Yuu's Notes 4

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Yuu's Notes 4

Japanese 優雨の調査報告 四
Author Yuu Asou/Kei Amakura
Source Zero Shisei no Koe Complete Official Capture Book
Page 267-269
Related Notes Yuu's Notes 1, Yuu's Notes 2, Yuu's Notes 3, Yuu's Notes 5

Reika, The Last Priestess


Records of the Kuze family and Kuze Shrine cease roughly 100 years ago, at the time of the final Rite of Commandment, and the Tattooed Priestess called Reika Kuze appears to have been the last one.

Below, I will summarise the many tragedies that affected Reika Kuze, garnered from the remaining records of Dr. Asou's investigation and affirmations from Kei Amakura's own investigation. Perhaps it will provide some clues as to what caused the "Unleashing" to occur at that time, and what the situation at the time was.

The Birth of Reika Kuze


No in-depth data regarding the particulars of Reika's entering the shrine remains. However, since the condition for becoming a priestess was being a young woman with no relatives, she must have lost her family in some kind of incident. There are records indicating that multiple large-scale avalanches occurred in northern Tohoku in the late Edo period (1860s), so perhaps they died in an unfortunate accident resulting from a natural disaster.

She was now without a single relative. This caught the eye of those at the Kuze Shrine, and that winter Reika entered the Kuze Shrine as a priestess, becoming "Reika Kuze". For a young woman with no one to rely on, life in a poor village was very harsh. Without knowing the true extent of her circumstances at the time, it seems as though she could no longer hope to live a life of average happiness. In that sense, it seems as though at a time when she had to make a decision about her life, she felt resigned to ending her life as a priestess.

Just as in the "Sleeping Priestess" song, it appears as though when she entered the shrine she was carried there in a kago (palanquin), abiding by ancient customs. According to Akito Kashiwagi's records, the kago that brought the priestess to the Kuze manor seems to have been stored in the entrance hall, where it was hung from the ceiling. Just like the way bodies were hung when seeking out the dead blood in the Rite of Purple Ink, like the Hanging Prison previously described, the act of "hanging" itself seems to have some meaning with regards to Kuze tradition.

Like previous priestesses of the shrine, she was gradually tattooed in the Piercing of the Soul ritual as worshippers visited, and she would spend her time in the Hanging Prison until the Rite of Commandment. I have confirmed the four Handmaidens from this time as "Hisame", "Shigure", "Amane" and "Minamo".


Kaname Ototsuki's Homecoming and Death


After Reika Yukishiro became a priestess and joined the Kuze family, due to some queer fate, an incident occurred that had not affected any previous priestess. One of the Handmaidens, Amane, was the half-sister of Kaname Ototsuki.

Initially, he had very few tangible memories of his hometown. If he was adopted before he developed an awareness of his surroundings, this would be understandable. Because of this, while he was researching the House of Sleep he only recognised it as a story that sounded similar to one from his hometown until the very end, and spoke of the house of his birth that appeared in his dreams - in other words, the Kuze Shrine - this way. He seems to have realised that the Tattooed Priestess spoken of in the village was Reika, and left a testimonial tape to this effect. Perhaps when he began to have questions about the dream Reika he kept seeing in the House of Sleep dream he visited the Kuze Shrine, where he thought she would be, after which several details came to light and he learned that one of the Handmaidens was his younger sister.

Ototsuki's Movements


Elopes from his hometown in order to clear up the mysteries of his birth



(Reika goes to the Kuze Shrine)



Makes contact with Dr. Asou

Investigates the mysterious dream

Testifies about the customs of his hometown



Returns to his hometown, sneaks into Kuze Manor

Ascertains whether Reika is alive or dead

Learns of his sister?



Makes contact with Reika, killed by Yashuu



(Unleashing?)


Parts of the notebooks of the final Kuze family head, Yashuu, corroborate his actions. It seems as though after he returned to his hometown he sought out the help of Amane, and set foot in the forbidden place, the Engraving Shrine. The Engraving Shrine was where the Piercing of the Soul took place, and was a central part of the Kuze Shrine, concealing the path leading to the place known as the Chamber of Thorns where the priestess was put to sleep. It is not hard to imagine that the priests would be upset by such a prohibited act being committed by a forbidden male child, known as an "imiko" (taboo child). According to Yashuu, Kaname and Amane were both "cast out". Perhaps this is why all traces of his route since his return home stop abruptly. The diary of a person who seems to be Amane also records these events. She speaks of leading her brother to the priestess, and chasing after him out of concern. If Kaname followed Reika to where she was submerged in the Rift, in the deepest part of the Kuze Shrine, surely he must have met with her as she was going to sleep.

