I saw Azami again. The real Azami, the one that should've long arrived at the gods' side by now after being placed into the 
.
She appeared to me accompanied by a crimson butterfly, urging me to kill the manikin that I created in her place.
Truly, I have committed a terrible act.
It was wrong of me. Wrong of me to try to create her again after she and Akane had become whole.
I think Azami was trying to reveal the locations of the doll mechanism's head and hands.
She said that these parts are hidden in the manor somewhere, in a small room with a box.
It's imperative I track them all down and get the doll working again, as soon as possible.
Doll Maker's Note 4
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 This page contains spoilers for a recent release. |
For the version of this note that appears in Fatal Frame II, see Doll Maker Note 4.- For the version of this note that appears in Deep Crimson Butterfly, see Dollmaker's Diary IV.
Doll Maker's Note 4 | |
| |
| Kanji | 人形師の手記 四 にんぎょうしのしゅき よん |
| Game | Crimson Butterfly Remake |
| Author | Yoshitatsu Kiryu |
| Chapter | Chapter 6: The Remaining |
| Located at | Kiryu House, Doll Room |
| Obtained | |
| Description | Writings from a doll maker who created the manor's contraptions, recalling an encounter he had with the soul of the real Azami. |
| Related Notes | Doll Maker's Note 1, Doll Maker's Note 2, Doll Maker's Note 3, Doll Maker's Note 5, Doll Maker's Note 6, Doll Maker's Note 7 |
薊の姿を見た。既に
の中へと神送りされたは
ずであるのに・・・
紅い蝶を連れた薊は、自分の身代わりに作った
あの躯を殺すように、と訴えていた。
二人にはすまないことをした。
私が悪かったのだ。薊は、茜と一つになったとい
うのに、その形見を作った私が。
薊は、カラクリの頭と両手のありかを告げてい
たように思う。
屋敷のどこか、箱のある小部屋に隠されている、
と。
早く部品を探し出し、カラクリを直さなければ・・・