a human presence within.) Furthermore, smaller homes are dotted about as if encircling these larger mansions. They were all built to face in the direction of the Kurosawa House, almost as if the villagers are always standing watch over the direction in which it lies. Just what are they trying to see?

Additionally, there is a small shrine called Kureha Shrine, a large tree called the Old Tree, and a graveyard on the outskirts of the village. The Old Tree has a sizeable hole in it, making it into a sort of cavern, and when I peered inside I saw countless pinwheels spinning within. Could there be a breeze blowing in from somewhere?

It is said that the "Remaining", one half of the pair of Twin Shrine Maidens who has fulfilled her role in the festival, is enshrined here. However, according to a tale told to me in secret by a man who was visiting a grave in the cemetery, there was once a path leading out of the village within the Old Tree, through which a pair of Twin Shrine Maidens attempted to escape, only to be killed by the villagers. As well as blocking the path to make sure that such a thing would never again occur, the ceremony master turned the place into a graveyard for Remaining in admonition. What is a "Remaining"? And, given that Twin Shrine Maidens have attempted to flee, could the Crimson Sacrifice Ritual actually be dangerous? My interest further piqued, I continued to study the documents of the Kurosawa House, the true form of the dreadful ritual beginning to emerge.

皆神村を取り仕切るのは、「黒澤家」の当主・黒澤良寛という男だった。私たちは丁寧に挨拶をした。黒澤氏の隣には、双子だと思われるそっくりの姉妹が立っていた。宗方とは顔見知りらしい。何やらはにかみながら言葉を交わしている。

「・・・・・・すると、真壁先生は民俗学の研究をしにわざわざこの村へ?」

黒澤氏に尋ねられて、あわてて視線を黒澤氏に戻す。

「はい。私はいろいろな場所の信仰や伝承に興味がありまして。この皆神村にも、双子を巫女として奉るというめずらしい風習があると聞き、ぜひ調べてみたいと思っておりました。また今年、この村では「祭」が催されると伺って、どうしても一目見せてはいただけないかと宗方君に無理を言って連れてきてもらった次第でございます。」

黒澤氏は一瞬だけ眉を顰めた気がしたが、すぐに笑顔を見せた。

「それでわざわざこんな山奥まで。おつかれでしょうから、今夜は逢坂家の方へお泊りください。たいしたおもてなしもできませんが、村の中はだいたい自由に調べていただいて結構です。私どもの家の書斎にある書物などは、先生の研究に役立つかもしれません。どうぞいつでもいらっしゃって、ご自由に御覧になってください。」

思ってもいなかった申し入れに、私は正直とても喜んだ。この黒澤家は「紅贄祭」の祭主であり、村で一番の歴史を持つ家だ。そこに自由に出入りできるうえに、調べものまで協力してくれるとは本当にありがたい。先ほど少しだけ見せた険しい表情が気になるが、こちらの思い過ごしかもしれない。

私たちは、その日から数日間逢坂家の世話になった。毎日が充実していた。黒澤家の書物は、もちろん「紅贄祭」のことを調べるのにうってつけであったし、家の周りを散策するだけでも様々な発見があった。そのひとつに、仏間から裏へ抜ける通路があった。左右対称に作られた仏間の裏手へ回ってみると、細長い通路が二本あった。奥まで行って見たが、鍵がかかっているらしくその先へは進めなかった。なんとか鍵を開ける方法がないかとうろついていたら、使用人らしき女性に

「ここは神聖な場所です。いくら旦那様の大切なお客様といっても、ここへ立ち入ることは感心いたしません。」

と、たしなめられた。すぐに謝ってその場を離れたが、あの場所には私の求めていたものの答えが必ずある。あとでまた調べに行ってみよう。

黒澤家を中心にいろいろ調べるうち、村の位置付けがわかってきた。まず入口にある「逢坂家」。これはやはり外からやってくるよそ者を見張る役割をこなしているようだ。さらに、村から出ようとしている者も見張っている気がする。格子窓からは常に誰かが覗いていて、私が御園へ行くだけでもどこへ行くのか、いつ戻るのかを尋ねられた。客人をもてなすのも、この家の役割らしい。

次に「立花家」と「桐生家」。これは村の中央に位置し、渡り廊下で両家の家屋がつながっている。ここはどうやら、「紅贄祭」の「双子巫女」が、祭の準備をするために住まう家らしい。似たような構造の二軒の家に双子がそれぞれひとりずつ住み、祈祷や清めのための儀式を行なうという。「立花家」は、宗方の幼なじみ、立花樹月という青年の家だが、残念ながら彼は双子の弟とともに病死したらしい。宗方に手紙をよこした直後なのだろうか。また、「桐生家」の方は、村のいたるところに仕掛けられたカラクリや、人形を作成する人形師の家だった。かつて「双子巫女」の薊と茜という姉妹がいたが、姉妹の錯乱により一度血族が絶え、後日、黒澤家の分家の者が桐生の姓を受け継いだらしい。そして、最後に「槌原家」。この家は、代々神社や御園など、「紅贄祭」に関する場所を管理する一族だ。屋敷の敷地内には蔵があり、村で発生した事件の罪人をそこに捕らえたり、場合によっては裁いたりする権限を持っていたようだ(蔵を覗こうと思ったら、見張り番らしき男に制止されてしまった。今は使われていないとその男は言っていたのだが、どうも人の気配がしたように感じる)。そして、これらの大きな屋敷を取り囲むように、民家が点在していた。どの家も黒澤家の方を向いて建てられ、まるで村人がいつでも黒澤家の方角を見張っているかのようだ。いったい村人たちは、何を見ようとしていたのだろうか。

また、村の外れには、暮羽神社という小さな神社と、朽木と呼ばれる巨木、そして墓地があった。朽木には大きな穴が開いて洞穴のようになっており、中を覗くと無数の風車がまわっていた。どこからか、風が流れているのだろうか。ここには、祭を終えて役目を果たした「双子巫女」の片方、「鬼隻」と呼ばれる巫女が奉られているという。しかし、墓地で墓参りをしていた人からこっそり聞いた話によると、かつてこの朽木には村の外へ通じる道があり、そこから村を逃げ出そうとした「双子巫女」が村人によって殺され、祭主が二度とそんなことが起こらないよう道を塞いだうえ、戒めとしてその場を「鬼隻」の墓場としているらしい。「鬼隻」とは何なのか、また、「双子巫女」が逃げ出そうとするところをみると、「紅贄祭」とはやはり危険な祭なのだろうか。さらに気になって黒澤家の書物を調べるうちに、恐ろしい祭の実体が浮かび上がってきた。

Supplemental Material
Fatal Frame
Himuro Investigation Record - Zero Sound Horror - Project Zero CD Audio - Pachislot Zero - Screaming Ambulance, Zero Edition
Fatal Frame II: Crimson Butterfly
Crimson Report - Fatal Frame II: Premium Fandisc - Real Zero: Another Edition - Tamashizume - Zero4D
Fatal Frame III: The Tormented
History of "Project Zero" - Kaname's Letters - Yuu's Notes - Zero Shisei no Koe Comic Anthology
Fatal Frame: Mask of the Lunar Eclipse
A Folie à Deux in August
Spirit Camera: The Cursed Memoir
Another Story - Spirit Camera: Mini-drama - Spirit Camera: Japanese Mini-drama
General
Cross title content - Collectibles - KOEI TECMO Cafe and Dining Zero Series Collaboration - Phone Cards - Untitled Live Action Fatal Frame Film