Yuu's Notes 4

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Yuu's Notes 4

Japanese 優雨の調査報告 四
Author Yuu Asou/Kei Amakura
Source Zero Shisei no Koe Complete Official Capture Book
Page 267-269
Related Notes Yuu's Notes 1, Yuu's Notes 2, Yuu's Notes 3, Yuu's Notes 5

Reika, the Last Priestess


The final Rite of Commandment was carried out roughly a century ago, the point at which records of the Kuzes and the Kuze Shrine cease, and it seems as though the Tattooed Priestess known as Reika Kuze was the last one.

Here, I will summarise the many tragedies that befell Reika Kuze in chronological order, based upon evidence revealed by Dr. Asou's records and the investigation of Kei Amakura. I believe it will provide clues as to the cause of the "Unleashing" that likely took place at the time, as well as the circumstances in which it occurred.

The Birth of Reika Kuze


No documentation remains describing precisely how Reika ended up being brought into the Kuze fold. However, as the priestess was required to be a young woman with no relatives to speak of, this likely came about following the loss of her family in some manner. Records speak of large-scale avalanches having occurred across northern Tohoku in the late Edo period, and I suspect that it was an unfortunate accident brought about by some such natural disaster that claimed her family's lives.

Now, Reika was completely alone. This caught the attention of those at the Kuze Shrine, and that winter she was brought into the shrine as a priestess, becoming Reika Kuze. It would have been very tough indeed for a young woman with no one to depend on to subsist in a poor, remote village. Barring the unexpected, owing to her situation at that time, she likely had little if any hope of leading a happy life as others did. In that sense, becoming a Kuze priestess was probably an ultimatum with regards to her life, but she also seems to have felt little more than resigned acceptance towards closing out her existence as a priestess.

It appears as though, just like the "Sleeping Priestess" song says, she was carried to the shrine aboard a kago in accordance with ancient tradition. According to the records of Akito Kashiwagi, the Kuzes stored the kago used to ferry the priestess by hanging it from the ceiling above the entrance to the manor. As this matches with the hanging of bodies to collect the blood of the dead from them during the Rite of Purple Ink and the aforementioned suspended prison, it appears as though the act of hanging possessed some sort of significance within the Kuzes' customs.

Like each of the priestesses throughout history, she would gradually be tattooed as part of the Piercing of the Soul each time a worshipper visited the shrine, spending the time until the Rite of Commandment inside a hanging cell. The Handmaidens from this time have been identified as Hisame, Shigure, Amane and Minamo.

The Homecoming and Death of Kaname Ototsuki


After Reika Yukishiro entered into the Kuze household as a priestess, some mysterious act of fate brought about something that would have been impossible for any other priestess: Amane, one of the Handmaidens, turned out to be the younger half-sister of Kaname Ototsuki.

Kaname apparently retained few tangible memories of his birthplace. Considering that he was sent away to be adopted when he was a small child, this is only natural. Consequently, during the research into the Manor of Sleep he took part in, it seems as though he merely recognised that it bore similarities to a story from his hometown, and was talking about his former home - that is to say the Kuze Shrine - that was appearing in his dreams. It appears as though he had vaguely come to realise that the Tattooed Priestess spoken of in village legend was Reika, as can be heard described in a tape recording his testimony. Concerned by his repeated dreams of the Manor of Sleep (and, by extension, the woman he cared about), Kaname visited the Kuze Shrine where he suspected she was. Following this, he must somehow have learned that one of the Handmaidens was his sister. It seems likely that he had something in his possession proving that they were related, or that she was aware of his existence.

Ototsuki's Movements


Runs away from hometown
Wants to solve mystery of his birth

(Reika leaves for Kuze Shrine)

Makes contact with Dr. Asou
Investigates mysterious dreams
Testifies about birthplace customs

Returns to birthplace, sneaks into Kuze manor
Confirms Reika is alive
Finds out about sister?

