It's not just the events of the past that the Camera Obscura can uncover. It also captures things concealed within the afterlife. Or, to be more precise, things that have been "spirited away," as it were - rendered invisible.
It turns out this is another one of the device's hidden features, one I discovered while testing its powers.
By switching to the Exposure Filter and capturing something hidden with it, objects once held captive within the afterlife manifest in our realm once more.
These mechanics resemble a practice known as "Phantom Exposés," which are performed by Shadow Readers, people who unearth similar items concealed by supernatural means within part of the Tohoku region.
People say, however, that those who make contact with the afterlife are themselves lured into it. With that in mind, I wonder if Dr. Asou had his reasons for abandoning this research, despite pursuing the afterlife himself.
Exposure Filter Memo
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 This page contains spoilers for a recent release. |
Exposure Filter Memo | |
| |
| Kanji | 覚書・露出フィルター⛓ おぼえがき・ろしゅつふぃるたー |
| Game | Crimson Butterfly Remake |
| Author | Seijiro Makabe |
| Chapter | Chapter 3: The Repentance |
| Located at | Kurosawa House, Guest Room |
| Obtained | |
| Description | A memo outlining the functionality of the Camera Obscura's Exposure Filter, a feature that was previously hidden. |
| Related Notes | Paraceptual Filter Memo, Radiant Filter Memo |
射影機は過去の出来事だけでなく、
幽世に隠されたもの、つまり神隠しにあい、
見えなくなったものをも捉える。
私は射影機の力を試すうちに、
また秘匿された機能を発見した。
「露出フィルター」に切り替えて隠されたものを
写すと、幽世に囚われたものを現世に出現させる
ことができる。
これは、東北地方の一部で神隠しにあったものを
現世に連れ戻す影見たちが「呼び戻し」と呼ぶ
行いに似ている。
幽世に触れた者は、幽世に誘われると聞く。
麻生博士は幽世を求めながら、何らかの理由で
この研究を断念したのではないだろうか。