However, in front of his lover Reika's eyes, Kaname was murdered, which gave birth to an irredeemable tragedy.

The Unleashing and Downfall


Note: Not "child" - the "horizon"?

What fate befell the Kuze Shrine in the "Unleashing" brought about by Reika?

From generation to generation, the Kuze manor was taken care of and repaired by shrine carpenters, and at this time also it was in the care of the Narumi clan of shrine carpenters, who were mobilised and took measures to stem the spread of the Unleashing. In other words, in order to stop the Miasma from seeping out from the Abyss into the outside world, they built a building called the "Rift Shrine", which completely covered the Kuze Shrine. A further two or three layers were added, so that the entire shrine became completely isolated from the outside world, and the manor turned into a huge building with a very complex layout.

The Narumi clan of builders seems to have originally been involved in upholding the tradition of silencing the shrine carpenters and turning them into sacrificial pillars, and were apparently used many times as human sacrifices known as "taboo pillars". Two generations before Yashuu, the final family master, major repair work was performed, and quite a few members of the Narumi clan carpenters appear to have become victims then as well.

The carpenters considered their job to be a means of "serving god", and it is somewhat ironic that they were always seen in white clothing. According to Yashuu's records, as successors to the original techniques it was their job to kill the carpenters who tried to escape and turn them into pillars. Tengai Narumi, who was likely the final Narumi master, appears to have had superior technique even to the masters of past generations, but the fact that even his life was risked in the quest to stop it provides us with a glimpse into how dreadful the Unleashing must have been.

Furthermore, beginning with Kaname Ototsuki, according to the stories told by those who visited the House of Sleep in their dreams there was a courtyard enclosed in a corridor, in which there were a number of skewered straw dolls. Although this is only a tale of the dream, it is true that customs like this frequently pop up in old folk beliefs. These straw dolls stand on the boundary of the world of gods and the world of people, and as such are viewed as guardian deities in the place of living people, frequently used as humanoid offerings. Consequently, things viewed in this scene, which was supposedly seen in the dream, would not have been unusual to have actually been performed at the Kuze manor. Perhaps they also took on the role of protecting the manor along with the people made into sacrificial pillars from Reika's curse after the Unleashing occurred.


Photo: Skewered dolls that were worshipped as guardian deities. Even now in some areas these dolls can be seen used in festivals.

What Triggered the Unleashing


The Unleashing occurred because of Reika's despair and grief at the loss of Kaname, but conversely, you could say that if Reika hadn't known of Kaname's death, she would not have released her hatred and malice as the holly, and this tragic incident would have been averted.


The primary influence was most likely Reika witnessing Kaname's death. If you think of it like the Tattoo Master, that because the tattoos were engraved as far as her eyes they rebounded; the priestess' eyes, which are very important and should be submerged in the Rift with her, should not see anything. This is similar to the way in which the eyelids of the dead are closed for cremation.

Although she shouldn't be burdened with her own pain - from losing relatives, or the grief that results from giving up her own life and ceasing to exist - Kaname's death caused everyone, not only herself, to feel her pain. Those emotions were engraved upon the priestess' whole body as a tattoo, particularly her eyes, which became her soul. Just as in the legend of the Tattoo Master, the tattoo engraved into her eyes ran amok, bringing about the Unleashing - perhaps this is why she was impaled so soon.

Karma Surrounding Kaname Ototsuki


Without exception, the Kuze family was made up of fatherless women. Since all boys born to the Kuze family were killed while still children, from the start it was a family without any men. Another tradition was that men who conceived children with the Kuze women would vanish without the rest of the world noticing.

The circumstances surrounding Kaname and the priestess Reika have been described many times up until now, but I would like to record them properly here. His mother was a daughter of the Kuze family, Kyouka Kuze, through whom he was the grandson of the final family master, Yashuu Kuze. According to the descriptions in Kyouka's notes, his father was Akito Kashiwagi, a folklorist who visited the Kuze manor to conduct research.