Makes contact with Reika, murdered by Yashuu

(Unleashing?)

Portions of the diaries of the final Kuze family head, Yashuu, corroborate his actions. Upon returning to his birthplace, with Amane's assistance, Kaname set foot in the forbidden Engraving Shrine. As well as being the location where the Piercing of the Soul was performed, the Engraving Shrine also served as the nucleus of the Kuze Shrine, where the path leading to the Chamber of Thorns - the place where the priestess would go to sleep - was concealed. It is not hard to imagine how upset the people of the shrine would have been were a direct male descendent of the Kuzes - known as a "forbidden child", whose existence was considered taboo - to enter such a place in violation of their laws. According to Yashuu's writings, Kaname and Amane were both "banished". This probably explains why his trail goes completely cold after returning to his childhood home.

The matter is also recorded in a diary appearing to have belonged to Amane. It says that she led someone she calls her brother to the priestess, but became concerned and decided to go after him. After following Reika to where she had been submerged within the Rift, Kaname probably found her within the deepest part of the Kuze Shrine just as she was about to fall asleep. This, however, resulted in the irrevocable tragedy of Kaname being murdered before his sweetheart's very eyes.

The Unleashing, and Downfall of the Kuzes


Note: ✕ child
horizon?

What fate befell the Kuze Shrine in the Unleashing brought about by Reika?

The Kuze manor had been maintained and repaired by a select group of shrine carpenters throughout the ages. These men, Narumi carpenters who had guarded the Kuze manor for generations, were mobilised once more, and came up with a plan to stop the Unleashing from spreading any further. Namely, this involved constructing what was known as the "Rift Shrine", a building that covered the Kuze Shrine in its entirety, in order to prevent the miasma seeping out of the Abyss from escaping into the world. These enclosing walls were doubled and redoubled, until the entire shrine was completely cut off from the outside world, and the Kuze manor morphed into a gigantic mansion with an extremely complex layout.

It appears as though the Narumis upheld a tradition in which carpenters who participated in construction work would be made into human pillars, in part to silence them, and a large number of human sacrifices (known as "taboo pillars") were made. Two generations prior to that of the Yashuu, the final family head, major repairs were carried out on the shrine, at which time a considerable number of Narumi carpenters appear to have been sacrificed.

I can't help but point out the irony of the fact that these carpenters considered their work to be something sacred carried out in service to the gods, and as such always dressed in white. According to the records of Yashuu, even the chief carpenter - who, as successor to the clan's techniques, would ordinarily have been spared from being made into a pillar - took his own life. This likely refers to Tengai Narumi, the final head of the Narumis, who was said to have been extraordinarily skilled at his craft even when compared to the many previous masters. The fact that even such a person was forced to pay with his own life in an attempt to stop it affords us a glimpse of just how terrible of an event the Unleashing truly was.

Furthermore, according to conversations with Kaname Ototsuki and other people who had visited the Manor of Sleep in their dreams, there were a great many straw dolls skewered in a courtyard surrounded by a corridor. While this is only the recollection of a dream, it is true that such customs were part of many old folk religions. Straw dolls have often been erected at the boundary between the realm of mankind and the realm of the gods, in the form of human-shaped offerings that serve as guardian deities in place of flesh and blood humans. Consequently, it would not surprise me if this scene from the dream were something that was actually practised at the Kuze manor in real life. Perhaps they were used to protect the mansion from the curse of Reika, the cause of the Unleashing, alongside those who were made into sacrificial pillars.


Photo: Skewered dolls that were worshipped as guardian deities. People in certain regions can still be observed erecting skewered dolls as part of rituals even now.

The Trigger of the Unleashing


The Unleashing was caused by Reika's despair and grief at the loss of Kaname. Conversely, one could say that if Reika had not been aware of Kaname's death, the tragedy of her unleashing her hatred in the form of the holly might have been averted.

