The visions continue to bring me more and more masterpieces, and since I have come to Rogetsu Hall, they have only increased in the beauty of their finality.
For instance, take my piece entitled "Five Girls Seeking Light."
It depicts those naive and foolish girls, crying for help while oblivious to their crime. A mixture of hope and despair. The weight of the task with which they are burdened. Such beautiful girls...
This piece can truly be called the embodiment of my visions.
And now the visions spread endlessly before my eyes. And then there is nothing.
These visions are the flowers of salvation. Yes, they bring about the salvation that we have been waiting for.
We will all be saved by our own annihilation!
Bright, blinding annihilation will bloom over this island!
All filth and dirtiness will blossom!
Stop ye and witness the flower woman!
See her face, filled with the beauty of annihilation!
The face with no face!
The flower of annihilation!
Come
Come
Come Come
Yuko Magaki's Painting Notes (2): Difference between revisions
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{{Note Infobox2 | |||
|image = [[Image:MagakiWorkNote.PNG|150px]] | |image = [[Image:MagakiWorkNote.PNG|150px]] | ||
|kanji = 曲木の創作ノート 二 | |kanji = 曲木の創作ノート 二 | ||
|kana = まがきのそうさくのーと に | |kana = まがきのそうさくのーと に | ||
|author = | |author = Yuko Magaki | ||
|chapter = 10 | |chapter = 10 | ||
|location = [[Room 309]] | |location = [[Room 309]] | ||
|obtained = On the small table beside the easel | |obtained = On the small table beside the easel | ||
|description = | |description = Notes about salvation. | ||
|adddescription = | |adddescription = This is his diary... Magaki, the artist who stayed in this room... | ||
|game = FF4 | |game = FF4 | ||
|related = [[Magaki's | |related = [[Yuko Magaki's Painting Notes (1)]] | ||
|english = | |english = | ||
The | The visions continue to bring me more and more masterpieces, and since I have come to [[Rogetsu Hall]], they have only increased in the beauty of their finality. | ||
For instance, take my piece entitled "[[Five Maidens|Five Girls Seeking Light]]." | |||
It depicts those naive and foolish girls, crying for help while oblivious to their crime. A mixture of hope and despair. The weight of the task with which they are burdened. Such beautiful girls... | |||
This | This piece can truly be called the embodiment of my visions. | ||
And now | And now the visions spread endlessly before my eyes. And then there is nothing. | ||
These visions are the flowers of salvation. Yes, they bring about the salvation that we have been waiting for. | |||
We will all be saved by our own annihilation! | |||
Bright, blinding annihilation will bloom over this island! | |||
All filth and dirtiness will blossom! | |||
Stop | Stop ye and witness the flower woman! | ||
See her face, filled with the beauty of annihilation! | |||
The face with no face! | |||
The flower of annihilation! | |||
Come | |||
Come | |||
Come Come | |||
|japanese = | |japanese = | ||
ヴィジョンは次々と私に作品を授ける。 | ヴィジョンは次々と私に作品を授ける。 | ||
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{{FFIV File}} | {{FFIV File}} | ||
Latest revision as of 14:11, 18 March 2023
Yuko Magaki's Painting Notes (2) | |
| |
| Kanji | 曲木の創作ノート 二 まがきのそうさくのーと に |
| Game | Fatal Frame: Mask of the Lunar Eclipse |
| Author | Yuko Magaki |
| Chapter | Phase X: Fallen Petals |
| Located at | Room 309 |
| Obtained | On the small table beside the easel |
| Description | Notes about salvation. |
| Additional Description | This is his diary... Magaki, the artist who stayed in this room... |
| Related Notes | Yuko Magaki's Painting Notes (1) |
ヴィジョンは次々と私に作品を授ける。
ここを訪れてより、ヴィジョンは
その終末的な美しさを増すばかりだ。
罪を犯した事も知らずに助けを求める
無垢にして愚かな少女達を描いた作品⋯
「光を求める五人の少女」。
救済と絶望の混在。
背負わされた業の重さ。
それ故美しき少女。
私のヴィジョンの体現者と呼ぶに
相応しい作品だ。
そして今、私の目に広がるビジョンは
限りなく広く、そして何も無い。
このヴィジョンこそ
来たるべき救済をもたらす
救済の花だ！
我々は消滅によって
救済されるのだ！
眩いばかりの消滅がこの島に
咲き乱れていく！
全ての汚れが咲いていく！
足を止め、女の花を見よ！
消滅の美を湛える、その顔を！
顔無き顔！ 消滅の花！
生まれよ
生まれよ
生まれよ 生まれよ
Additional Information
Magaki here uses numerous words which one might otherwise see in a religious context, such as the emptiness, suffering, annihilation, and salvation familiar to Buddhism, as well as the sin and impurity familiar to Shinto.