The Kuze family, possessing no males, had to welcome in guests on a regular basis in order for the bloodline to survive, seemingly to conceive children with the female family members, and Akito Kashiwagi seems to have accepted the union having understood the position. However, even though they may share blood, no men are permitted in the Kuze manor. Kashiwagi's writings end with the notebooks he kept during his stay at the Kuze house, which naturally seems to suggest that he was sacrificed in some unpleasant, long-standing custom.

While Kaname Ototsuki was born into a very unique family, he grew up without knowing his birthplace, making him an extremely rare male. Also, before the father sees his child's face he is killed by the mother's family; in time-honoured tradition, the mother entrusts her child to an unknown person, in an attempt to keep the child safe. Bearing the burden of such an upbringing, the foster parents would have told Kaname nothing of the truth.

However, due to fortune and his coming of age, he returned to his hometown in order to check on the wellbeing of his lover, and probably in the same way as his father he was killed by his real grandmother.

If there was someone amongst the women of the Kuze family - for example, Kaname's mother, Kyouka - who possessed an enlightened ideology and enforced these customs, perhaps this disaster may not have occurred. If Kaname had not left the village, and had stayed by Reika's side, even though Reika may have had no relatives, there is the possibility that she may not have become a priestess.

Reika's grief, which caused the Unleashing, was of course due to the loss of her childhood friend and lover Kaname, but I think it maybe also included the despair of the Kuze women who were unable to break the chain of tragedy.

最後の巫女「零華」


 最後の戒ノ儀が行われたのは、久世一族・久世ノ宮の記
録が途絶えた今からおよそ百年ほど前、「久世零華」と呼
ばれる刺青の巫女が最後だと思われる。

 以下では、麻生博士の調査に残された記録と、天倉螢の
調査により判明した「久世零華を襲った数々の悲劇」を順
に追ってまとめる。その時起こったであろう「破戒」につ
いて、その原因や、その時代状況を知る手掛かりとなるだ
ろう。

久世零華の誕生


零華が久世に迎え入られたいきさつについては、詳
しい資料は残されていない。だが巫女になる条件として、
「身寄りのない若い女性」というのがあった以上、なんら
かの事情によって家族を失ったことによるのだろう。江戸
末期には北東北の各地で大規模な雪崩が起きた記録が
残っており、おそらくはこういった自然災害がもたらし
た不幸な事故だったのではないだろうか。
 天涯孤独の身になっこと。これは久世の宮の人々の
目に止まり、零華はその年の冬に、巫女として久世の宮に
迎え入れられ、「久世零華」となっている。頼れる人間のい
ない若い女性が、寒村で生きていくには非常に厳しいも
のがある。よほどのことがない限り、人並みの幸せな暮ら
しを送るなどもはや望めないというのが当時の実情では
ないだろうか。そいういう意味では久世の巫女になるとい
うのは、人生の最後通牒であると同時に、本人にとっても
巫女として人生を終えることに、諦念以上の気持ちはな
かったように思われる。

 宮入りの際には「眠り巫女」の唄同様、駕籠によって運
ばれるという古来よりの風習に従った形式が取られてい
たようだ。柏木秋人の記録によれば、久世家では巫女を迎
え入れる駕籠は、屋敷の玄関の天上に吊り下げられて保
管されていたらしい。紫魂ノ儀で死に血を探るときに、死
体を吊るしていたらしいことや、前述の吊り牢同様、久世
の風習として、「吊る」という行為自体に意味付けがされ
ていたことがうかがわれる。
 宮では歴代の巫女同様、参詣者が訪れるごとに刺魂ノ
儀によって少しずつ刺青を刻まれ、戒ノ儀までの期間を
吊り牢の中で過ごしていた。なおこのときの鎮女は「氷雨」
「時雨」「雨音」「水面」の4人が確認されている。


乙月要の帰郷と死


 雪代零華が巫女として久世家に入ったあと、奇しき録
により、それまでの巫女たちには起こり得なかった事件
が起こる。鎮女のひとりである雨音が、乙月要の異父妹で
あったのだ。
 彼はもともと、故郷の具体的な記憶をほとんど持って
いなかったという。物心つかないころに里子に出されて
いれば、それも無理からぬことであろう。そのため「眠り
の家」の研究時には、あくまでも「故郷に似たような話が
ある」といった程度の認識で、夢に出てきたかつての生家
―すなわち久世の宮―のことを語らっていたようだ。
そのなかで村の言い伝えである刺青の巫女が零華なので
はないかと、おぼろげに悟っていたらしく、証言テープに
もそういった内容の言葉が残されている。眠りの家の夢、
ひいては親しかった零華の夢を見続けることに疑問を感
じていたことから、彼女がいるであろう久世ノ宮を訪れ
他後で、なんらかのいきさつによって、鎮女のひとりが妹であることを知り得たのだろう。おそらく身内である
ことを証明する何かを持っていたとか、彼女のほうが兄
の存在を知っていたということではないだろうか。