The main influencing factor here was Reika likely bearing witness to Kaname's death. If we compare this to the tale of the Tattoo Ascetic, who reflected people's pain back to them after tattooing even her eyes, it would appear that the priestess' eyes are extremely important, and that they were supposed to be empty when she was submerged in the Rift. This resembles the way in which the eyes of the dead are closed when a body is cremated.

Despite the fact that she should not have carried her own pain - since, having lost her family and given up on her own life, she should no longer have anything to grieve - the death of Kaname caused her to feel a pain belonging solely to her. Her emotions were engraved upon her body (specifically her eyes, the soul of the priestess) in the form of tattoos. Would it be too much of a stretch to consider that, as in the legend of the Tattoo Ascetic, the tattoos upon her eyes rampaged out of control and caused the Unleashing?

The Cycle of Fate Surrounding Kaname Ototsuki


Each and every Kuze family member, without exception, was a fatherless woman. This is because, like many primitive groups, the Kuze family was based entirely on a system of matrilineal succession. Accordingly, all male children born to the family were killed during infancy, meaning that the Kuze household was devoid of males (by intention). Another barbaric old custom was that any man who conceived a child with a Kuze woman would also vanish without anyone noticing.

I have spoken of Kaname and the priestess Reika several times already, but allow me to retell their story once more. His mother was Kyouka Kuze, a woman from the Kuze family, through whom he was the grandson of the last family head, Yashuu Kuze. Furthermore, according to Kyouka's writings in her diaries, his father would appear to be Akito Kashiwagi, a folklorist who visited the Kuze manor for the sake of his research.

As there were no males at the Kuze manor, it seems as though they would periodically accept visitors to conceive children with the women of the family and continue the bloodline. Akito Kashiwagi himself appears to have consented to the union with full understanding of his position. However, even if they were blood relatives, there was no way in which a male might go on living within the Kuze household. As the last known traces of Akito Kashiwagi are the journals written during his stay at the Kuze manor, it seems natural to conclude that he must have fallen victim to their cruel and barbaric customs.

Kaname Ototsuki would have been a very rare man indeed, to have been born to such a unique line and yet reach adulthood without his birth family finding out. And not only that, but his father was murdered by his wife's family before ever getting to see the face of his child, his mother barely managing to save her son by entrusting him to the care of a complete stranger in defiance of ancient traditions. Considering his childhood, it is easy to understand why Kaname's adoptive family would have kept the truth hidden from him.

However, despite fortunately having grown into a man, Kaname ultimately returned to his birthplace in order to make sure that his sweetheart was alive and well, where, in all likelihood, he was killed by his own grandmother just as his father once had been.

If any of the Kuze women - Kaname's mother Kyouka, perhaps - had been enlightened enough to object to these terrible practises, this tragedy may have been averted. Or suppose that Kaname had never left the village, and instead stayed by Reika's side - even if she had lost her entire family, it is possible that she might never have become a priestess in the first place.

Though the loss of her childhood friend and sweetheart Kaname was undoubtedly a factor in Reika's grief that triggered the Unleashing, I believe it may also even have been accompanied by despair towards the women who were unable to break the Kuzes' cycle of tragedy.

最後の巫女「零華」


 最後の戒ノ儀が行われたのは、久世一族・久世ノ宮の記
録が途絶えた今からおよそ百年ほど前、「久世零華」と呼
ばれる刺青の巫女が最後だと思われる。

 以下では、麻生博士の調査に残された記録と、天倉螢の
調査により判明した「久世零華を襲った数々の悲劇」を順
に追ってまとめる。その時起こったであろう「破戒」につ
いて、その原因や、その時代状況を知る手掛かりとなるだ
ろう。

久世零華の誕生


零華が久世に迎え入れられたいきさつについては、詳
しい資料は残されていない。だが巫女になる条件として、
「身寄りのない若い女性」というのがあった以上、なんら
かの事情によって家族を失ったことによるのだろう。江戸
末期には北東北の各地で大規模な雪崩が起きた記録が
残っており、おそらくはこういった自然災害がもたらし
た不幸な事故だったのではないだろうか。
 天涯孤独の身になったこと。これは久世の宮の人々の
目に止まり、零華はその年の冬に、巫女として久世の宮に
迎え入れられ、「久世零華」となっている。頼れる人間のい
ない若い女性が、寒村で生きていくには非常に厳しいも
のがある。よほどのことがない限り、人並みの幸せな暮ら
しを送るなどもはや望めないというのが当時の実情では
ないだろうか。そういう意味では久世の巫女になるとい
うのは、人生の最後通牒であると同時に、本人にとっても
巫女として人生を終えることに、諦念以上の気持ちはな
かったように思われる。

 宮入りの際には「眠り巫女」の唄同様、駕籠によって運
ばれるという古来よりの風習に従った形式が取られてい
たようだ。柏木秋人の記録によれば、久世家では巫女を迎
え入れる駕籠は、屋敷の玄関の天上に吊り下げられて保
管されていたらしい。紫魂ノ儀で死に血を採るときに、死
体を吊るしていたらしいことや、前述の吊り牢同様、久世
の風習として、「吊る」という行為自体に意味付けがされ
ていたことがうかがわれる。
 宮では歴代の巫女同様、参詣者が訪れるごとに刺魂ノ
儀によって少しずつ刺青を刻まれ、戒ノ儀までの期間を
吊り牢の中で過ごしていた。なおこのときの鎮女は「氷雨」
「時雨」「雨音」「水面」の4人が確認されている。


乙月要の帰郷と死


 雪代零華が巫女として久世家に入ったあと、奇しき縁
により、それまでの巫女たちには起こり得なかった事件
が起こる。鎮女のひとりである雨音が、乙月要の異父妹で
あったのだ。
 彼はもともと、故郷の具体的な記憶をほとんど持って
いなかったという。物心つかないころに里子に出されて
いれば、それも無理からぬことであろう。そのため「眠り
の家」の研究時には、あくまでも「故郷に似たような話が
ある」といった程度の認識で、夢に出てきたかつての生家
―すなわち久世の宮―のことを語っていたようだ。
そのなかで村の言い伝えである刺青の巫女が零華なので
はないかと、おぼろげに悟っていたらしく、証言テープに
もそういった内容の言葉が残されている。眠りの家の夢、
ひいては親しかった零華の夢を見続けることに疑問を感
じていたことから、彼女がいるであろう久世ノ宮を訪れ
た後で、なんらかのいきさつによって、鎮女のひとりが
妹であることを知り得たのだろう。おそらく身内である
ことを証明する何かを持っていたとか、彼女のほうが兄
の存在を知っていたということではないだろうか。

乙月の行動


故郷を出奔
出生の謎を明らかにするため

(零華、久世の宮へ)

麻生博士と接触
謎の夢の調査
故郷に残る風習について証言

故郷に戻る、久世家へ潜入
零華の生死の確認
妹の存在を知る?

零華と接触、夜舟に殺害される

(破戒?)


 久世家最後の当主・夜舟の手記に、彼の行動を裏づける
部分がある。要は故郷に戻ったあと雨音の手を借りて、禁
忌の場所・刻宮にまで踏み込んだらしい。刻宮は刺魂ノ儀
の行なわれる場所であり、また刺獄と呼ばれる、巫女が眠
りにつく場所への続く道が隠された、久世の宮の中枢部
でもある。そういったところに、「忌子」と呼ばれ、禁忌と
されている直系男子が立入り、禁を犯したのであるから、
神官らの動揺は想像に難くない。夜舟の記述によると要は、
雨音ともども「流された」とある。彼が郷里から戻ってか
らの足取りがまったく絶えてしまったのはそのためだろ
う。なおこの件については雨音らしき人物の日記にも記
されている。「兄」である人物を巫女のもとに導いたものの、
気がかりなので後を追う―といった内容である。狭間
に沈められた零華を追った要は、久世の宮の最深部で、ま
さに眠りにつこうとする彼女に出会ったのであろう。
 しかしまたそれは、恋人零華の眼前で、要が殺害される
という、救い難い悲劇を生むことになってしまった。