乙月の行動


故郷を出奔
出生の謎を明らかにするため

(零華、久世の宮へ)

麻生博士と接触
謎の夢の調査
故郷に残る風習について証言

故郷に戻る、久世家へ潜入
零華の生死の確認
妹の存在を知る?

零華と接触、夜舟に殺害される

(破戒?)


 久世家最後の当主・夜舟の手記に、彼の行動を裏づける
部分がある。要は故郷に戻ったあと雨音の手を借りて、禁
忌の場所・刻宮にまで踏み込んだらしい。刻宮は刺魂ノ儀
の行なわれる場所であり、また刺獄と呼ばれる、巫女が眠
りにつく場所への続く道が隠された、久世の宮の中枢部
でもある。そういったところに、「忌子」と呼ばれ、禁忌と
されている直系男子が立入り、禁を犯したのであるから、
神官らの動揺は想像に難くない。夜舟の記述によると要は、
雨音ともども「流された」とある。彼が故郷から戻ってか
らの足取りがまったく絶えてしまったのはそのためだろ
う。なおこの件については雨音らしき人物の日記にも記
されている。「兄」である人物を巫女のもとに導いたものの、
気がかりなので後を追う―といった内容である。狭間
に沈められた零華を追った要は、久世の宮の最深部で、ま
さに眠りにつこうとする彼女に出会ったのであろう。
 しかしまたそれは、恋人零華の眼前で、要が殺害される
という、救い難い悲劇を生むことになってしまった。

破戒と瓦解


ノート:X子供
    ○「涯」か

 零華によって引き起こされた「破戒」で、久世の宮はど
のような運命をたどることになったのか。
 久世家は代々限られた宮大工たちの手によって手入れ・
改修されており、このときも代々久世家を守ってきた鳴
海一門の宮大工たちが再び動員され、破戒の広がりを食
い止めるための手段が講じられている。すなわち「奈落から
這い出してくる瘴気を外界に出さぬよう」、「狭間の宮」と
呼ばれる建物を築いて久世の宮をすっぽりと覆ってしま
ったのだ。さらに二重三重の囲いが施され、宮そのものは
外界から完全に遮断されてしまうとともに、久世家は非
常に複雑な構造を持った、巨大な屋敷に変貌することに
なった。
 鳴海一門はもともと工事に携わった宮大工たちを口封
じの意味も兼ねて人柱として立てる風習を持っていたら
しく、「忌柱」と呼ばれる人身御供が多数用いられたようだ。
最後の当巣となった夜舟の二代前にも、大きな改修工事
が行なわれており、そのときにも鳴海一門の番匠たちが
相当数犠牲となっていたらしい。
 彼ら番匠たちが己の仕事を「神に仕える導いもの」と考
え、つねに白装束で臨んでいたことは皮肉であるといわ
ざるを得ない。夜舟の記録によれば、本来技の継承者とし
て柱となることを免れるはずの木工頭までが命を絶った
とされている。これはおそらく鳴海最後の当主で、代々
の当主のなかでも優れた技を持っていたとされる鳴海天
涯であろうと思われるが、そういう人物ですら命を賭し
て封じなければならなかったという事実に、破戒のすさ
まじさを垣間見ることができる。
 また乙月要を初め、夢で眠りの家を訪れていた人々の
話によれば、回廊に囲まれた中庭に、串刺しにされたおい
ただしい数の薬人形があったという。これ自体はあくま
で夢の話ではあるが、古い時代の民間信仰には、しばしば
こういった風習があったことは事実だ。神の世界と人の
世界との境界に薬人形を立てることにより、生身の人間
に代わる守り神として、まさにヒトガタの供物としてし
ばしば用いられてきたのである。したがって夢で見られ
たというこの光景は、実際に久世家でも行なわれていた
としても不思議ではないだろう。これも破戒を引き起こ
した零華の呪いから、忌柱の人々とともに屋敷を守る役
目を負っていたのかもしれない。

写真:守り神としてまつられた串人形。現在でも一部の地域では祭事として串人形を立てる様子が見られる。

破戒の引き金になったもの


 要を失うという零華の絶望と悲しみによって引き起こ
された破戒だが、逆に言えば、もし零華が要の死を知らな
ければ、怨念として柊を解放するという、この悲惨な事件
は起きなかったといえる。



 その点を左右した要因は、零華が要の死を「目撃」して
いただろうということだ。目にまで刺青を刻んでしまっ
たがために、痛みを跳ね返してしまったという文身行者
になぞらえて考えるならば、巫女の「瞳」の存在というの
は極めて重要であり、狭間に沈むべき彼女の目には、本来
なにものをも映してはならなかったのだ。荼毘に伏すと
きに死者のまぶたを閉じるように。
 本来自分の痛みを背負うはずがないのに―身内を亡
くし、己の人生を断念しているから、もはや悲しみなど存
在するはずもないのだ―要の死によって誰のものでも
ない、彼女自身の「痛み」を感じてしまった。その想いが自
分の身体、ことに巫女の魂となる瞳に刺青として刻まれ
てしまう。瞳に刻まれた刺青は文身行者の言い伝えどお
りに暴走し、破戒が引き起こされてしまった―そう考
えるのは穿ちすぎであろうか。

乙月要をめぐる因果


 久世家の人間は例外なく「父親を持たない女性」である。
これは久世家が多くのプリミティヴな集団同様、徹底し
た女系相続の家系であることに由来する。よって久世家
に生まれた男子はすべて幼少のうちに殺されるため、も
ともと男性が存在しない(ことになっている)一族である
ということ。そしてもうひとつは、久世家の女性とのあい
だに子供を設けた男性もまた、世間から気づかれること
なく姿を消えてしまう、という因習を生んだ。
 要と巫女・零華をめぐってはこれまでも何度か述べて
きたが、ここで改めて記しておきたい。彼の母親は久世家
の娘である久世鏡華で、最後の当主・久世夜舟からは孫に
当たる人物である。また父親は鏡華の手記の記述によれば、
久世家へ調査に訪れていた民俗学者・柏木秋人というこ
とになるようだ。

 男子を持たない久世家では、血の存続のために定期的
に客人を迎えて、一族の女性とのあいだに子供をもうけ
ていたらしく、柏木秋人自身も自分がそういった立場を
了承したうえでの結婚であったようだ。しかしながらた
とえ血縁関係にあっても、久世家で男性が存在していく
術はない。柏木秋人の消息が久世家の滞在中の手記を最
後に途絶えているのは、忌まわしき因習の犠牲になった
と考えるのが自然だろう。
 乙月要はそういった非常に特殊な家系に生まれながら、
生家に知られることなく成人した、極めてまれな男子で
あったということにある。そしてまた、父親は子供の顔を
見るより先に、妻の一族の手にかかって亡くなり、母親は
古いしきたりのなかで、子供を何処の誰ともわからない
人間に託すことで、かろうじて命を守った。そんな生い立
ちを背負っていれば、養家の人間が要に真実を語らずに
いたこともうなずける。
 だか幸運にも成人することができた彼も、結局は恋人
の安否を確かめるために故郷に戻り、おそらくは父親と
同じく、実の祖母の手にかかって命を落とすことになる。
 久世家の女性の中に―たとえば要の母親である鏡華
など―こいうった因習に意義を唱えられる啓蒙的な思
想を持った人物がいれば、あるいはこの悲劇は起こらな
かったのかもしれない。あるいは要が村を出ることなく、
零華の側にいたとしたら、たとえ身寄りをなくしたにせよ、
彼女が巫女になること自体がなかった可能性すらある。
 破戒を引き起こした零華の悲しみには、幼なじみであ
り恋人であった要を失ったことはもちろんであるが、久
世の悲劇の連鎖を断ち切ることのできなかった女性たち
への絶望が込められていたのではないかとさえ思える。

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History of "Project Zero" - Kaname's Letters - Yuu's Notes - Zero Shisei no Koe Comic Anthology
Fatal Frame: Mask of the Lunar Eclipse
A Folie à Deux in August
Spirit Camera: The Cursed Memoir
Another Story - Spirit Camera: Mini-drama - Spirit Camera: Japanese Mini-drama
General
Cross title content - Collectibles - KOEI TECMO Cafe and Dining Zero Series Collaboration - Phone Cards - Untitled Live Action Fatal Frame Film