破戒と瓦解


ノート:X子供
    ○「涯」か

 零華によって引き起こされた「破戒」で、久世の宮はど
のような運命をたどることになったのか。
 久世家は代々限られた宮大工たちの手によって手入れ・
改修されており、このときも代々久世家を守ってきた鳴
海一門の宮大工たちが再び動員され、破戒の広がりを食
い止めるための手段が講じられている。すなわち「奈落から
這い出してくる瘴気を外界に出さぬよう」、「狭間の宮」と
呼ばれる建物を築いて久世の宮をすっぽりと覆ってしま
ったのだ。さらに二重三重の囲いが施され、宮そのものは
外界から完全に遮断されてしまうとともに、久世家は非
常に複雑な構造を持った、巨大な屋敷に変貌することに
なった。
 鳴海一門はもともと工事に携わった宮大工たちを口封
じの意味も兼ねて人柱として立てる風習を持っていたら
しく、「忌柱」と呼ばれる人身御供が多数用いられたようだ。
最後の当主となった夜舟の二代前にも、大きな改修工事
が行なわれており、そのときにも鳴海一門の番匠たちが
相当数犠牲となっていたらしい。
 彼ら番匠たちが己の仕事を「神に仕える尊いもの」と考
え、つねに白装束で臨んでいたことは皮肉であるといわ
ざるを得ない。夜舟の記録によれば、本来技の継承者とし
て柱となることを免れるはずの木工頭までが命を絶った
とされている。これはおそらく鳴海家最後の当主で、代々
の当主のなかでも優れた技を持っていたとされる鳴海天
涯であろうと思われるが、そういう人物ですら命を賭し
て封じなければならなかったという事実に、破戒のすさ
まじさを垣間見ることができる。
 また乙月要を初め、夢で眠りの家を訪れていた人々の
話によれば、回廊に囲まれた中庭に、串刺しにされたおび
ただしい数の藁人形があったという。これ自体はあくま
で夢の話ではあるが、古い時代の民間信仰には、しばしば
こういった風習があったことは事実だ。神の世界と人の
世界との境界に藁人形を立てることにより、生身の人間
に代わる守り神として、まさにヒトガタの供物としてし
ばしば用いられてきたのである。したがって夢で見られ
たというこの光景は、実際に久世家でも行なわれていた
としても不思議ではないだろう。これも破戒を引き起こ
した零華の呪いから、忌柱の人々とともに屋敷を守る役
目を負っていたのかもしれない。

写真:守り神としてまつられた串人形。現在でも一部の地域では祭事として串人形を立てる様子が見られる。


破戒の引き金になったもの


 要を失うという零華の絶望と悲しみによって引き起こ
された破戒だが、逆に言えば、もし零華が要の死を知らな
ければ、怨念として柊を解放するという、この悲惨な事件
は起きなかったといえる。



 その点を左右した要因は、零華が要の死を「目撃」して
いただろうということだ。目にまで刺青を刻んでしまっ
たがために、痛みを跳ね返してしまったという文身行者
になぞらえて考えるならば、巫女の「瞳」の存在というの
は極めて重要であり、狭間に沈むべき彼女の目には、本来
なにものをも映してはならなかったのだ。荼毘に伏すと
きに死者のまぶたを閉じるように。
 本来自分の痛みを背負うはずがないのに―身内を亡
くし、己の人生を断念しているから、もはや悲しみなど存
在するはずもないのだ―要の死によって誰のものでも
ない、彼女自身の「痛み」を感じてしまった。その想いが自
分の身体、ことに巫女の魂となる瞳に刺青として刻まれ
てしまう。瞳に刻まれた刺青は文身行者の言い伝えどお
りに暴走し、破戒が引き起こされてしまった―そう考
えるのは穿ちすぎであろうか。

乙月要をめぐる因果


 久世家の人間は例外なく「父親を持たない女性」である。
これは久世家が多くのプリミティヴな集団同様、徹底し
た女系相続の家系であることに由来する。よって久世家
に生まれた男子はすべて幼少のうちに殺されるため、も
ともと男性が存在しない(ことになっている)一族である
ということ。そしてもうひとつは、久世家の女性とのあい
だに子供を設けた男性もまた、世間から気づかれること
なく姿を消えてしまう、という因習を生んだ。
 要と巫女・零華をめぐってはこれまでも何度か述べて
きたが、ここで改めて記しておきたい。彼の母親は久世家
の娘である久世鏡華で、最後の当主・久世夜舟からは孫に
当たる人物である。また父親は鏡華の手記の記述によれば、
久世家へ調査に訪れていた民俗学者・柏木秋人というこ
とになるようだ。

 男子を持たない久世家では、血の存続のために定期的
に客人を迎えて、一族の女性とのあいだに子供をもうけ
ていたらしく、柏木秋人自身も自分がそういった立場を
了承したうえでの結婚であったようだ。しかしながらた
とえ血縁関係にあっても、久世家で男性が存在していく
術はない。柏木秋人の消息が久世家の滞在中の手記を最
後に途絶えているのは、忌まわしき因習の犠牲になった
と考えるのが自然だろう。
 乙月要はそういった非常に特殊な家系に生まれながら、
生家に知られることなく成人した、極めてまれな男子で
あったということにある。そしてまた、父親は子供の顔を
見るより先に、妻の一族の手にかかって亡くなり、母親は
古いしきたりのなかで、子供を何処の誰ともわからない
人間に託すことで、かろうじて命を守った。そんな生い立
ちを背負っていれば、養家の人間が要に真実を語らずに
いたこともうなずける。
 だか幸運にも成人することができた彼も、結局は恋人
の安否を確かめるために故郷に戻り、おそらくは父親と
同じく、実の祖母の手にかかって命を落とすことになる。
 久世家の女性の中に―たとえば要の母親である鏡華
など―こいうった因習に意義を唱えられる啓蒙的な思
想を持った人物がいれば、あるいはこの悲劇は起こらな
かったのかもしれない。あるいは要が村を出ることなく、
零華の側にいたとしたら、たとえ身寄りをなくしたにせよ、
彼女が巫女になること自体がなかった可能性すらある。
 破戒を引き起こした零華の悲しみには、幼なじみであ
り恋人であった要を失ったことはもちろんであるが、久
世の悲劇の連鎖を断ち切ることのできなかった女性たち
への絶望が込められていたのではないかとさえ思える。

Supplemental Material
Fatal Frame
Himuro Investigation Record - Zero Sound Horror - Project Zero CD Audio - Pachislot Zero - Screaming Ambulance, Zero Edition
Fatal Frame II: Crimson Butterfly
Crimson Report - Fatal Frame II: Premium Fandisc - Real Zero: Another Edition - Tamashizume - Zero4D
Fatal Frame III: The Tormented
History of "Project Zero" - Kaname's Letters - Yuu's Notes - Zero Shisei no Koe Comic Anthology
Fatal Frame: Mask of the Lunar Eclipse
A Folie à Deux in August
Spirit Camera: The Cursed Memoir
Another Story - Spirit Camera: Mini-drama - Spirit Camera: Japanese Mini-drama
General
Cross title content - Collectibles - KOEI TECMO Cafe and Dining Zero Series Collaboration - Phone Cards - Untitled Live Action Fatal Frame Film